Matrignosis: A Blog About Inner Wisdom

Think Pyschologically; Live Spiritually

The Mediatrix Archetype in Dreams May 21, 2019

My last two posts here and here, were in response to questions from students at Justina Lasley’s and Tzivia Gover’s Institute for Dream Studies. This post is the answer to their final question: “How do I identify the Mediatrix archetype in my dreams?”

In Aeschylus’s tragic play Agamemnon, Cassandra is a prophetess who foretells the fall of Troy and the death of Agamemnon, but no one believes her. Agamemnon goes to war with Troy anyway, and when it falls, Cassandra is raped, then given to Agamemnon. On their way back to Greece, she and Agamemnon are murdered. Cassandra’s seemingly supernatural ability to see into the future, as well as her suffering for it, is one theme associated with the Mediatrix archetype.

In the ancient myth of Inanna, Goddess of Heaven and Earth, Inanna descends into the Great Below to visit her sister, Queen of the Underworld. There she is stripped of all her belongings and hung on a meathook for three days until she is rescued by tiny emissaries of her priestess. When she returns home she rules as a benevolent and wise goddess.This myth depicts another Mediatrix theme: the wisdom gained from the suffering that comes with going deep to connect with the darkest mysteries of oneself and life.

Persephone’s rape and kidnapping by Hades, followed by Demeter’s search for her with the aid of a torch provided by the goddess Hecate, contains the above themes and suggests a third: the guidance and protection provided by the Mediatrix. In this story the Mediatrix is represented by Persephone, who goes to the underworld unwillingly, Demeter, who consciously explores that realm in her search for her beloved daughter, and Hecate—the goddess of crossroads, entrance-ways, light, and the hidden arts of magic, witchcraft, ghosts, and sorcery.

In The Odyssey, Athena, goddess of war and wisdom, disguises herself as the old man Mentor. Mentor is Odysseus’s wise friend and guide, and in his absence, the teacher of his son, Telemachus. The word ‘mentor’ means wise counselor, teacher, sponsor, or supporter. These, too, are qualities of the Mediatrix archetype.

 

The Birth of New Spiritual Life

The Catholic Church uses the titles of Co-Redemptrix, Mediatrix of all Graces, and Advocate for Mary. For them, Mediatrix means that all the graces from the Father, Son, and Holy Spirit flow to us through Mary. In other words, the Mediatrix is also your spiritual guide.

Mediatrix represents an impelling force, a way of thinking guided by an ethic of care and compassion, that feels empathy for otherness and wants to understand and learn from it. Her goal is to share knowledge and create harmony between opposites within and without. She is both a physical and mental bridge that connects you with yourself, others, nature, and Spirit. Qualities associated with her include a humbling history of suffering, openness, receptivity, empathy, harmony, mindfulness, relationship, connection, understanding, special knowledge, gnosis, and compassion.

The Mediatrix’s knowing is not the ego’s accumulated accepted knowledge. Her mental specialty is subjective knowledge, like being aware and mindful of your honest feelings, bodily sensations, and intuitions. Noticing subtle messages coming to you from people and places and situations in the world around you. Feeling changes in your mood when you meet someone new, or touch an object, or visit a new place. Her influence can be as mind-blowing as a supernatural visitation or vision, or as gently affirming as experiencing the miracle and mystery of life as you gaze at the ocean.

It is your Mediatrix who wants to understand and learn from your dreams, and when the time is right, she will show up to provide guidance. But it can be very subtle, so you will have to be on the watch for her.

For example, you might see her influence in any of the above-mentioned archetypal themes in a dream or waking life. Or she might be a dream companion who quietly stays in the background to support and reassure you in a harrowing adventure. She could be a suffering orphan who’s been abandoned by her parents and begs for your attention. Or a dog you follow on a forest path.

She could be a barely noticeable passenger in the back seat of your wildly careening car. An indigenous grandmother wrapped in shawls who gives you three mysterious gifts. A whispered message from an unseen source. A priestess who leads you through an initiation, a wise woman who writes instructions in a book, an unknown woman who swims beside you toward your home base on the far side of the sea.

