Matrignosis: A Blog About Inner Wisdom

Think Pyschologically; Live Spiritually

Snake Symbolism October 15, 2019

Snakes, and particularly red ones, are not only spirits of the dead, but can also represent emotional states, as you have heard in the paper. They stand for the heat of the soul, the fire of passion, and thus represent a more intense stage of development. ~Carl Jung, Children’s Dreams Seminar, Pages 364-365.

Snakes fascinate and terrify most of us. Because of this near universal reaction, and because snakes have played such important roles in the mythology of just about every religion, we know they have relevance to the psycho-spiritual life of every human being.

Throughout history the connection between the snake and the feminine principle has been profound and intimate: from Eve to the Serpent Lady of Ashtoreth and Kadesh; from Ishtar, the Babylonian Lady of Vision to the Serpent Goddess of Crete; from Kebhut, the goddess of freshness who played a part in Egyptian funerary ceremonies to the asp that transported Cleopatra to the afterlife; from Greece’s ancient Earth Mother Gaea to the Golden Age’s Queen, Hera, and her step-daughter Athena, goddess of wisdom; from east to west, serpents have always tempted, personified, accompanied, awakened, transformed, and empowered women and goddesses.

A snake is one of the most versatile of all creatures. It can live in the ground or in a tree, in the desert or in the water, but it is primarily considered a chthonic creature, i.e. as pertaining to the earth and the spirits of the underworld. This accounts for its association with the physical death of the body; however, because it periodically sheds its skin and emerges as if reborn, it is also seen as a symbol of transformation and the perpetual capacity for renewal.

Snake Goddesses from the Minoan civilization of Crete. Heraklion Archaeological Museum, Crete

Psychologically, because of its phallic form, it is a masculine sexual symbol; yet, at the same time, because of its devouring nature, it also suggests feminine sexuality as well as extremely powerful unconscious feminine energies. In this latter regard, Jung noted that distressing dreams about snakes are symptomatic of anguish over a reactivation of the destructive potential of the unconscious. It is no wonder they are almost universally feared.

Snakes are also associated with divine revelation. Evidence from shrines and oracular sites of the Goddess in Babylon, Sumer, Anatolia, Egypt, Greece, and Rome suggests that sacred serpents were kept and fed by priestesses who were consulted for prophecy. Perhaps it is this association that led Philo of Alexandria to believe that the snake was the most spiritual of animals.

In sum, Cirlot’s A Dictionary of Symbols notes: “If all symbols are really functions and signs of things imbued with energy, then the serpent or snake is, by analogy, symbolic of energy itself — of force pure and simple…” Thus is Hinduism’s Shakti personified as Kundalini, a Sanskrit word meaning “circular power.” It is said the sleeping serpent-goddess is coiled in the pelvis and can be awakened through spiritual exercises, especially yoga. When aroused, she rises up through the spinal chakras until she reaches the head, completely transforming the individual along the way.

Whatever we call this energy, spirit persons from every religion have reported powerful and often very distressing physical and psychological symptoms consistent with this symbolism. Like Indra’s Diamond Net which intuitively prefigured Jung’s collective unconscious, quantum physics’ Holographic Universe,and the worldwide internet thousands of years ago, the Kundalini goddess may well be an ancient expression of a scientific reality: to wit, the very painful but ultimately healing evolutionary transformation of consciousness we see taking place all around us in the world today.

The next time you dream about a snake, pay special attention to the setting in which you saw it, what it is doing, and how its appearance and behavior make you feel. Then ask yourself questions like these or any others that seem to apply: “When have I recently felt this way in waking life?” “What internal changes am I becoming become aware of?” “What instincts or energies seem to be stirring up in me?” “Am I afraid of them?” “Why?” “What’s the worst that could happen if I acknowledged their reality and let them out?” “What’s the best that could happen?” “What outdated aspects of myself are dying?” “What message might Snake have for me?” “What aspect of myself am I being asked to transform and heal?”

Image credits:  Top, Google Free images, original source unknown. The others are the author’s photos.

Thank you to Lewis Lafontaine for providing the beginning quote from Carl Jung.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc. Her new book, The Soul’s Twins, will be launched next year.

 

 

How Does Love Emerge? September 3, 2019

Creative works which make such powerful impressions that we never forget them hold valuable lessons because they always depict the themes of our soul’s journey, usually in symbols that become deeply meaningful to us. This can be true of something as simple as a folk song or as complex as a symphony.

