Matrignosis: A Blog About Inner Wisdom

Think Pyschologically; Live Spiritually

Snake Symbolism October 15, 2019

Snakes, and particularly red ones, are not only spirits of the dead, but can also represent emotional states, as you have heard in the paper. They stand for the heat of the soul, the fire of passion, and thus represent a more intense stage of development. ~Carl Jung, Children’s Dreams Seminar, Pages 364-365.

Snakes fascinate and terrify most of us. Because of this near universal reaction, and because snakes have played such important roles in the mythology of just about every religion, we know they have relevance to the psycho-spiritual life of every human being.

Throughout history the connection between the snake and the feminine principle has been profound and intimate: from Eve to the Serpent Lady of Ashtoreth and Kadesh; from Ishtar, the Babylonian Lady of Vision to the Serpent Goddess of Crete; from Kebhut, the goddess of freshness who played a part in Egyptian funerary ceremonies to the asp that transported Cleopatra to the afterlife; from Greece’s ancient Earth Mother Gaea to the Golden Age’s Queen, Hera, and her step-daughter Athena, goddess of wisdom; from east to west, serpents have always tempted, personified, accompanied, awakened, transformed, and empowered women and goddesses.

A snake is one of the most versatile of all creatures. It can live in the ground or in a tree, in the desert or in the water, but it is primarily considered a chthonic creature, i.e. as pertaining to the earth and the spirits of the underworld. This accounts for its association with the physical death of the body; however, because it periodically sheds its skin and emerges as if reborn, it is also seen as a symbol of transformation and the perpetual capacity for renewal.

Snake Goddesses from the Minoan civilization of Crete. Heraklion Archaeological Museum, Crete

Psychologically, because of its phallic form, it is a masculine sexual symbol; yet, at the same time, because of its devouring nature, it also suggests feminine sexuality as well as extremely powerful unconscious feminine energies. In this latter regard, Jung noted that distressing dreams about snakes are symptomatic of anguish over a reactivation of the destructive potential of the unconscious. It is no wonder they are almost universally feared.

Snakes are also associated with divine revelation. Evidence from shrines and oracular sites of the Goddess in Babylon, Sumer, Anatolia, Egypt, Greece, and Rome suggests that sacred serpents were kept and fed by priestesses who were consulted for prophecy. Perhaps it is this association that led Philo of Alexandria to believe that the snake was the most spiritual of animals.

In sum, Cirlot’s A Dictionary of Symbols notes: “If all symbols are really functions and signs of things imbued with energy, then the serpent or snake is, by analogy, symbolic of energy itself — of force pure and simple…” Thus is Hinduism’s Shakti personified as Kundalini, a Sanskrit word meaning “circular power.” It is said the sleeping serpent-goddess is coiled in the pelvis and can be awakened through spiritual exercises, especially yoga. When aroused, she rises up through the spinal chakras until she reaches the head, completely transforming the individual along the way.

Whatever we call this energy, spirit persons from every religion have reported powerful and often very distressing physical and psychological symptoms consistent with this symbolism. Like Indra’s Diamond Net which intuitively prefigured Jung’s collective unconscious, quantum physics’ Holographic Universe,and the worldwide internet thousands of years ago, the Kundalini goddess may well be an ancient expression of a scientific reality: to wit, the very painful but ultimately healing evolutionary transformation of consciousness we see taking place all around us in the world today.

The next time you dream about a snake, pay special attention to the setting in which you saw it, what it is doing, and how its appearance and behavior make you feel. Then ask yourself questions like these or any others that seem to apply: “When have I recently felt this way in waking life?” “What internal changes am I becoming become aware of?” “What instincts or energies seem to be stirring up in me?” “Am I afraid of them?” “Why?” “What’s the worst that could happen if I acknowledged their reality and let them out?” “What’s the best that could happen?” “What outdated aspects of myself are dying?” “What message might Snake have for me?” “What aspect of myself am I being asked to transform and heal?”

Image credits:  Top, Google Free images, original source unknown. The others are the author’s photos.