When you sense her presence in a dream, pay attention to how she makes you feel. What does she remind you of? When do you have these thoughts and feelings in waking life? What does she seem to be trying to do or say? Watch for her in the inspirations and intuitions that arrive in that liminal space just before your ego fully awakes in the morning. Make note of them and apply them to your waking life.

In time you will learn to trust her knowing, which is really your soul’s natural knowing as opposed to your ego’s culturally influenced knowledge. Following it will lead you to unimagined treasures.

Image credits:  Wise Woman, artist unknown, Google free images.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc. Her new book, The Soul’s Twins, will be launched next year.

 

Identifying and Working with Archetypes in Your Dreams May 7, 2019

This wonderful book was written by Justina Lasley, founder of the Institute for Dream Studies.

In my last post I answered questions from students at Justina Lasley’s and Tzivia Gover’s Institute for Dream Studies about what brought me to dreamwork and how it has influenced my life. Their remaining questions were about identifying and working with archetypes in dreams.

Archetypes are universal, unconscious psychic forms, or images. Contents of the collective unconscious of humanity, they are the psychological equivalent of our physical instincts. Although we are not normally consciously aware of our instincts or their archetypal images, they nevertheless predispose us to perceive our experiences and behave in certain predictable ways.

We cannot directly know the archetypes, but we can learn about them from their symbolic manifestations in myths, fairy tales, dreams, and imagination. Examples of the primordial images which populate the treasure trove of our dreams include animals, objects, people, themes, and motifs. With our preference for the conscious ego’s rational processes above all our other functions, western culture tends to devalue the psyche’s natural, intuitive, imaginative processes. This split between the rational mind and nature created the seriously dysfunctional attitudes and practices which have brought us to the brink of destruction.

When you can see and acknowledge the very real power of archetypes in your dreams and waking life, you will understand yourself with all your bright and shadow qualities better. The more self-aware and self-accepting you become, the more compassion you will feel for yourself and others. Over time your dysfunctional ways will abate and  you will discover and live the meaning and purpose of your life. As you grow in consciousness, others will be affected. The ripple effect will take over and you will become part of the solution.

This is precisely what the students at the Institute for Dream Studies hope to do with their lives. They were particularly interested in the four basic feminine and masculine archetypes I’ve written about in my new book, The Soul’s Twins: Mother, Father, Queen, Warrior, Mediatrix, Sage, Beloved, and Lover. Here is their first question:

Q: Does it take a while for one to determine their dominant archetype(s)?

Yes. During my first two or three years of dreamwork I focused almost entirely on understanding the meaning of the symbols and images in my dreams. I examined them from three perspectives:  my personal associations for the symbols, my culture’s associations for them, and the archetypal associations for them in myths from every culture. I also looked for manifestations of their negative sides in the hope of recognizing and befriending my Shadow. I knew from my Jungian studies that it was my major barrier to deeper self-knowledge.

In those early years I was mostly doing intellectual head work and paid little attention to my emotional responses to the images, themes, or overall feeling of my dreams. I knew very little about the archetypes and wasn’t terribly interested in them. And it rarely occurred to me to look for any connection between my inner/dream life and my attitudes and behavior in waking life. Mostly I was just compiling fascinating data.

My tenth birthday was one of the last times I saw my father. His death some months later was the impetus for my Orphan’s awakening.

This was fun and very useful, but I craved more. I began to notice uncomfortable recurring archetypal themes. I wondered what they had to do with the way I acted and felt. I saw how I covered up my inner realities with outer attitudes and behaviors that weren’t true to what I knew myself to be and feel inside. I wanted to know who I was beneath my persona, why I was the way I was. I wondered what the underlying complexes and archetypal patterns were that seemed to trigger strong emotions. When I noticed that many of my attitudes and behaviors centered around stereotypes about masculinity and femininity, I began to study and write about that. I was following my intuitions and instincts, and was rewarded when a hidden new world of archetypes opened up for me.