In the early years of our marriage my husband and I saw the film Blume in Love, starring George Segal and Susan Anspach. As we used to say in the 70’s, it “blew my mind!” There on the screen was a couple I could identify with. Blume was a successful young attorney blithely immersed in his work. Nina was a sensitive, serious-minded, idealistic social worker who sought inner peace and wanted to save the world.

While these two loved each other very much, both were self-absorbed and neither had a clue about the other’s inner reality. Nina’s discovery of Blume in their bed with his secretary resulted in their divorce and initiated a painful maturing process in which Blume came to see Nina’s significance as an individual in her own right, and Nina began to empower her true self while softening and forgiving Blume for being human.

Although the plot details were different, this romantic comedy portrayed a variation on our theme and depicted the essential challenge of every couple in an intimate partnership: to learn how to love. As a shockingly innocent and ignorant product of 1950’s and 60’s social conditioning, I was finally getting it that marriage is not a happily-ever-after instant fix involving two separate individuals whose roles and feelings will never change, but a container for soul-making. Every committed relationship is, in fact, a crucible in which two souls are melted down, refined and transformed in the evolutionary fires of change.

Blume in Love showed me that both partners will make sacrifices, suffer, be tempted, and make mistakes. And if love is to grow and last, each will need to understand that the other has equal merit and deserves equal rights and respect. This is how we learn to love.

The film’s ending in which Blume and Nina are reconciled in Venice’s Piazza San Marco taught me another archetypal truth: In a relationship that survives this ordeal, both partners can experience a revitalizing new birth. Notice how this theme is symbolized by Nina’s pregnancy in the image above.

In the years since I first saw this film, I’ve had many dreams about being pregnant. Although I rarely understood them fully at the time, in retrospect I see that they signaled gestating new life of some kind that would soon emerge into my consciousness. Blume in Love made a powerful impact on me and the Self adopted its symbolism to advance my consciousness.

An earlier version of this post was originally published in January of 2012. Synchronistically, as I was writing it, my editor who was helping me prepare my book Healing the Sacred Divide for publication, sent me an e-mail containing the following quote by Adyashanti (from Emptiness Dancing). It’s a very apt ending for these musings about love and relationships:

“Most relationships start out as unconscious relationships. When the light of awakeness comes to shine inside of that relationship, the unconsciousness within it is going to be revealed. It’s very important not to spiritualize it when it gets revealed. Some people want to spiritualize their relationship instead of making it conscious. They want to make it into a spiritualized fantasy in which their partner meets all their spiritual ideas about what a relationship could be. They think they know what it’s supposed to be like, what it could be like, where it’s going to go.

“When you ease back from that, you return to something that’s very intimate and innocent, where you are finally willing to tell the truth, not to hide, not to force consciousness into some relationship agenda, but to simply let it emerge. Then you never know what it will be like at any moment —  how consciousness, awakeness, and love are going to want to emerge.”

What books and movies fascinate you? How have they helped love emerge?

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc. Her new book, The Soul’s Twins, will be launched next year.

 

 

An Interview with the Center for Jungian Studies of South Florida February 5, 2019

The following is the transcript of an interview I had yesterday with Teresa Oster, MS, MSW. She’s a board member of The Center for Jungian Studies of South Florida where I’ll be doing a presentation on February 23. This is their link:  www.jungfl.org.  I’d love to see you there!

Q. Healing the Sacred Divide: Making Peace with Ourselves, Each Other and the World, which took you 18 years to write, is compelling reading, weaving the insights of many — spiritual masters, Jungian analysts, psychologists, and others — with your own. As a warm-up question, might you describe your personal library? How many books? How are they organized? What is on your reading table or night table now?

A. Oh, my. In our home we have a designated library/music/reading room with two walls of shelves containing about 1,650 books. At the moment there are another 200 plus on or near my desk for quick access. Most of the other rooms have a shelf or two of books as well. Those in the library are clustered together in genres:  classics, children’s literature, art, fiction, poetry, dreamwork, philosophy, archetypal symbolism, religion/spirituality, mythology, psychology, and women’s issues. Those nearest my writing desk belong to the last five genres.

The books on my night table at the moment are: The Hidden Spirituality of Men, by Matthew Fox; The Physics of Angels, Matthew Fox and Rupert Sheldrake; Man and Time: Papers from the Eranos Yearbooks, Volume 3, edited by Joseph Campbell;The Wisdom of Sundays, Oprah Winfrey; Philosophy: An Illustrated History of Thought, by Tom Jackson;  and Hilma af Klint: Paintings for the Future, by Tracey Bashkoff of the Guggenheim Museum. A friend loaned the last one to me last night. It’s filled with extraordinary archetypal images.

