The Six C’s of the Silver Queen October 4, 2016
My last three posts were about the psychological underpinnings of the upcoming U.S. election. In keeping with the purpose of Matrignosis, (mother-knowing), I’ve focused on the feminine principle and the importance of activating it in ourselves and society as a healthy corrective to the excesses of patriarchy. As you read this revised post which originally appeared here a year and a half ago, I hope you will examine yourself and the candidates with the aid of your right brain’s symbolic language for insights that might aid America’s advance in that direction.
A while back I wrote about a very damaging manifestation of the feminine principle sometimes called the Death Mother or Evil Queen. Often clothed in black, this force in us represents parts of our feminine sides that have been so devalued, wounded and abused by patriarchal excesses that they are repressed into the dark, unconscious regions of our psyches. There they become twisted, cold, vengeful and self-destructive.
In this post I want to bring some balance to our understanding of the feminine principle by addressing some of its positive qualities. But first, a few relevant words about alchemy and Greek mythology.
Dismissed by some left-brained literalists as pseudo-science, alchemy was, in fact, like mythology, a profoundly wise symbol system that sought to heal humanity’s dangerous tendency toward obsessive one-sidedness. Employing both languages of the brain, logic and imagination, its practitioners described their work as a lengthy process of refining and uniting the King (the masculine principle symbolized by the fiery gold light of the sun), and the Queen (the feminine principle represented by the silvery watery light of the moon) in a Sacred Marriage.
The result of their union was the creation of a rare and precious form of new life called the Philosopher’s Stone. This symbolized the fullest and maturest wisdom and consciousness of which humanity is capable. Unfortunately, we are still so far from this goal that it would be laughable were it not so depressing.
In ancient Greece the feminine principle was celebrated in three aspects of Goddess. These can be represented by colors. The Maiden (green), Mother (red), and Crone (gray or black), represented the mysterious circle of life–birth, maturity, death and regeneration–celebrated in Lunar Mythology. These were the dominant themes of humanity’s spirituality until the sun god’s Solar Mythology about the battle between good and evil replaced it. Today, many students of psychology, anthropology, religion, spirituality, myth and alchemy personify a missing fourth aspect between the Mother and Crone as the fully empowered Queen. I associate her with the color silver.
In the outer world of work, the Silver Queen is the most visible manifestation of healthy feminine authority. We see her in socially aware leaders and authorities of all kinds; for example, enterprising founders of innovative business practices that weaken the stranglehold of one-sided logic and linearity, or bold and balanced, firm and fair champions of nurturing change in any group, movement, or organization.
Individuals (male or female) with well-developed Queen energy can be effective within the confines of the kingly Solar Mythology that still dominates our culture. However, they do not imitate, limit themselves to, or promote obsessively one-sided patriarchal values. Instead, they consistently facilitate the re-emergence of the Silver Queen’s Lunar values.
My description of these values and how they manifest in people is based on Dr. Carl Jung’s observation, borne out in traditional literature throughout history, that the feminine foundation of the psyche–aka Sophia, Anima or Soul–is the source of our nourishing and transforming energies. It is only when we disown these energies that she turns her dark face to us in the form of Death Mother.
THE SIX C’S OF THE SILVER QUEEN
As Carer, she is there for her true self and others: she feels, gives, listens, encourages, intuits, confronts, affirms. When necessary and appropriate, she sacrifices.
As Container she holds and tolerates tension, conflicts, suffering, uncertainty and change without breaking or giving up.
As Connecter she mentors, guides and networks with other people and respects other perspectives.
As Communicator she speaks her truths, listens to others’ truths, and seeks to integrate otherness.
As Cooperator she shares her knowledge and authority without greed, prejudice, envy, abuse, or expectation of reward.
As Changer she trusts the transformative process and flows with evolutionary energy.
The Silver Queen in each of us has the power to bring healing balance to all of us. May we resurrect and activate her before Death Mother and the obsessively patriarchal system that created her destroys us.
Image Credits: Alchemical Moon and Goddess of the Moon: Google Images
Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at Kobo, Barnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.
The Unseen Partner September 6, 2016
“The time is ripe for the unconscious and conscious dominants to meet each other. The death of the old dominant is indicated by the fact that the king is about to die. This corresponds to the fact that the God-image, the collective dominant of the Western psyche, is moribund. In preparation for its death, it opens up an ancient tomb; in other words it opens up the unconscious. This activates the feminine principle, which had been dead and buried in the very same tomb, in the unconscious. As the tomb is opened, the unconscious is penetrated by consciousness . . . and a revitalization occurs.” ~ Edward Edinger
With this opening quote a beautiful new book, The Unseen Partner: Love & Longing in the Unconscious, prepares the reader for a unique experience of a universal story: the hero’s journey to individuation. Unique, because this personal account shared in a mythical, poetic voice is utterly original and will impact each reader differently. Universal, because beneath the art, poetry, and expertly-crafted prose is the mythic story of Everyman. Two decades in the making and released this Labor Day weekend, Diane Croft’s The Unseen Partner is a most refreshing and artful contribution to the literature on Jungian psychology. I absolutely loved it!
By midlife, Croft had taken a predictable path to a comfortable life and successful career. Educated at Wittenberg and Harvard Universities, she became a publisher at National Braille Press. And then an unknown force invaded her conscious psyche and set her on a new path. As her press release notes, this force pulled her “into an energy field—the sacred temple at the center of the psyche—” (called the “Self” by Jung), where she captured the poetic voice she heard by means of automatic writing.