My first strong connection was with my Warrior. He was very good at defending and protecting me, but soon I saw that he was often overly quick to do so. So I began to look for what he was defending. I found her in my dream emotions and occasional glimpses of sad, vulnerable, self-pitying Orphan girls who I eventually identified as different versions of my immature Mediatrix. She was suffering from feelings of abandonment she didn’t understand and just wanted her Mother. In waking life my personal  mother had been too busy trying to be a surrogate Father/provider to give me the comforting nurturance I needed. I realized my Warrior had made it his job to defend this rejected child I didn’t want to admit to, so I focused on developing the nurturing Mother in myself so that together, she and my conscious ego could love this childish part of me. That meant I had to give my Warrior another job. Now his goal-oriented determination and persistence help my Sage with my writing. Over time other archetypes have revealed themselves, each with their own issues, strengths and weaknesses.

Only recently has my Queen stood out as my powerful personal authority who’s been with me all along without my knowledge. With help from my Warrior and Sage, she has given me the confidence to make my own way through life on my own terms. Last to awaken have been my Beloved and Lover. This development has brought more forgiveness, compassion, and satisfaction to my life than ever before. It’s been thrilling to watch them blossom.

Next time I’ll answer the last question, which is about my dominant archetype, the Mediatrix. Until then, sweet dreams, my friends. And happy Mother’s Day to all who have birthed and protected new life in themselves.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc. Her new book, The Soul’s Twins, will be launched next year.

 

 

 

Your Choice November 5, 2018

It’s the eve of the election. This dream arrived the night before last.

#4984: The Little Boy Doesn’t Want to Learn

I’m in a new place – it feels like a room in a children’s school — with a few other very likable men and women. We are making packets of information for the children. I’m supposed to prepare the covers of the packets. The teacher let them write their names on the covers in magic marker. They must be four- or possibly five-year olds, judging by their writing. I have a packet with the name Mary Ma….. (something…can’t remember her last name). I see Raffa written after her name and it looks like my writing. It doesn’t belong there so I‘m trying to erase it. But I can’t, because it’s in magic marker. Also, the packet has a nubby fabric texture, almost like fleece, which makes it especially difficult to erase. I ask for a new, clean packet for this child to start over with but the teacher tells me there aren’t any more. There’s only one for each child.

A little boy is here now and needs his packet. I tell the others where it’s hanging, over to the left on that wall. Each packet is hung on a peg which also holds a set of keys. Someone goes over, finds his, and brings it to the boy. But he ignores it. It’s got everything he needs in it, even the keys, and all the information and directions for his task, but he won’t even look at it. He doesn’t want to use it. He wants to play without having to apply himself. I feel sorry for him. It could be so easy if he’d just look at the materials right in front of him and learn from them. He’s making it so hard on himself by resisting. It’s such a shame.

This is how I feel about this new book. I’m preparing this “packet” of information. It contains guidelines for the work of self-discovery — a set of keys that can open doors to the unknown world within. But it’s been very difficult…it’s the hardest thing I’ve ever written. I’m having to face some harsh realities about myself and sometimes my inner little boy just doesn’t want to do the hard work. And I know there are a lot of people who won’t read my book for the same reason. And that’s hard too.

But this dream also shows me how I feel about the problems we face in America on the eve of this election. It’s about all those who want a patriarchal God to come down here and fix everything. And if not God, then maybe a big, powerful, important man who makes our fears go away when he says, “It’s bad out there. But don’t worry. I’ll fix it.”

The time has come to take the heroine’s journey. We each have our own packet, our own keys, our own task. We each need to look into the book of our own life, descend to the underworld, and suffer like Inanna, the Queen of Heaven and Earth when all her worldly belongings were stripped from her and she was hung on a meathook.To suffer like Mary, the Queen of Heaven, who watched the political power in her country crucify her son. To suffer like Psyche, beloved of Eros, who had to do all the impossible tasks that Aphrodite, goddess of love, assigned to her to force her to grow up. She knew she couldn’t do them and admitted it. And only when she crumbled in humility and despair did the solutions come. The healing power of nature, of the soul, took over and gave her the assistance she needed.

It’s time to peel away the patriarchal layers of busyness and competition. Of materialism. Of ladder-climbing back-stabbing to acquire the outer trappings of success. Time to stop projecting our fear and hatred onto scapegoats. Time to stop living lives devoid of all soul, all spirit, all meaning. Time to stop pushing away other people, other ideas, new solutions. Time to see what’s right in front of us and learn from it. Time to stop looking to Big Daddy to save us. Time to empower our fuller selves, to accept our individual responsibility to be part of a global solution.