Q. Would it be accurate to call Healing the Sacred Divide a spiritual autobiography and workbook as well as a discourse on the trials and treasures in healing our divided selves, our divided relationships, our divided world? 

A. Yes. That’s a perfect summation. I find it almost impossible to separate my thinking and learning from my personal life and my passion for sharing what I’m learning with other psychological and spiritual seekers. I want to become my fullest Self and I love mentoring others who are on the same path.

Q. The late Jungian Analyst Robert Johnson wrote the forward to your previous book, Dream Theatres of the Soul. He appears to be a touchstone for your work. Would you comment on him, and his passing, and his favored concept of the mandorla, which you emphasize in Healing the Sacred Divide?

A. Robert A. Johnson was my earliest Jungian mentor. I met him at a Journey Into Wholeness conference in the early 1990’s and immediately knew him to be a soul brother. From him I learned that myths and dreams are valuable stories that show me the archetypal forces in my unconscious. I also learned that my psychological and spiritual growth is dependent on my ability to reconcile the conflicts in myself and my relationships. This is symbolized by a mandorla — the third, almond-shaped space made by two overlapping circles. It represents the holy space of dialogue and understanding where we connect with the Self and resolve conflicts in creative new ways. I’m sad that he’s no longer with us, but his soul left a powerful imprint on mine that will always be with me.

Q.You begin the book with a nightmare you had when you were ten, of the Lone Ranger, who you so admired but who shot you in the dream. The Lone Ranger has ‘shadowed’ you for all these years. Could you say just a bit about the importance of him in your process? I recently saw the archetypally rich film The Lone Ranger, starring Johnny Depp as Tonto. Have you seen it? If so did it resonate?  

A. My dream was as archetypally rich as the film. I did see it and I loved it. As a child, I idolized the Lone Ranger, Tonto, and Silver. I woke up from that dream screaming with outrage and weeping from a profound sense of betrayal. It has taken me years of inner work to understand why. The Lone Ranger was my version of the heroic Father archetype. Tonto was my personal image of my shamanistic Mediatrix/Sage archetype. Silver represented the power and potential of my Animus, the drive that motivates my teaching and writing. Why did the Lone Ranger shoot me at the age of ten? Because I was becoming aware of the toxic patriarchal conditioning of my childhood that said males were heroes and authority figures and females were victims and second-class citizens. The dream was a call to discover and empower the archetypal forces in myself, especially my feminine side. It took me 35 more years to find the path Jung paved for me and other seekers.

Q. You quote Krishnamurti: “The world problem is the individual problem.” Would you comment? How are we individuals responsible for the extreme conflicts in our world today?  

A.The opposite of Krishnamurti’s comment is likewise true: the individual solution is the world solution. We and our species are evolving from a state of primitive infancy toward greater consciousness and psycho-spiritual maturity. As you do your inner work and grow in self-awareness, you automatically motivate everyone you touch to seek healthier resolutions to their problems and find meaning for their own lives. For the first time in human history, the internet has the potential to swing the tide of collective consciousness away from conflict and hatred toward understanding and love. I truly believe that if we join the drops of our individual awareness to the gathering collective wave, we can save our species and our planet from destruction.

Q. Another author you cite is Jungian Analyst Janet O’ Dallett, author of The Not-Yet Transformed God. She spoke to our group many years ago, but I still remember what she told us before the lecture. She said she lived on the Olympic Peninsula near Seattle and there were two houses on her property.  She lived in one and her husband lived in the other. What do you think she was trying to say about the individual in relationship?  

A. I love that. I think she was trying to illustrate how hard it is to create a healthy, loving, lifelong, relationship with your partner without sacrificing your freedom to be true to yourself. For the last few years I’ve been taking baritone ukulele lessons and writing songs. My latest song, “Happy Place,” is my answer to your question. It’s about the mandorla that two individuals can create in a couple relationship. Here are the last lines: 

“I wish my happy place was yours. I wish that yours was mine.

But everybody’s got their own. Seems like that’s just fine.

Together we’re building a place of our own, where we both can grow.

You can do your thing and I’ll do mine….It’s the happiest place I know!”

 

Q. You cite so many influential authors in The Sacred Divide. I was disappointed not to see a bibliography. Might you want to hand one out to attendees at the upcoming event?  