Thank you to Lewis Lafontaine for providing the beginning quote from Carl Jung.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc. Her new book, The Soul’s Twins, will be launched next year.

 

 

Caryatids and Queens September 17, 2019

Femininity is universally associated with beauty, softness, tenderness, receptivity, relationship, and caring. While some equate these qualities with weakness, Spirit Warriors know they make us stronger than we ever imagined possible. Of the many symbols suggesting this kind of strength, none speaks as strongly to me as the caryatid.

Caryatids are gigantic columns or pillars in the form of beautiful, fully draped females. A very old architectural device, they were originally used to support immense entablatures in sacred public buildings. In ancient times it was said that seven priestesses founded major oracle shrines. These priestesses had different names in various parts of the world. In the Middle East they were known as the Seven Pillars of Wisdom, hence their common usage as columns holding up temple roofs. These same pillars are referred to in Proverbs 9:1: “Wisdom [Sophia] hath builded her house, she hath hewn out her seven pillars.” On the Acropolis at Athens, caryatids are associated with the strong and independent goddess, Artemis Caryatis, from whom they get their name.

My first glimpse of caryatids at the British Museum filled me with awe and wonder. In them I saw feminine beauty, gentleness, independence, spirituality and mystery blended with majestic, connected, sense of community, and the immovable strength and indomitable will to take a stand for social responsibility. I was looking at the Queen archetype.

A defining characteristic of the caryatid’s strength is her queenly way of serving society. She is strong enough to support huge public buildings in which many activities take place every day, but never takes on more than she can handle, never gets crushed under the weight of her responsibilities.

Nor does she claim godlike perfection and omnipotence for herself: no savior complex for her! She simply receives what she is strong enough to receive; contains what she is large enough to contain; gives what is hers to give. Her strength is not based on compulsions to prove anything or pretend to be something she is not, but on a clear understanding of the nature of her gifts, dimensions of her interior space, and limits of her strength and authority.

Like caryatids, mature Queens have a strong need to nurture their communities. They are pillars of society who are always there to listen and understand; share in pain or joy; defend the innocent, weak, vulnerable and disenfranchised; and advance culture. They have a quiet, grounded strength that does not belittle, gossip, or betray confidences. They accept without rejecting differing opinions and protect without exploiting weakness. They do not relinquish softness; rather theirs is the softness of the lioness, not the lamb. Although receptive, they are never doormats. They nurture but never smother. Theirs is the warm and life-giving receptivity of the womb, not the cold hardness of the tomb.

Caryatids and Queens stand tall and firm with eyes wide open. With steadfast devotion and resolve they support institutions and endeavors which are in everyone’s best interest. We emulate their strength when we subordinate our ego’s will to the greater good and work for the betterment of all without betraying our personal standpoints.

Historically, the feminine principle in all of us–and the women onto whom patriarchy projects it–has endured thousands of years of negative stereotypes and repression. We are fortunate to live in a time when women are finally taking positions of leadership in the mainstream of society. Some of them are very angry. Can you blame them? I, for one, cannot.

Everyone, male or female, who has ever been repressed, abused, dismissed, taken for granted, or struggled to be taken seriously and heard with respect goes through a rage stage before they grow wise enough to take responsibility for their angry shadow and attain their full wisdom and power. History shows that for people of strong character and good will, given enough time and experience, their anger over the injustices they have suffered eventually dissolves and is replaced with an ethic of care, compassion, justice, and social responsibility.

This is true both of individuals and the civilizations we produce. After all, wasn’t it the rage of our forebears at the injustices they suffered in other countries that brought most of them to America? Didn’t that rage give rise to the wisdom that drove the writing of the Declaration of Independence? Didn’t it fuel the Revolutionary War and secure the ratification of the U.S. Constitution?

Underneath our wounds, deep in our unconscious selves, every one of us contains the capacity to develop the Queen’s determination and indomitable will to do the right thing: to support, protect, and nurture everyone in our society, regardless of age, gender, race, social class, or religion. May we all, female and male alike, manifest more of this wise use of feminine strength.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc. Her new book, The Soul’s Twins, will be launched next year.