Our assignment at this point in history is to follow the maidens, mothers, queens, and crones down deep into the underground of our true selves. To find out who we really are and what our souls really need. To admit we can’t escape reality by denying it. Time to find our own vulnerable places and let our carefully constructed walls crumble around us. To tap into the sadness and grief, fear and dread. To let it all out and learn from it in the privacy of our own meditations. To trust in the core of love at our center, and to make the choices our soul wants us to make.

Big Daddy’s not going to save us. My book is not going to save us. Everybody has to write and read their own book, find meaning in their own life, and save themselves. You can save yourself. You can choose. Choose the Third Way. Choose love.

P.S. I’ve met another wise woman. Thank you, Janice, for your inspiration today for this post.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

Because the Earth Has a Lot to Tell us July 31, 2018

Jerusalem in 1933

Last time I told you about the documentary I was interviewed for while in San Francisco. A few days ago Jeff Williams, the producer, sent out this newsletter. He’s also a geologist, and the subject of the documentary. He’s been on a hero’s journey for 20 years, following his passion as a result of a synchronicity that changed the direction of his life.

His goal is to see if he can find evidence of the earthquake around 30 AD which the Bible links to the crucifixion of Jesus on the weekend of what Christians now call Easter. He’s not doing this for religious reasons, but because he and Marco, the director, are fascinated about what the symbolic meaning of this would be from a scientific and mythical perspective. As you’ll see from his letter, the tentative title of the documentary is “Crucifixion Quake.” He’s got some exciting news to report. Enjoy!

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

Image credit:  Jerusalem in 1933. Wikimedia Commons

 

Because the Earth has a Lot to Tell Us 

July 2018

Greetings Fellow Earthlings,

The first set of radiocarbon tests are now complete – thanks to Queen’s University in Belfast, Northern Ireland and Dr. Maarten Blaauw. I am  working on interpreting the results – creating something known as an age-depth profile. This will help me be certain that we are sampling the top of the ~30 AD Jerusalem Quake seismite. With this seismite conclusively identified, we can initiate our pollen study to determine whether this earthquake struck in the Spring. The radiocarbon testing cost a little over $5000.00 USD and was funded by Kickstarter and GoFundMe campaigns. I want to thank everybody who contributed ! I also want to thank Maarten Blaauw who is giving me a sizable academic discount and is collaborating on developing the age-depth profile. Maarten is one of the best scientists in the world on this topic and I am lucky to have him as a collaborator. The additional dates from this round of tests resolved a problem I had in correctly identifying the Jerusalem Quake seismite. I needed more data points and your contributions made that happen. I can’t thank you enough.

In other news, documentary filmmaker Marco Bazzi is more than halfway through the editing process for his documentary on the Jerusalem Quake. The film is tentatively titled “Crucifixion Quake”. The piece looks very good so far – compelling, epic, and poetic. It will be feature length and was shot to standards to allow for a theatrical release. Marco will be showing the film at film festivals starting this fall and he and I both will be talking to distributors. Once Marco has a teaser, I will send a link in a future newsletter. If the film is successful, we hope to follow-up with a documentary on the Geomythology of Exodus.

Warm Regards to everyone,    Jefferson Williams

http://www.deadseaquake.info/

 

The Wisewoman: Counselor at the Crossroads, Weaver at the Gate May 1, 2018

Long ago when Earth was young and the collective ego in its infancy, the idea of uprooting oneself from the safety of home and hearth and taking a solitary journey into unknown territory had sacred significance. Even the most powerful rulers feared the unknown so much that they would not make any important move without first consulting divine guidance. Thus it was that in ancient Greece crossroads acquired sacred meaning, and divine help from Hecate, Goddess of the crossroads, was invoked at places where three roads met. Images of Hecate Trevia, (Hecate of the Three Ways) guarded three-way crossroads for many centuries.