A. I’ll be happy to. I’m in the midst of creating one for my new book, and I’ll bring it with me to the workshop.

Q. You called your first three books a trilogy. Now you are working on a fourth. What is the subject of the new book?

A. The Soul’s Twins transforms my work into a quaternity — a symbol of wholeness that is my answer to the Lone Ranger and the patriarchal culture he alerted me to at the age of ten. I believe it is imperative for our species to eliminate old stereotypes about Deity and gender by consciously integrating the feminine and masculine principles within and without. The Soul’s Twins was conceived in the early 90’s when I attended an intensive at the C.G. Jung Institute in Zurich where Jungian analyst Dr. Martin Odermatt introduced us to a newly emerging image for the Self. He called it the Couple, a new God-image representing the unifying force of love that can heal the world.

Over the next year I wrote a manuscript describing how the interaction between four basic feminine archetypes and their four masculine archetypal partners creates the Couple. I also created and tested a self-assessment instrument called The Partnership Profile which is included in the new book. I didn’t know how to finish it then, which is probably just as well because I’m pretty sure the world wasn’t ready to receive it. So it sat in my computer until two years ago when my Animus reared up and demanded that we revise, condense, and see it through to publication. He and I are very excited about the dramatic movements like #MeToo that are shaking up and tearing down the toxic bastions of patriarchal dominance. I’m pretty sure the time is right for it now. May it be so!

Reminder to attendees: Some journaling is part of this event. Bring notebooks and pens. Sharing is optional.

Image credits:  The rearing horse found on Google Images is attributed to rebelyell.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

Musings From My Cave July 3, 2018

The old root cellar, a cave under a mountain.

The book is coming along—slowly, often joyfully, sometimes painfully. This is hard work, yet it really is the only thing I’m good for.

In theory I can do almost anything; certainly I have been told how. In practice I do as little as possible.  I pretend to myself that I would be quite happy in a hermit’s cave, living on gruel, if someone else would make the gruel. Gruel, like so many other things, is beyond me.  Margaret Atwood

So I’m here in the mountains, happily ensconced in my cave.

Thunder is no longer the voice of an angry God… No river contains a spirit… no snake the embodiment of wisdom, no mountain cave the home of a great demon. No voices now speak to man from stones, plants and animals, nor does he speak to them thinking they can hear. His contact with nature has gone, and with it has gone the profound emotional energy that this symbolic connection supplied. Carl Jung

That’s why I come here, where summers are cool and I reconnect with nature. When I’m in Florida I always imagine that when I return, my writing will flourish.

I would get a lot of writing done if I lived in isolation in a cave under a swamp.  Claire Cameron

Or a mountain… That’s what I keep telling myself.

I like solitude.  I”m very good at being disconnected.  I do a lot of disappearing. People who know me go, ‘Oh yeah, Mailman, she’s gone into her cave again.’ I’m like that, a bit of a hibernating bear. Like that crocodile that just sits there in the water and doesn’t do much.  I was always a bit of a dreamer as a kid, so that hasn’t changed.  Deborah Mailman

Wonder

Ever since I dreamed about a huge elephant breaking down a door to get out of a cave, I’ve been curious to know what’s inside. And who is this elephant? Why does she want to get out? What does she know that I don’t? At first I was terrified of what might be in that cave.

Thus it was that in obedience to the law laid down by his mother, and in obedience to the law of that unknown and nameless thing, fear, he kept away from the mouth of the cave. Jack London

But my need was such that I had to enter. After a few years of working with my dreams, my fear began to fall away and my cave became a sanctuary.

Truth is a demure lady, much too ladylike to knock you on your head and drag you to her cave. She is there, but people must want her, and seek her out. William F. Buckley Jr.

We live life in the marketplace and then we go off to the cave or to the meditation mat to replenish ourselves. Ram Das

For me, I think [art] exists in a cave. I am in a cave. Haile Gerima

I’ve learned a lot from exploring my cave.

The cave you fear to enter holds the treasure you seek.  Fear of the unknown is our greatest fear.  Many of us would enter a tiger’s lair before we would enter a dark cave. While caution is a useful instinct, we lose many opportunities and much of the adventure of life if we fail to support the curious explorer within us.  Joseph Campbell

What I want to see…

Now I see…

How you’re still always trapped.  How your head is in the cave, your eyes the cave mouth. How you live inside your head and only see what you want. How you only watch the shadows and make up your own meaning. Chuck Palahniuk

And I know that…

You are also caught with the fact that man is a creature who walks in two worlds and traces upon the walls of his cave the wonders and the nightmare experiences of his spiritual pilgrimage. Morris West

I love my cave. It’s where I hear my soul, see my dreams, make meaning.

