For the Crones May 3, 2016
The powers most capable of halting the escalation of hatred and chaos in our world today are not physical or political. They are psychological and spiritual. They are activated in individuals whose minds are committed to seeking justice for all, whose hearts are filled with caring and compassion, and whose behavior is directed toward connecting and healing.
When everything we say and do originates from that core of love, it spreads through Indra’s diamond net and quickens the sacred spark that lives in every soul. Each of us can make this contribution to healing the separations within and between the peoples of the world.
Throughout history mothers and grandmothers have dedicated most of their energy, and often their lives, to nurturing and preserving life. Of course, many fathers and grandfathers have done the same. But women’s contributions have been educationally, financially, politically and spiritually restricted, vastly underrated, and largely taken for granted except for occasional lip service.
It doesn’t have to be this way. In a world splitting apart to birth a more evolved consciousness, the most important work we can do is to consciously respect and courageously share the blessings we’ve received from the other side of the Divide. To that end, and because Mother’s Day is celebrated this month, I offer these questions for reflection:
How have my female ancestors enriched and improved my life?
Am I as nurturing toward others as the benevolent women in my life were and are to me?
How can I use my unique skills in original and authentic ways that will justify their belief in me and benefit all beings?
One of my responses to these questions is this song to the elder women who’ve made a difference in my life. I dedicate it to crones everywhere.
THE YOUNG WOMEN AND MEN ADDRESS THE CRONES
To the Queens:
Sovereign and brave, you stand
firm against those who would abuse power
and labor tirelessly to bring justice to the voiceless
and downtrodden. You protect all that is vulnerable
and foster culture and creativity. You nourish seeds
of hope and new life in our hearts. Help me
lead with caring and integrity.
To the Mothers:
Wild and free-spirited, you have raced the wind like Horse.
Like Lioness you have fearlessly forged new trails to feed your children.
Like Bear you bear your solitude by boldly entering the dark winter wilderness,
yet you always return to the world in Spring with love honed fierce by sacrifice and birthing.
Great Mother of all that exists, teach us to love our bodies and trust the cycles of our lives.
To the Wisewomen:
Understanding, intuitive and trusting, you have aided birth and befriended death.
You have borne and survived intolerable suffering on paths of deep descending;
yet, aware, authentic, and free, here you are! Still dancing among the living.
You release your attachments to desire as you weave strands of meaning.
Show me how to joyfully participate in the sorrows of the world.
To the Beloveds:
Attractive and magnetic, you receive your lovers passionately
and share the truths of your souls with honesty and intimacy.
Your acceptance and encouragement inspire heroic striving.
Your beauty and endless generosity inspire artful living.
Bless me with gracious hospitality to otherness.
To all the Crones:
You are the Wisdom Women.
We are watching you.
Image Credits: Google Images.
Inanna: Myth of Descent February 9, 2016
Note: Most of us are familiar with hero myths. Today we see these “solar” myths from the patriarchal era as metaphors for the ego’s heroic efforts to conquer the “dragon” of unconsciousness and ascend into the heights of power, success, acclaim, fulfillment and enlightenment. Far fewer people are familiar with “lunar” descent myths, some of which predate the solar myths and feature women. Their themes are about loss, suffering, death and rebirth with resultant deepened self-knowledge, wisdom, compassion, trust and love.
Primitive humans probably created these myths to describe the cycles of life as it progressed through nature’s seasons, and to reassure themselves that spring’s sprouting and summer’s blossoming will always follow agriculture’s decline in the fall and apparent death in winter. But Dr. Carl Jung proved time and again that they are also stories about the life of the soul which can be of enormous comfort to individuals who find themselves in a descent phase of life.
In keeping with the onset of winter, this past December Susanne van Doorn featured a series of posts about the mythological theme of descent on her blog, Mindfunda. I was honored to be invited to write her first guest post about the Journey to the Underworld. The following is a repost of that article.