Barbara Walker tells us that besides presiding at crossroads, Hecate was also the guardian of gates — especially the gate of birth. Under the name of Enodia, a name shared by Hecate, Artemis, and Persephone, the underworld Goddess also ruled the gates of death and was the original holder of the key to Hades. In the 8th century BCE in Italy, Vanth was the Etruscan winged goddess of the netherworld. With snakes wrapped around her arms, she carried keys and either a torch or a scroll inscribed with her name. In the Yoruba culture of Africa, Elegba the Divine Messenger is still consulted for divination. Luisah Teish says she is “the Master of the Crossroads, the Gatekeeper who stands between the Material and the Spiritual, the Visible and the Invisible, between Existence and Oblivion.”

These are all manifestations of the Wisewoman archetype, the aspect of the sacred feminine which enables us to explore the inner depths without losing our way. Her symbols describe her attributes. Keys represent access to secret realms, full power and authority within these realms, and the condition of being initiated. Her snakes protect sacred precincts, including the underworld. A torch is a common symbol of purification and enlightenment in rites of initiation. A scroll, as the original form of the book, is a symbol of learning, enlightenment, communication, and sacred writings. One other symbol associated with the Wisewoman is the veil, which suggests hidden or esoteric knowledge.

The “counselor at the crossroads” aspect of the Wisewoman represents our instinctive recognition of opportunities for choice at critical stages of life and the knack for making appropriate decisions based on love and the true processes of our souls. As “weaver at the gate” she represents our ability to stand between pairs of opposites, heeding the truths of both and holding the tension of indecision while weaving the separate and apparently incompatible threads of warp and woof into new patterns until they merge into an original, unified piece.

Some gates offer opportunities for choice — as when we learn we have a fatal illness and can choose how to treat it and how to approach our deaths — and some do not. For example, we do not get to choose when we are born or what family we are born into. But we can still reflect on the meaning of every passage, whether it is chosen or not, and we can choose how we will respond to what we cannot change. Will we accept it, choose to find meaning and guidance for our journey on Earth, take a new step in a new direction?  Or will we fight it, ignore it, or blame it on someone else?

Two things protect us on the journey into the unconscious: the ability to trust our inner guidance when we reach a potentially dangerous crossroads, and the patience to wait at the gate until the healing solution comes. If we can do this, the Wisewoman, our inner priestess and healer, will direct our path to wholeness and spiritual growth. May you be fortunate enough to meet her at the crossroads and gates of your own journey.

Image Credits:  Hecate, Google Images. Source Unknown.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

Three Billboards: The Myth and the Message February 20, 2018

Three Billboards Day 04_118.dng

Dark, quirky, clever, and controversial, Three Billboards Outside Ebbing, Missouri has been nominated for seven academy awards this year. Like “The Shape of Water,” nominated for a whopping 13, its protagonist is a powerless, justice-seeking female up against an unsympathetic patriarchal system. In this case, the villain is not the U.S. military, but a small town, good-old-boy police force. Both plots are driven by the archetypal hero/ine vs. villain theme punctuated with racism, violence, and abuse of power.

Frances McDormand plays Mildred Hayes, a grieving mother whose teen-aged daughter was raped then set afire. Angry at local authorities who haven’t solved the murder, she rents three unused billboards and puts up an accusatory message to sheriff Willoughby, played by Woody Harrelson. In the face of animosity and threats from several fellow citizens, especially the racist, mama’s-boy police officer Dixon (Sam Rockwell), she persists in calling attention to her cause. As tension and emotions ramp up in a series of unexpected events, viewers discover that in this battle between good and evil, the lines aren’t as clearly drawn as we might prefer.

Original as this film is, at bottom, its theme is archetypal. Consider the ancient Greek myth about the Earth Mother goddess Demeter and her beloved young daughter, Persephone. Carol S. Pearson’s latest book, Persephone Rising, contains an insightful explanation of the same psychological forces which continue to influence us and our culture today.

In the myth, innocent Persephone gathers flowers in a field when Hades erupts through a cleft in the earth and abducts (and some say rapes) her. When Demeter realizes her beloved daughter is gone, she is overwhelmed with grief. After getting no help from the gods who, fearing retribution from Zeus, refuse to tell her what happened to her daughter, she sets aside her responsibilities for making the crops grow and searches the earth tirelessly. While Demeter grieves, all growth on earth ceases, then dies. As Dr. Pearson notes, Demeter’s recognition that her needs matter too result in the “first ever recorded sit-down strike.”