I’d rather live in a cave with a view of a palace than live in a palace with a view of a cave. Karl Pilkington

The cavemen, when they saw the antelopes, they had to scratch them on to the caves because they needed to express the immediacy of what they were being affected by – and I love that. That is why I do what I do. I need to express myself. Alejandro Gonzalez Inarritu

Each story, novel, poem and play presents a vision of the world that illuminates the dark cave of life we stumble through. We can see better where we’re going, what sudden drop to avoid, where the cool water is running.  Kareem Abdul-Jabbar

For a long time, I thought I was getting wiser. And in some ways I was. But my cave is also a place to escape the harsh realities of life.

There is no crime more infamous than the violation of truth. It is apparent that men can be social beings no longer than they believe each other.  When speech is employed only as the vehicle of falsehood, every man must disunite himself from others, inhabit his own cave and seek prey only for himself. Samuel Johnson

Johnson was right on one level. Detaching from the world’s toxicity is a path to self-discovery and a means of self-preservation. For me, that’s been especially true in the last couple of years. Still, it’s equally true that

…Spiritual opening is not a withdrawal to some imagined realm or safe cave. It is not a pulling away, but a touching of all the experience of life with wisdom and with a heart of kindness, without any separation. Jack Kornfield

The world is only as fair as you can make it. Takes a lot of fight. A lot of fight.  But if you stay in here, in your little cave, that’s one less fighter on the side of fair.  Libba Bray

“How in hell did those bombers get up there every single second of our lives! Why doesn’t someone want to talk about it! We’ve started and won two atomic wars since 2022! Is it because we’re having so much fun at home we’ve forgotten the world? Is it because we’re so rich and the rest of the world’s so poor and we just don’t care if they are? I’ve heard rumors; the world is starving, but we’re well fed. Is it true, the world works hard and we play? Is that why we’re hated so much? I’ve heard the rumors about hate too, once in a long while, over the years. Do you know why? I don’t, that’s sure! Maybe the books can get us half out of the cave. They just might stop us from making the same damn insane mistakes!” Ray Bradbury, Fahrenheit 451

My life has been a fight to speak my truths, to not cave.

Be ruthless about protecting writing days, i.e., do not cave in to endless requests to have essential and long overdue meetings on those days.  J K Rowling

But I also need to stay in relationship with the world. It seems I’m always walking a thin line, holding the tension between two equally valid truths.

At eighteen our convictions are hills from which we look; at forty-five they are caves in which we hide. F. Scott Fitzgerald

What are my convictions at seventy-five? Oceans in which I swim. You and I are made of quantum particles of star dust and photons of light, each one unique, every one connected with every other in an underlying sea of love. A place where every individual is separate and unified at the same time. Where all are known and loved.

Welcome out of the cave, my friend.  It’s a bit colder out here, but the stars are just beautiful.  Plato

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

Three Billboards: The Myth and the Message February 20, 2018

Three Billboards Day 04_118.dng

Dark, quirky, clever, and controversial, Three Billboards Outside Ebbing, Missouri has been nominated for seven academy awards this year. Like “The Shape of Water,” nominated for a whopping 13, its protagonist is a powerless, justice-seeking female up against an unsympathetic patriarchal system. In this case, the villain is not the U.S. military, but a small town, good-old-boy police force. Both plots are driven by the archetypal hero/ine vs. villain theme punctuated with racism, violence, and abuse of power.

Frances McDormand plays Mildred Hayes, a grieving mother whose teen-aged daughter was raped then set afire. Angry at local authorities who haven’t solved the murder, she rents three unused billboards and puts up an accusatory message to sheriff Willoughby, played by Woody Harrelson. In the face of animosity and threats from several fellow citizens, especially the racist, mama’s-boy police officer Dixon (Sam Rockwell), she persists in calling attention to her cause. As tension and emotions ramp up in a series of unexpected events, viewers discover that in this battle between good and evil, the lines aren’t as clearly drawn as we might prefer.

Original as this film is, at bottom, its theme is archetypal. Consider the ancient Greek myth about the Earth Mother goddess Demeter and her beloved young daughter, Persephone. Carol S. Pearson’s latest book, Persephone Rising, contains an insightful explanation of the same psychological forces which continue to influence us and our culture today.

