“The time is ripe for the unconscious and conscious dominants to meet each other. The death of the old dominant is indicated by the fact that the king is about to die. This corresponds to the fact that the God-image, the collective dominant of the Western psyche, is moribund. In preparation for its death, it opens up an ancient tomb; in other words it opens up the unconscious. This activates the feminine principle, which had been dead and buried in the very same tomb, in the unconscious. As the tomb is opened, the unconscious is penetrated by consciousness . . . and a revitalization occurs.” ~ Edward Edinger
With this opening quote a beautiful new book, The Unseen Partner: Love & Longing in the Unconscious, prepares the reader for a unique experience of a universal story: the hero’s journey to individuation. Unique, because this personal account shared in a mythical, poetic voice is utterly original and will impact each reader differently. Universal, because beneath the art, poetry, and expertly-crafted prose is the mythic story of Everyman. Two decades in the making and released this Labor Day weekend, Diane Croft’s The Unseen Partner is a most refreshing and artful contribution to the literature on Jungian psychology. I absolutely loved it!
By midlife, Croft had taken a predictable path to a comfortable life and successful career. Educated at Wittenberg and Harvard Universities, she became a publisher at National Braille Press. And then an unknown force invaded her conscious psyche and set her on a new path. As her press release notes, this force pulled her “into an energy field—the sacred temple at the center of the psyche—” (called the “Self” by Jung), where she captured the poetic voice she heard by means of automatic writing.
“In the summer of 1996, I fell into an experience of automatic writing. I was seated at my computer getting ready to compose a budget narrative. Instead I wrote a few lines of verse that appeared without thinking or intention. ‘Born in a cataclysm of cosmic violence/the lunar birth of daughter moon.’ And then a second poetry fragment appeared . . . and so it continued for three years, at roughly the same time each morning, until there were more than seven hundred odd verses. People ask me if I heard voices. No, I say, I just took dictation. The fingers moved and the words were typed.”
The Unseen Partner is based on 55 of these verses. Each is accompanied by an artful image that symbolizes an aspect of the individuation process. Croft’s commentary on the meaning she gleaned from the poetry and imagery is the third factor that weaves everything together into a remarkable book which is itself a creative work of art.
Here’s an example. This poem titled “Holy Ghost” features the symbolism of “the third.” The accompanying image and commentary illustrate how these three factors work together.
Who is this three of thee and me
a holy ghost in daylight calling
stirring in my bed this night
cauldron for my troubled soul,
reminding me again and again
of the living power it holds
over my dominion.
“Since I was baptized Lutheran, the image of the Holy Ghost was not foreign to me, though I understood nothing of its meaning. Since I now believe this collection is about the relationship between my conscious ego and the larger archetypal Self, then I can only say that that relationship involves a third. Who is this three of thee and me? In Mythology of the Soul, Baynes writes, ‘The number three is specifically associated with the creative process. . . . Every function of energy in nature has, indeed, the form of a pair of opposites, united by a third factor, their product.’ Jung identified “the third” as one of the stages of individuation: ‘The advance to the third stage means something like the recognition of the unconscious, if not actual subordination to it. . . .’ So, as I understand it, stage one equals the original state of wholeness (the pre-conscious totality), stage two represents separation and the emergence of opposites (ego consciousness), and stage three would be the union of the opposites through the agency of the Holy Ghost, now contained within the human vessel.”
This was particularly resonant to me. I don’t remember ever reading this quote by Jung before, but in Healing the Sacred Divide (2012), I used the symbolism of “the third” to illustrate the three epochs of the development of consciousness. Each of my epochs corresponds with Croft’s description of the stages of individuation. This synchronicity comes as no real surprise, for “the third,” like all the symbols treated in this marvelous book, represents an archetypal pattern residing in every psyche. Nonetheless, I had so many delicious “Aha” moments in reading it that the overall experience took on the flavor of meditating on, and with, a sacred unseen partner.
As Rumi warned, (and as Croft writes in the last line of her epilogue), “‘Don’t go back to sleep.’ Wake up and dip your cup into the living waters.” I could not recommend The Unseen Partner more highly, and I’ll be returning to it again and again, for in it I recognize a reliable companion and guide to the living waters within me.
The Unseen Partner can be found at Amazon.
Image Credits: Book cover, Amazon. “Friendship,” 1907, Mikalojus Konstantinos Ciurlionis, Lithuania, Wikimedia Commons.
Jean’s newest book, Healing the Sacred Divide, can be found at Amazon and Larson Publications, Inc. Ebook versions of The Bridge to Wholeness and Dream Theatres of the Soul are also at Amazon as well as Kobo, Barnes And Noble, and Smashwords.