Zeus — the Father/King of the gods and prototype of patriarchy’s top dog whose power trumps everyone else’s — is not happy about this.  It was he, Persephone’s father, who had given Hades permission to take her to the underworld in the first place. But if the famine kills the humans, who will build his temples? Who will worship him with gifts and offerings? So this macho, uncompromising thunder God relents and demands Persephone’s release. Demeter’s non-violent protest works.

But will Mildred’s protest work? Will it stay non-violent? Our dualistic mindsets want a hero to celebrate, a scapegoat to blame, a heretic to crucify. But these people are not polar opposites like virtuous princes and wicked witches. They are complex, multi-faceted human beings grappling with complex issues and powerful emotions that aren’t easy to reconcile.

The gods and goddesses represent amoral, instinctual forces in all of us. At bottom, this is who we are. You and I contain every emotion they feel, and we are capable of being gripped by them to commit every act they do, good and bad. The only difference between them and us is that we humans want to be virtuous so we make rules for ourselves, try to keep them, and disown our shadow sides that want to break them. But sometimes they show up anyway.

Mildred’s daughter has been taken from her and she deserves justice, but can we condone her increasingly questionable tactics? We might likewise ask, how can Demeter, supposedly an endlessly loving and forgiving Mother goddess, let humanity starve to death just to get her daughter back? Does her grief justify her means?

Seeing unsuspected sides of Sheriff Willoughby and officer Dixon is equally unsettling. Why isn’t Willoughby putting more effort into pursuing the culprit? Is he indifferent to Mildred’s suffering? Why does he let Dixon — one of those ignorant Warrior bullies we love to hate — get away with his senseless cruelty toward a man less powerful than he? Are these people redeemable?

Demeter gets her daughter back from the underworld, at least for part of every year. But though Mildred has some admirable goddess qualities, she is not a goddess, and no matter how much she acts like one her daughter will never return. Is there a human force strong enough to reconcile her fierce Demeter hunger for justice? Dixon, like Zeus and Ares, the God of War, savagely punishes people he hates. Will Mildred become like him? And if she does, will this cancel out any vestiges of human goodness left in her?

Three Billboards Outside Ebbing, Missouri is a dark, disturbing film, but I loved it for highlighting human complexity and prompting these and other difficult questions. It is the function of artists and art to raise a culture’s awareness. To challenge our either-or morality. To explore the gray realm between opposites in which a creative third force can emerge to reconcile our divisiveness. I love it that this film is being honored for rising to this challenge.

But I loved the dreamy, fairy-tale quality of The Shape of Water too. This leaves me with another question. Which one do I want to win the Oscar for best picture? This is a complex issue I haven’t reconciled yet.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

The Shape of Water: The Shape of Change? January 30, 2018

Filmgoers may have laughingly dismissed Godzilla, the Teenage Werewolf, and The Creature from the Black Lagoon in the 1950’s, but nobody laughs at the real-life monsters we see on television every day in the form of terrorists, genocidal dictators, and political leaders who incite divisiveness and spout nuclear threats. We get it. Dystopia is us. Our problems are caused by humanity’s psychological and spiritual ignorance, and they will not be resolved until enough individuals acquire more mature and humane ways of thinking and behaving. What used to be the role of deities and religious authorities has now become everyone’s job.

Fortunately, there are seers among us to show us the way. They are the courageous and gifted artists who create books and films depicting ordinary people who evolve into heroic individuals. The Star Wars series, Avatar, Arrival, and The Shape of Water are examples. Their mythic themes and archetypal characters limn the shape of our own souls. Everyone enjoys a good story. But do we realize these stories are about us? Do we understand their metaphors and decipher their symbols? Do we apply their lessons to our own lives?

Each of us contains a possible hero like Luke Skywalker, an indomitable Amazon heroine like Princess Leia, a Wise Man like Yoda, a menacing Warrior like Darth Vader. You may relate to Avatar’s Jake Sully, a vulnerable wounded Warrior with the potential to be healed by love, but his counterpart—the dark side’s ruthless, power-hungry Colonel Miles Quaritch—also lives in you. Regardless of your gender you can activate the healing of an Earth Mother like the Na’vi’s Mo’at, a beautiful Beloved like princess Neytiri, or a benevolent Wise Woman like Dr. Grace Augustine. Archetypes are latent patterns of energy in everyone’s soul. They teach and empower us when we listen.