In the myth, innocent Persephone gathers flowers in a field when Hades erupts through a cleft in the earth and abducts (and some say rapes) her. When Demeter realizes her beloved daughter is gone, she is overwhelmed with grief. After getting no help from the gods who, fearing retribution from Zeus, refuse to tell her what happened to her daughter, she sets aside her responsibilities for making the crops grow and searches the earth tirelessly. While Demeter grieves, all growth on earth ceases, then dies. As Dr. Pearson notes, Demeter’s recognition that her needs matter too result in the “first ever recorded sit-down strike.”

Zeus — the Father/King of the gods and prototype of patriarchy’s top dog whose power trumps everyone else’s — is not happy about this.  It was he, Persephone’s father, who had given Hades permission to take her to the underworld in the first place. But if the famine kills the humans, who will build his temples? Who will worship him with gifts and offerings? So this macho, uncompromising thunder God relents and demands Persephone’s release. Demeter’s non-violent protest works.

But will Mildred’s protest work? Will it stay non-violent? Our dualistic mindsets want a hero to celebrate, a scapegoat to blame, a heretic to crucify. But these people are not polar opposites like virtuous princes and wicked witches. They are complex, multi-faceted human beings grappling with complex issues and powerful emotions that aren’t easy to reconcile.

The gods and goddesses represent amoral, instinctual forces in all of us. At bottom, this is who we are. You and I contain every emotion they feel, and we are capable of being gripped by them to commit every act they do, good and bad. The only difference between them and us is that we humans want to be virtuous so we make rules for ourselves, try to keep them, and disown our shadow sides that want to break them. But sometimes they show up anyway.

Mildred’s daughter has been taken from her and she deserves justice, but can we condone her increasingly questionable tactics? We might likewise ask, how can Demeter, supposedly an endlessly loving and forgiving Mother goddess, let humanity starve to death just to get her daughter back? Does her grief justify her means?

Seeing unsuspected sides of Sheriff Willoughby and officer Dixon is equally unsettling. Why isn’t Willoughby putting more effort into pursuing the culprit? Is he indifferent to Mildred’s suffering? Why does he let Dixon — one of those ignorant Warrior bullies we love to hate — get away with his senseless cruelty toward a man less powerful than he? Are these people redeemable?

Demeter gets her daughter back from the underworld, at least for part of every year. But though Mildred has some admirable goddess qualities, she is not a goddess, and no matter how much she acts like one her daughter will never return. Is there a human force strong enough to reconcile her fierce Demeter hunger for justice? Dixon, like Zeus and Ares, the God of War, savagely punishes people he hates. Will Mildred become like him? And if she does, will this cancel out any vestiges of human goodness left in her?

Three Billboards Outside Ebbing, Missouri is a dark, disturbing film, but I loved it for highlighting human complexity and prompting these and other difficult questions. It is the function of artists and art to raise a culture’s awareness. To challenge our either-or morality. To explore the gray realm between opposites in which a creative third force can emerge to reconcile our divisiveness. I love it that this film is being honored for rising to this challenge.

But I loved the dreamy, fairy-tale quality of The Shape of Water too. This leaves me with another question. Which one do I want to win the Oscar for best picture? This is a complex issue I haven’t reconciled yet.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

What Do Our Relationships Have to Do with Our Spirituality? February 7, 2017

Like you and me, an iceberg has a part we can see and a part we can't.

Like you and me, an iceberg has a part we can see and a part we can’t.

The cooperation of conscious reasoning with the data of the unconscious [two opposing halves of one psyche] is called the ‘transcendent function’…. This function progressively unites the opposites. ~Carl Jung, CW 18, par. 1554.

In my January 4th post, “What Is Enlightenment?” I wrote,  “…even though we think of enlightenment as a strictly spiritual pursuit, it… is not solely a function of any one aspect of human nature, but of the whole package.” I went on to describe what I consider to be the fundamental psychological components of enlightenment. They consist of four archetypal couples—each consisting of a ‘masculine’ and ‘feminine’ form of energy—and a final androgynous archetype, The Couple, which evolves as we work to create reciprocal relationships between the other four pairs.

One reader made the following observation:

So, the Couple archetype may be just a beginning place, with the potential for infinite expansion and evolution. Any two energies, when they come together, exponentially increase the potential of each partner and create a new whole that radiates outward to impact an infinite number of other inter-related individuals. The Couple is not completion, it is only the point where “self” and “other” become one… and then become infinite. The “transcendence” occurs beyond self and other, beyond masculine and feminine. Kirsten Backstrom

I agree with Kirsten’s comment that the Couple is not completion. As I see it, it is a conscious, expanding, integrating way of thinking, being and living which aims for perfection and completion. In this respect it is a portal to transcendence. I’d like to expand on that idea here.