 

The Alpha Mare September 11, 2019

The archetypal Crone represents many valuable qualities. One of these, leadership, is aptly symbolized by the Alpha mare. In herds of horses, the leader is almost always a mature mare. While the stallion is the physically strongest and most aggressive male who mates with the females and protects himself, his herd, and his territory by keeping intruders away, he is not the wisest, most trusted horse in the herd nor is he the dominant leader who makes the others feel safe and secure.

The Alpha mare does not command respect because she is youngest, prettiest, most charming, physically strongest, or the stallion’s favorite, but because her age and vast experience have made her confident, mentally strong, and savvy in the ways of survival. The other horses follow her because she makes wise decisions. She socializes the younger horses and teaches them to be obedient, leads the herd to food and water, and guides it to safety when threatened by predators. Of all the horses in the herd, male and female, young and old, the Alpha mare is the one who knows best how to preserve the species.

There was once a time when groups of people sat at the feet of Crones, respectfully seeking their guidance and benefitting from their wisdom. The Cheyenne tell a story about “The Old Woman of the Spring” who gave them the buffalo and horse and taught them to plant corn.

In the tale “Grandmother Spider Steals the Sun,” Spider Woman brought the sun, fire, and art of pottery-making to the Cherokee. Old Salt Woman gave the Cochiti the magical blessing of salt, in the form of some of her own flesh, to make their food taste better.

The Brule Sioux say that when a grandmother prayed for a sacred herb to save the Comanche nation, a spirit told her where to find Grandfather Peyote and how to use it. She brought it back to her people and gave them the ceremony, and from that moment on, they learned to know themselves.

The Tiwa tell of Apache Chief to whom Spider Old Woman gave special medicine and Gopher Old Woman gave secret knowledge that helped him retrieve his lost wife. Such stories speak to the reverence native peoples had for the elder women whose lengthy life experience and intimate relationship with nature sacralized their lives and improved their chances for survival.

As the Sky God replaced the Earth Goddess as our primary source of spiritual guidance and meaning, our respect for Crone wisdom diminished in many parts of the world. At the individual level this is occasionally justified. Certainly, not every grandmother has feet at which one would necessarily want to sit! Generations of being separated from all that feels sacred to women has turned some of them into the very worst examples of feminine shadow. These are the wicked witches we hear about in fairy tales, and they should be avoided like poison lest they spread their toxicity to us.

An early fall reminder of the beautiful feminine wisdom of life’s cycles.

But there are also some Alpha mares out there. We need to seek out these examples of the positive, empowered Crone, for they hold vital secrets that could help us maintain the delicate balance between societal preservation and annihilation.

Think of women you know who have made a positive change in your life. What is it about them that you most admire? You possess these same qualities. How have you activated them in yourself?

Image credits: pixabay.com

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc. Her new book, The Soul’s Twins, will be launched next year.

 

Identifying and Working with Archetypes in Your Dreams May 7, 2019

This wonderful book was written by Justina Lasley, founder of the Institute for Dream Studies.

In my last post I answered questions from students at Justina Lasley’s and Tzivia Gover’s Institute for Dream Studies about what brought me to dreamwork and how it has influenced my life. Their remaining questions were about identifying and working with archetypes in dreams.

Archetypes are universal, unconscious psychic forms, or images. Contents of the collective unconscious of humanity, they are the psychological equivalent of our physical instincts. Although we are not normally consciously aware of our instincts or their archetypal images, they nevertheless predispose us to perceive our experiences and behave in certain predictable ways.

We cannot directly know the archetypes, but we can learn about them from their symbolic manifestations in myths, fairy tales, dreams, and imagination. Examples of the primordial images which populate the treasure trove of our dreams include animals, objects, people, themes, and motifs. With our preference for the conscious ego’s rational processes above all our other functions, western culture tends to devalue the psyche’s natural, intuitive, imaginative processes. This split between the rational mind and nature created the seriously dysfunctional attitudes and practices which have brought us to the brink of destruction.