Consider Arrival’s gentle Louse Banks, a linguist who’s tormented by intuitions and visions which fill her with confusion and dread. She’s the image of a person in whom the Mediatrix archetype is activated. When the U.S. Army recruits her to communicate with alien life forms hovering over the earth, she breaks the rules to gain their trust. In a blog post titled “Arrival:  How the Feminine Saves the World,” depth psychology expert Carol S. Pearson notes this “reveals how traditional elements of the Lover archetype are morphing to meet new challenges.” The world leaders see the aliens as dangerous threats and are preparing to make war on them. But because Louise is motivated by love, not fear, she sees them as wondrous life forms to communicate with and befriend. This prompts us to ask ourselves:  Do I respect people and species different from me? Do I listen to the subtle messages of my body? Do I befriend my thoughts and emotions or try to ignore them?

In The Shape of Water, an even more vulnerable heroine saves the life of an amphibious monster. The year is 1962. Elisa is a mute, mousy janitor on the night shift of a top-secret government research lab desperate to get one-up on the Russians. One night a promising “asset” arrives in a portable tank in the form of a scaly green creature-from-the-Black-Lagoon lookalike from a Brazilian rainforest where he was worshiped as a god. Deeply drawn to this equally voiceless and powerless creature, Elisa initiates a fairy-tale romance with him by playing Benny Goodman on her portable record player, placing hard-boiled eggs on the lip of the tank in which he’s confined, and teaching him sign language when he emerges from the water to eat them.

As it turns out, the real monster in this story is Richard Strickland, a sadistic, square-jawed military officer who tortures the green man, sexually harasses Elisa, and makes racist comments to Zelda, her co-worker. Overhearing the scientists’ plans to kill and dissect her beloved in the name of science, a frantic and determined Elisa enlists the help of Zelda and her gay neighbor, Giles, to rescue him. The remainder of the film builds the tension amid a dreamy, watery green ambiance before reconciling it in a surprise ending that leaves us wondering: What just happened? Is he what he seems? Do I have it in me to do what she did? Does love really have a god-like power? How strong is my Lover archetype? Do I truly know how to love?

The characters in these films play out their roles against a backdrop of mythic themes:

  • the destructiveness of our shadow Warriors

  • the crises and suffering necessary for the making of a hero/ine

  • the need to respect, communicate with, and accept help from other people and species

  • love’s victory over ignorance and hatred

But here’s a not-so subtle difference. It used to be that only men got to be heroes, but we’re seeing more heroines now. Although the first Star Wars film to appear centers primarily on Luke Skywalker, it is his heroic sister, Princess Leia, who turns him into a hero. The same is true of Avatar’s Jake Sully whose heroism is inspired by the equally heroic Princess Neytiri.

The most recent of these—Arrival, The Shape of Water, and The Last Jedi—convey a theme new to our time which resonates with many souls today: the feminine as savior. Louise, Elisa, and Rey are not fantasy superheroines like Wonder Woman and Aquagirl. And they’re not sidekicks who help the main character accomplish his goals. They are ordinary women who initiate change and accomplish it with the respect and cooperation of healthy, caring men. Louise’s heroism is aided by Ian, a scientist. Giles helps Elisa save the green man. And in the newest Star Wars episode, Rey becomes the last Jedi with the help of Luke Skywalker. The main protagonists are females.

This shift in the spirit of our times is reflected in recent statistics. The Center for the Study of Women in Television and Film reports that of the top 100 films in 2014, only 12% featured female protagonists. But then something happened. In 2015 the figure was 22% and in 2016 it jumped to 29%.

Although the data are not in for 2017, we appear to be seeing the beginning of a trend. Water, like earth, has always been considered a feminine element, and in dreams, water and earth symbolize the unconscious self. Societies have unconscious selves too. Like the ocean, our collective unconscious contains monsters, but it also holds overlooked hidden treasures. Is the feminine as savior of the world the shape of change? Are you and I the shape of change?

Note:  For more posts like this, please check out the blog of noted author Carol S. Pearson, where this post first appeared.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

 
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