Last weekend I attended a talk by Father Rohr in which he made two profound statements:

“Organized religion has not taught high-level consciousness.” 

“Unless your religion is transforming your consciousness, it’s junk religion.” ~Richard Rohr, Speech in Winter Park, FL, Jan 28, 2017.

This from a Catholic priest.  How refreshing is that? Here’s the point I want to make: We are much more than we think we are, and reality is much more than we think it is. The thoughts and feelings of which we are aware are the tip of a massive iceberg, and we will never experience spiritual transformation (non-dualistic, high-level consciousness) until we admit the data of the unconscious, i.e. what lies below, into our awareness.

Two opposing hemispheres in intimate relationships make a third sacred entity: a child, your brain, the world, a new work of art.

Two opposing hemispheres in intimate relationships make a third sacred entity: a child, your brain, the world, a new work of art.

And how do we do that? As Richard Rohr says, “the relationship is the vehicle” that will take us there.

“God is absolute relatedness.  I would name salvation as simply the readiness, the capacity, and the willingness to stay in relationship.” Richard Rohr. Divine Dance, p. 46.

This is a truly profound statement. Once again, to quote Rohr,

“…the principle of one is lonely;  the principle of two is opp0sitional and moves you toward preference;  the principle of three is inherently moving, dynamic, and generative.”  Richard Rohr. The Divine Dance, p. 42.

Three. Trinity. The foundation of Christian theology. Any relationship between two opposing parts of ourselves, or between two individuals, is by nature oppositional. However, a long-lasting, committed relationship between any two entities is a sacred crucible in which two souls (or two opposing parts of one soul) can hope to attain psychological and spiritual maturity. This is why I’ve written:

I see the Couple as integrating the other four archetype pairs in a sacred marriage of fully individuated and fully related opposites.  This union activates the creative instinct and brings us into the spiritual domain and Epoch III integrated consciousness. ~Raffa, Healing the Sacred Divide, p. 203.

Epoch III thinking is neither perfect nor complete. But at this point in human evolution, it is a step forward:  a portal to further growth. Moreover, as Kirsten noted, and as I write in Matrignosis and my books, the genders of the human partners whose interactions usher us into this domain is not an issue. Here’s Kirsten’s take on why:

“There are good reasons why “Two Spirit” people in many indigenous cultures have a significant role in spirituality, because they (we) literally transcend the human tendency to create dualistic models of relationships (both internal and external) that are actually intricate, reflective, webs of interdependence—more like Indra’s net than like pairs of complementary opposites….

“With gay relationships, we’ve got to experiment with going beyond the duality and open up the possibilities… because we don’t just fit the mold. In my own 29 year relationship, we’re constantly exploring new ways of balancing, responding, creating, and dancing with each other… I hope that’s true in any healthy relationship!”  ~Kirsten Backstrom

Ancient pagan and modern Christian symbolism: Androgyny.

Ancient pagan and modern Christian symbolism: Androgyny.

I find Kirsten’s thinking on this issue to be profound. I believe with my whole being that it is possible for partners in any couple relationship to relate in such a way that the creative instinct within each is activated. This enriches both their individual selves and their relationship such that each partner creates an original work of art of his/her own soul as well as of the relationship itself.

Moreover, their creative interaction in the space in-between activates a third entity, sometimes called the Holy Spirit, or God’s indwelling presence. This three-in-one relationship is a spiritually transformative love, a divine presence which transcends religious dogma, gender stereotypes, and dualism. Thus can we evolve into high-level consciousness and high-level spirituality.

“We…are intrinsically like the Trinity, living in an absolute relatedness.  We call this love.”  ~Richard Rohr, The Divine Dance, p. 47.

What do our relationships have to do with our spirituality?  Everything!

 

Thank you, Kirsten Backstrom, for inspiring this post.

Image credits:  Iceberg, Wikimedia Commons.  The brain’s hemispheres, Google Images. Androgyny, Wikimedia Commons.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

The Couple Relationship Within and Without January 24, 2017

Lovers

Lovers

“The original sperm from which we are formed is masculine and feminine, the one which is in the majority wins, but the other side does not die, it remains living but as a minority, just as in politics the Government and the Opposition both exist.” ~Carl Jung, ETH, Page 216.

Unfortunately, whether we are talking about the masculine and feminine attributes of our physical bodies, the psychological relationship between our inner masculine and feminine qualities, or relationships between males and females, Jung’s use of the word ‘Opposition’ in the above quote is only too appropriate.  Once our egos start identifying with one principle in childhood, we tend to set up an antagonistic relationship with the other, and this polarization permeates every aspect of our lives.