Today’s Guest author is Dr. Jean Raffa, a former television producer and college professor who—with the help of Jungian psychology—began following her passions for self-discovery and writing during mid-life. Jean has written several books. Her first was “The Bridge to Wholeness.” Her second book, “Dream Theatres of the Soul,” got her invited to make a keynote speech at the International Associations for the Study of Dreams in the summer of 2015. You can see her videos about this book at her YouTube channel. Her newest Wilbur Award-winning book is called “Healing the Sacred Divide.” Next week, Elaine Mansfield will write about the darkness of the descent.
On March 11-12, 2016, Jean will appear with author Elaine Mansfield at the C.G. Jung Society of Sarasota for a presentation on descent, loss and grief based on the myth of Inanna.
Myth of Inanna: 3 kinds of Descent
A psychological descent can take many forms. Sometimes it shows up in strategies to escape painful present realities by regressing into past memories. We’re consumed by a bittersweet yearning for the “good old days” when we were young and innocent. Life was easy and we were on top of the world.
We were a handsome Apollo, a confident football star and president of the high school student body who is trying to recapture our youth by driving a sporty new car or finding a younger wife. We were a beautiful, innocent Persephone, an entitled daughter and gifted student who has been pulled into the dark realms of obsessive binge eating, shopping sprees and plastic surgery.
A second kind of descent is forced on us by circumstances beyond our control: an accident, illness, divorce, loss of a home or job, death of a parent, child, or spouse. These can plunge us into the depths of a depression where grief and sorrow are constant companions.
Then there’s the existential descent into meaninglessness which appears uninvited at mid-life. Suddenly the beliefs and ideals that served so well in the first half of life no longer work, yet questioning them feels dangerous. Worse, we’ve met our shadow in feelings and urges we can no longer ignore and our naively positive self-image is irretrievably damaged.
Captivated by the archetypal Hero’s widely publicized and deeply satisfying rise to success, we are rarely prepared for our conflicts and losses. To an ego that has prided itself on being in control and doing everything right, it can feel as if we are adrift in a chaotic sea. Kris Kristofferson described this painful experience in his song, “Shipwrecked in the 80’s.” For some, the metaphor of falling into an abyss and plunging into what St. John of the Cross called a “dark night of the soul” is more apt.
From the age of 17 I derived all the meaning I needed from my religion. Then at 37, I experienced an existential descent. On the outside it was business as usual, but inside I was walking through the valley of the shadow of death. Nine years later I was rescued by Jungian psychology. After committing to a regular practice of study, reading, self-reflection and dreamwork I finally began to understand what had happened. My ego had been brutally assaulted by unconscious instinctual forces within my psyche. Brutal? So it felt to me. Nonetheless my ordeal was life-serving. Without it, I would never have willingly explored my unconscious and been rewarded with the elixir of a revitalized life-force and the gold of affirming self-knowledge.
Inanna and the Descent Myth
Myths from every culture and religion are allegories of psychological and spiritual truths. In them, we can find guidance and healing meaning for our lives. Seeing the similarities between my story and the Sumerian descent myth of Inanna, Queen of Heaven and Earth, brought me great comfort.
Inanna Queen of Heaven
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The first half of Inanna’s life was, like mine, fairly predictable. We both struggled to create a comfortable home, affirm our individuality, and establish our authority. Inanna accomplishes this by having a bed and a throne made for her. Then she cleverly tricks Enki, the God of Wisdom, into giving her the gifts of civilization, which she shares with the city she rules. She tops it all off (she assumes) by courting, seduction, bearing children, and fulfilling her Queenly duties.
I, too, gained knowledge through my cleverness: enough, at least, to get a college scholarship. I earned two degrees, met, courted and married my husband, established a home, and birthed a daughter and a son. Eventually I earned a doctoral degree and a college teaching position. I’ve done it all, I thought with a measure of self-satisfaction. That’s when I learned that cleverness, knowledge, possessions and physical comfort do not define success or insure fulfillment.