When you can see and acknowledge the very real power of archetypes in your dreams and waking life, you will understand yourself with all your bright and shadow qualities better. The more self-aware and self-accepting you become, the more compassion you will feel for yourself and others. Over time your dysfunctional ways will abate and  you will discover and live the meaning and purpose of your life. As you grow in consciousness, others will be affected. The ripple effect will take over and you will become part of the solution.

This is precisely what the students at the Institute for Dream Studies hope to do with their lives. They were particularly interested in the four basic feminine and masculine archetypes I’ve written about in my new book, The Soul’s Twins: Mother, Father, Queen, Warrior, Mediatrix, Sage, Beloved, and Lover. Here is their first question:

Q: Does it take a while for one to determine their dominant archetype(s)?

Yes. During my first two or three years of dreamwork I focused almost entirely on understanding the meaning of the symbols and images in my dreams. I examined them from three perspectives:  my personal associations for the symbols, my culture’s associations for them, and the archetypal associations for them in myths from every culture. I also looked for manifestations of their negative sides in the hope of recognizing and befriending my Shadow. I knew from my Jungian studies that it was my major barrier to deeper self-knowledge.

In those early years I was mostly doing intellectual head work and paid little attention to my emotional responses to the images, themes, or overall feeling of my dreams. I knew very little about the archetypes and wasn’t terribly interested in them. And it rarely occurred to me to look for any connection between my inner/dream life and my attitudes and behavior in waking life. Mostly I was just compiling fascinating data.

My tenth birthday was one of the last times I saw my father. His death some months later was the impetus for my Orphan’s awakening.

This was fun and very useful, but I craved more. I began to notice uncomfortable recurring archetypal themes. I wondered what they had to do with the way I acted and felt. I saw how I covered up my inner realities with outer attitudes and behaviors that weren’t true to what I knew myself to be and feel inside. I wanted to know who I was beneath my persona, why I was the way I was. I wondered what the underlying complexes and archetypal patterns were that seemed to trigger strong emotions. When I noticed that many of my attitudes and behaviors centered around stereotypes about masculinity and femininity, I began to study and write about that. I was following my intuitions and instincts, and was rewarded when a hidden new world of archetypes opened up for me.

My first strong connection was with my Warrior. He was very good at defending and protecting me, but soon I saw that he was often overly quick to do so. So I began to look for what he was defending. I found her in my dream emotions and occasional glimpses of sad, vulnerable, self-pitying Orphan girls who I eventually identified as different versions of my immature Mediatrix. She was suffering from feelings of abandonment she didn’t understand and just wanted her Mother. In waking life my personal  mother had been too busy trying to be a surrogate Father/provider to give me the comforting nurturance I needed. I realized my Warrior had made it his job to defend this rejected child I didn’t want to admit to, so I focused on developing the nurturing Mother in myself so that together, she and my conscious ego could love this childish part of me. That meant I had to give my Warrior another job. Now his goal-oriented determination and persistence help my Sage with my writing. Over time other archetypes have revealed themselves, each with their own issues, strengths and weaknesses.

Only recently has my Queen stood out as my powerful personal authority who’s been with me all along without my knowledge. With help from my Warrior and Sage, she has given me the confidence to make my own way through life on my own terms. Last to awaken have been my Beloved and Lover. This development has brought more forgiveness, compassion, and satisfaction to my life than ever before. It’s been thrilling to watch them blossom.

Next time I’ll answer the last question, which is about my dominant archetype, the Mediatrix. Until then, sweet dreams, my friends. And happy Mother’s Day to all who have birthed and protected new life in themselves.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc. Her new book, The Soul’s Twins, will be launched next year.

 

 

 

Colors in Dreams April 1, 2019

Have you ever had a dream in which a color stood out so strongly that it somehow felt important? Robert J. Hoss, author and host of a great newly designed website called DreamScience, says that’s because it is. A former scientist and applied researcher, Bob retired early to devote his science and management skills to dream studies. His Transformative Dreamwork protocol is based on a unique blending of research and psychology: Gestalt work, Jungian theory and practice, the neurobiology of dreaming, plus his research into the significance of color in dreams.