Dualistic thinking appears to be a natural and inevitable by-product of ego-formation in the first half of life, but it does not have to end there. Nor should it, if we want to keep growing. As Dr. Jung noted, we’re all formed from both principles, and each of us has our own unique spot somewhere along the continuum between them. Ultimately, our satisfaction and fulfillment in life depends on finding our own place and learning how to be true to it.

“It is only possible to live as we should if we live according to our own nature. But in these days we live by our brains alone and ignore the very definite laws of our body and the instinctive world. We damage ourselves severely when we offend against these…” ~Carl Jung, Modern Psychology, Page 219.

As long as we’re unaware and unaccepting of our true nature and fuller potential, we inevitably damage others too. Regardless of our gender, if, as a child, we learn to fear, mistrust, and dislike our fathers or other adult males, we may grow up to feel the same way about our own masculine sides, other men, or the masculine sides of women. Our attitudes toward our mothers and adult females will likewise effect our attitudes toward our feminine sides, other women, and the feminine sides of men.

We all have different personalities, experiences, biases, complexes and shadows, and no one wants to look at their painful aspects. But we ignore them at our peril, because our disowned selves influence our health and the health of our relationships.

Fortunately, there is an easy way to spot our prejudices and barriers: they are mirrored every day in intimate couple relationships. But unfortunately,

 Nails in Love

Nails in Love

“We have not been educated to look inwards, though most people are able to give their attention to outside things.” ~Carl Jung, ETH, Vol. 3, Page 13.

If we want loving couple relationships, we must redirect our attention from the outer world to the inner.  We must commit ourselves to practices which reveal our soul’s truths, which we must accept, especially the painful ones. If we persevere, over time our wounds begin to heal and our perspective changes. As this happens our outer lives change too.

We will never change completely and our shadow will always be with us, but we can recognize it sooner and make reparations faster. Moreover, accepting and integrating our fuller potential empowers us to break out of our prisons of conformity and blossom into our individuality. Gradually our resistance to, and fear of, others and the unknown lessens. We pretend less, react less habitually, feel less need to conceal our honest feelings or stifle our gifts. Our need to know everything, control anyone, or prove anything diminishes. Defensive postures such as resentment and hypersensitivity soften.

We grow more mindful, less agitated. We can more easily relax into the present moment. We can anticipate what the next may bring with pleasure and enthusiasm. We can make original, authentic choices. When we feel our prejudices, painful emotions and unhealthy habits rising within us like monsters from the deep, we can find new ways to express them without hurting others.

Over time, our thoughts and behaviors spring more often from healed archetypes than wounded stereotypes. Life becomes a delightful gift to be savored; less of a contest to win, obstacle to overcome, or ordeal to be endured. Thus do we create an ongoing, original work of art:  an increasingly more authentic, empowered, and conscious being with balanced energies which flow appropriately between masculine and feminine, here manifesting qualities of the drive for self-preservation, there acting from the drive for species-preservation. In a culture distorted by one-sided worship of the masculine, integrating the feminine brings a refreshing return of feeling and the ability to live with soul.

Northern Italy (Embriachi workshop): Jewellery Casket with Couples of Lovers; late 14th century; bone on wood, intarsia. Skulpturensammlung (inv. no. 690; acquired in 1835 for the Royal „Kunstkammer“ collection), Bode-Museum Berlin.

Northern Italy (Embriachi workshop): Jewellery Casket with Couples of Lovers; late 14th century; bone on wood, intarsia. Skulpturensammlung (inv. no. 690; acquired in 1835 for the Royal „Kunstkammer“ collection), Bode-Museum Berlin.

Respecting both masculine and feminine values fashions a new morality of impeccable integrity and personal responsibility based on universal standards of justice and care for all. Our wish to cause as little pain as possible, combined with our growing ability to see and restrain our shadows, helps us listen with patience and tolerance while allowing our partners to speak their truths. Creating the Couple within dramatically increases our hope of healing our relationships and establishing the intimacy and compassion for which every soul longs.

“If our inner journey does not match and lead to an outer journey, we have no true freedom or “salvation.” Richard Rohr Online Daily Meditation, January 16, 2017.

And I would add, if our inner relationship does not lead to a more honest and healthy couple relationship, we can be sure we are neither spiritually mature nor enlightened.

Image Credits: Wikimedia Commons.  

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

 
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