My descent from Inanna’s “Great Above” to the “Great Below” began when my shadow broke into my awareness with a moral conflict between two intolerable choices. I was profoundly tempted to break a rule that had always been sacrosanct to me, and appalled at myself for considering it. I spent sleepless nights praying to the God I had been taught to believe in, challenging beliefs that felt outdated and meaningless while fearing retribution for my audacity. I found little joy in living. My stomach hurt much of the time. I lost 20 pounds. At times I knew there was meaning in my ordeal, but my knowing provided scant relief. Mostly I felt alone and miserable. Like Inanna and Persephone, I was introduced to the dark underbelly of the unconscious beneath my naive “good girl” self-image. The shock was devastating.
Inanna is a “good girl” too: a loving wife to Dumuzi, a mother, and a sister to Ereshkigal, Queen of the Underworld. At mid-life Inanna descends into the underworld to, by some accounts, attend the funeral of Ereshkigal’s husband. Or was her call, “Let him come. Come, man, come!” an invitation to her animus, her unconscious masculine side?
Inanna courting Dumuzi
On the way down she is humiliated by being stripped of all her earthly possessions: symbols of her beauty, success, femininity and the power she has worked so hard to attain. Humiliation is a crucial element of descent myths because crisis and suffering are the only powers that can destroy an ego’s belief in its invincibility.
The story of Inanna in body and soul
If we look for it, we will find that every detail of a myth can have psychological and spiritual meaning. For example, the number three in myths and fairy tales heralds the arrival of Mystery. Receiving three wishes, asking for help three times, or being the third and youngest child to attempt a difficult task signals our readiness for an initiation that will force us out of childhood innocence into mature responsibility and consciousness.
I Tjing hexagram 3: Difficulty at the Beginning
Sure enough, three shows up in the story of Inanna, Queen of Heaven and Earth, too. At the bottom of her descent she is met by Ereshkigal who, perhaps jealous of her sister’s charmed life in the world above, has her hung naked on a meat hook where she suffers for three long days. I hung on my metaphorical meat hook for three years, plus another six during which my suffering gradually diminished.
Like Inanna’s descent, mine was a painful physical, emotional and spiritual experience. But, unwilling to give up or make a terrible mistake, I persevered in my outer life and stirred the contents of my inner world over a low, reflective fire. Ever so slowly, this alchemical opus brought about lasting changes.
My body awakened to instinctual energies I had long repressed. My ears heeded my soul’s cries of pain. My heart felt compassion. My ego’s center of gravity shifted from a place of control and resistance to a place of surrender and acceptance of forces far more powerful than my puny will. My eyes were opened to my sovereignty over my own life and my childish dependence on others dissolved. I began to make my own choices and take responsibility for them. Death took up its abode on my left shoulder and Choice on my right, each whispering daily reminders to savor every moment.
Hero myths have healing meaning too, but “happily ever after” does not tell the whole story. Descent myths do.
On the third day, Inanna is rescued by her loyal priestess, Ninshubur, and Enki, the God of Culture, and she returns to life in the world above. There she faces new problems, but now she has the awareness to handle them with wisdom and balance. With Inanna’s help, I’m getting better at that too.
Jean Raffa’s “The Bridge to Wholeness” and “Dream Theatres of the Soul” are at Amazon. E-book versions are also at Kobo, Barnes And Noble and Smashwords. “Healing the Sacred Divide” can be found at Amazon and Larson Publications.
Avatar and Cultural Transformation November 10, 2015
Without this playing with fantasy no creative work has ever yet to come to birth. The debt we owe to the play of the imagination is incalculable. Carl Jung
Culture is created by the human psyche. Intended or not, there is a psychological dimension to every art form. This is nowhere more evident than in James Cameron’s 2009 epic science-fiction film Avatar, a personal favorite.