“In the summer of 1996, I fell into an experience of automatic writing. I was seated at my computer getting ready to compose a budget narrative. Instead I wrote a few lines of verse that appeared without thinking or intention. ‘Born in a cataclysm of cosmic violence/the lunar birth of daughter moon.’ And then a second poetry fragment appeared . . . and so it continued for three years, at roughly the same time each morning, until there were more than seven hundred odd verses. People ask me if I heard voices. No, I say, I just took dictation. The fingers moved and the words were typed.”
The Unseen Partner is based on 55 of these verses. Each is accompanied by an artful image that symbolizes an aspect of the individuation process. Croft’s commentary on the meaning she gleaned from the poetry and imagery is the third factor that weaves everything together into a remarkable book which is itself a creative work of art.
Here’s an example. This poem titled “Holy Ghost” features the symbolism of “the third.” The accompanying image and commentary illustrate how these three factors work together.
Who is this three of thee and me
a holy ghost in daylight calling
stirring in my bed this night
cauldron for my troubled soul,
reminding me again and again
of the living power it holds
over my dominion.
“Since I was baptized Lutheran, the image of the Holy Ghost was not foreign to me, though I understood nothing of its meaning. Since I now believe this collection is about the relationship between my conscious ego and the larger archetypal Self, then I can only say that that relationship involves a third. Who is this three of thee and me? In Mythology of the Soul, Baynes writes, ‘The number three is specifically associated with the creative process. . . . Every function of energy in nature has, indeed, the form of a pair of opposites, united by a third factor, their product.’ Jung identified “the third” as one of the stages of individuation: ‘The advance to the third stage means something like the recognition of the unconscious, if not actual subordination to it. . . .’ So, as I understand it, stage one equals the original state of wholeness (the pre-conscious totality), stage two represents separation and the emergence of opposites (ego consciousness), and stage three would be the union of the opposites through the agency of the Holy Ghost, now contained within the human vessel.”
This was particularly resonant to me. I don’t remember ever reading this quote by Jung before, but in Healing the Sacred Divide (2012), I used the symbolism of “the third” to illustrate the three epochs of the development of consciousness. Each of my epochs corresponds with Croft’s description of the stages of individuation. This synchronicity comes as no real surprise, for “the third,” like all the symbols treated in this marvelous book, represents an archetypal pattern residing in every psyche. Nonetheless, I had so many delicious “Aha” moments in reading it that the overall experience took on the flavor of meditating on, and with, a sacred unseen partner.
As Rumi warned, (and as Croft writes in the last line of her epilogue), “‘Don’t go back to sleep.’ Wake up and dip your cup into the living waters.” I could not recommend The Unseen Partner more highly, and I’ll be returning to it again and again, for in it I recognize a reliable companion and guide to the living waters within me.
The Unseen Partner can be found at Amazon.
Image Credits: Book cover, Amazon. “Friendship,” 1907, Mikalojus Konstantinos Ciurlionis, Lithuania, Wikimedia Commons.
Jean’s newest book, Healing the Sacred Divide, can be found at Amazon and Larson Publications, Inc. Ebook versions of The Bridge to Wholeness and Dream Theatres of the Soul are also at Amazon as well as Kobo, Barnes And Noble, and Smashwords.
A Dialogue with the Self August 2, 2016
Carl Jung said the Self is both our core and our circumference. Some think of it as our soul, the totality of who we are and who we have the potential to become. Jung called it the archetype of wholeness. In later years he referred to it as our god-image and connection to the Mystery some call God. Composed of the twin drives for self-preservation (i.e. masculine logos, represented in alchemy by the King archetype) and species preservation (feminine mythos/eros symbolized by the Queen), the Self shapes our ideas about what is sacred.
As the source of our irresistible compulsion to grow into our true selves and express our unique creativity, the Self is an ongoing, never-ending process. I see it as the psychological equivalent of the physical exchange of energy and information constantly occurring at the quantum level between the molecules of our bodies and between us and our environments. As I understand Jung, he suspected that the energies of both processes, inner and outer, are united in one intelligent, purposeful, evolving collective unconscious, Force (as George Lucas named it), or Zero Point Field (as some physicists now call it), which promotes increasing order, health, and wholeness.
We associate the Self with six attributes: wholeness, centrality, unity, love, pattern, and the life-giving force. We grow conscious of its guidance by noticing these themes in the symbols and synchronistic events of our dreams and waking life. Benevolent by nature, the Self calls our egos to their heroic destiny of merging with the indwelling Mystery. Our egos often reject its guidance, but it never gives up on us. The more we notice and respond to it, the more it responds to us.
The following story from one of my earliest blog posts illustrates the loving interaction that can take place between ego and Self:
I’ve just arrived at my soul’s home in the mountains of North Carolina where I will spend the remainder of the summer. I’ve often wondered why I love this place so dearly, why it makes me feel so loved and connected and alive and grateful for my life. My answer came last night and this morning.
I’m at my desk looking out an east-facing window. The morning sun enters my backyard late because it has to rise above the mountain before its rays filter down through a thick tree canopy. Most of what I see is in shade but a patch of sun has highlighted the brilliant silver threads of a spider web between two branches of a buckeye tree. Grandmother Spider is busily checking connections, tightening threads, and hunting for tasty morsels that got trapped during the night.
Pursuing the threads of last night’s thoughts, this morning I picked up Aion, Volume 9, ii, of Jung’s Collected Works, in search of symbols of the Self. In paragraph #356 he writes:
“The commonest of these images in modern dreams are, in my experience, the elephant, horse, bull, bear, white and black birds, fishes, and snakes. Occasionally one comes across tortoises, snails, spiders, and beetles. The principal plant symbols are the flower and the tree. Of all the inorganic products, the commonest are the mountain and lake.”