Last weekend was special. I was born two days before Easter on Good Friday; but since Easter’s date is always changing, this year my birthday was the day before. April is glorious in Florida, so part of the specialness was getting to spend both holidays with my family in one long weekend at the beach. Another thing making it special was the dreams I had there. Of the two I recall, both featured my masculine side, or animus. Since one of my goals for this blog is to make Jungian psychology as relevant and helpful to others as it has been to me, I’d like to share these dreams in the hope of raising your awareness of your own inner resources.
Dream #4319: Passing Through a Threshold With My Animus. I’m entering an open doorway. A dear male friend (no one I know in waking life) is immediately behind me. His arms are wrapped around me, holding me gently. Our movements are so synchronized and easy that I can’t tell if he’s guiding or following me. Either way, it feels wonderful to be so close.
I awoke from this dream on my birthday. It was my first gift of the day. It said I am not alone as I move forward in my journey. Yes, I know I’m profoundly blessed to have a loving family, but the truth is, not one of them will ever feel my passions and emotions, understand my conflicts and yearnings, or experience my awakenings. It is my job to know and grow myself, not theirs. They have their own souls to make.
That’s okay, says this dream. Because my animus has always been with me he knows me completely; and because I have honored and empowered him, he will support me at the crossing of every threshold, even the one that opens to death. The comforting feeling of knowing my back is covered by this loving inner reality lingered all day.
Dream #4320: Dancing With My Animus. I’m on a small stage in an intimate room that feels like a chapel. I’m the female lead in a play; an attractive man is the male lead. We’re both feeling unsure of ourselves as we demonstrate a phase of a developing relationship in which neither partner completely trusts each other or their own feelings. We dance around the stage then he bends me over backwards and leans over me. We hold this pose and wait for the audience’s response so we’ll know what to do next. This play is an improvisation requiring spontaneous interaction and cooperation between the players as well as between the players and audience.
My birthday dream depicts one reward of accepting my masculine side. My Easter dream says this work is not over. The presence of an audience suggests that my other inner characters are interested in my soul-making drama. It could also refer to an outer audience which is watching and helping. Both interpretations feel right to me.
My ego’s passion is to know and relate to my whole Self; my animus’s passion is to help me manifest what I know in writing. The dream says we’re both still feeling our way in this partnership. The religious setting means our work together is sacred and archetypal. And the presence of an audience tells me the purpose of the dance between everyone’s masculine and feminine sides is twofold: to unite the opposites in our own souls, and to help all humanity birth this Sacred Marriage in the world.