Avatar’s characters, symbols and themes are updated versions of archetypes featured in stories from every nation, generation, and religion throughout history. Its symbols of interconnectedness—the wormy squirmy tentacled pony tails that bond with similar anatomical appendages of bizarre beasts, and the electrochemical connections between tree roots—are imaginatively resonant of ancient Hinduism’s Diamond Net of Indra, Jung’s collective unconscious, and quantum physics’ holographic universe. And its themes of self-discovery, initiation, revolution, transformation, and redemption have been with us since the first story ever told around a fire.
This lush film eloquently depicts the transformation occurring in humanity’s heroic journey into wholeness and consciousness. It does so by contrasting an ego that succeeds by opening to otherness and change with one that fails because it refuses to grow. Indulge me for a moment as I engage in a bit of imaginative word play to illustrate my point.
The time is the mid-22nd century. The place is Pandora, (mythically, the Greek goddess whose curiosity unleashed all the evils onto the world but whose ultimate legacy was hope). Pandora is a moon in the Alpha Centauri star system that is being colonized to mine a rare mineral. The plot revolves around the expansion of the mining colony which is threatening the existence of the local tribe of natives known as Na’vi.
Corporal Jake (Biblically, Jacob was Isaac’s son and Abraham’s grandson who overcame adversity to become the patriarch of the Israelites) Sully is a soldier whose body is bound to a wheel chair and whose soul has been sullied—i.e. contaminated and made impure—by bitterness, self-pity, and the aggressive mind-set of his dominator culture. Yet, by the end of the story, he is transformed into a heroic Warrior and passionate Lover.
Where love rules, there is no will to power; and where power predominates, there love is lacking. The one is the shadow of the other. Carl Jung
After undergoing training to be an avatar, Jake’s crippled body rests in a remote location while his mind inhabits a genetically engineered Na’vi body that interacts with the natives. His bravery, his respect for princess Neytiri (who says”nay” to tyranny and is Sully’s equal, savior, and Beloved), and his receptivity to the foreign ways of her culture all lead to his redemption and the salvation of the Na’vi.
And what might the name Na’vi symbolize? This tribe has long navigated safely through a difficult world by honoring the sacred underlying patterns of life. But because the people will not capitulate to the dominator ego mentality which has destroyed Earth, their culture is in danger of extinction.
Other archetypal themes are represented by the Na’vi’s spiritual leader Mo’at, (an abbreviation of Mother Earth?) who is a blend of the Jungian archetypes of Queen, Earth Mother, Wisewoman, and Beloved. Her earth-based values and connections to Nature are the glue that have enabled the Na’vi to flourish thus far. Then there’s Jake’s mentor, Dr. Grace Augustine (a saintly name if ever there was one), who symbolizes the archetypal Queen’s regard for shared authority and individual differences and the Wisewoman’s intuitive intelligence and pursuit of truth.
Finally we have a plot with the necessary obstacles every hero must overcome: the self-absorbed and self-serving ego symbolized by Selfridge, corporate administrator of the mining program; and the obsessive Warrior mentality of the head of security, Colonel Miles Quaritch (from quarantine, a place of detention? Or quarrel, an angry dispute? Or quartz, a hard rock?). Cameron’s soulless dark invader, like Lucas’s Darth Vader, has miles to go in his own journey because of his rock-hard rigidity and unrelenting itch to maintain his power regardless of the cost to anyone or anything.
So here we have a story about a brave, heroic ego vs. a rigid, fearful ego. Earthly and cosmic connectedness vs. personal self-interest. Accepting our shadows. Opening to otherness. Learning from feminine wisdom and nature. Moving toward balance. Uniting opposites with respect and love. Using our Warrior energy to protect and empower the vulnerable. Overcoming crippling disadvantages to become a force for positive change.
This haunting story is more than just another movie. It is a mythic reflection of us at our worst and best. Of our blind ego with its rigid and self-righteous attitudes. Of our dysfunctional dark shadow that clings to old habits and blindly fouls our planetary nest. Of our power-hungry Warrior who continues to dominate families, neighborhoods and societies.
There is no coming to consciousness without pain. Carl Jung