During the last few months I’ve experienced a wide range of emotions as I’ve tackled the myriad final details required by my publisher. And I don’t use the word “tackled” carelessly. Sometimes I’ve felt like I’m tackling this book. Other times it feels like the book has tackled me. And once in a while I feel like I might just win the game. I’ve had some interesting dreams related to all these emotions featuring vivid colors so I visited Bob’s site to see what new information I could find.

To illustrate, here’s a summary of Dream #5014:

I‘m in a big house filled with messes. I don’t think it’s my house, and they’re not my messes, yet I’m responsible for them. A mother marmalade cat is licking the carpet where two kittens have urinated on it. I hope it doesn’t smell. Whose kittens are these and why are they in the house? Who are all these people milling around looking for places to sit down and eat? And why is it my job to clean off tables and find chairs and china and silverware? It’s very frustrating and burdensome.

The scene shifts. I’m leading people on a tour down a stairway into a vast hall. The walls are painted a mixture of whitish rose smeared over a deep red. All the decorative touches, lamps, and sconces are gold. It’s beautiful and I feel very much at home in it, but I’m afraid the others will think it’s tacky and overdone.

Then I’m walking into a basement with a yellow/orange kitten lying on the floor. A determined-looking young man drives a green tractor straight through the room, hits the kitten, and blood spills out everywhere. The orange mother cat runs to it and licks it. One leg is bloody and swollen, but everything else is fine. The mother turns away and rushes toward a big open tote bag lying on the floor. With a fierce, angry look she attacks the bag and jumps inside it. I smile to myself thinking about how cats love to play in bags and boxes. It seems fitting somehow that in the midst of all this horror and mess, the cat is both attacking and playing with the bag at the same time.

Bob’s site is full of useful information, videos, online courses, and radio shows. It’s very easy to negotiate, so I went to the information tab and clicked on “Working with Color in Dreams.” There I found a wonderful color questionnaire  from his book, Dream Language, which you can download from his site for free.  It includes tables with associations to colors that you can use to see what statements and themes trigger your own personal associations to the symbols and events of the dream.

I had been puzzled by the huge red walled hall, but now I get it. Here are the themes for red that resonated strongly with me. Thrown out and attracted to the outer world. Activity. Disruption. Yes. My life has been totally disrupted by this book that has consumed my thoughts day and night. There are always messes to clean up. Emotionally determined action. For sure. And courage. It takes guts to put myself out in the world with this book. And I am, indeed, worried about how others will react to it.

What about the green tractor?  Two themes for green feel especially relevant to this dream. First, hard work and drive will gain me recognition and self-esteem. Drive? Why didn’t I think of that? Way down in the basement of my unconscious my writer animus is hell-bent on driving that tractor through the room and he’s determined to succeed. And second, detail and logic are important here. Anyone who’s ever had to locate sources, get permissions for images, compile bibliographical information, fill out a marketing spreadsheet, and write citations according to the Chicago Manual of Style knows exactly what I’m talking about. 

And the orange cat? Orange combines the energy of red and the happiness of yellow. It is associated with joy, and represents enthusiasm, fascination, creativity, determination, and stimulation. Yes, I’ve been feeling that too. That part of this process has been wonderful. It’s very comforting that the dream ends like this.

I hope you’ll check out Bob Hoss’s site. If you’re interested in dreams, you’ll love it.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc. Her new book, The Soul’s Twins, will be launched next year.

 

An Interview with the Center for Jungian Studies of South Florida February 5, 2019

The following is the transcript of an interview I had yesterday with Teresa Oster, MS, MSW. She’s a board member of The Center for Jungian Studies of South Florida where I’ll be doing a presentation on February 23. This is their link:  www.jungfl.org.  I’d love to see you there!

Q. Healing the Sacred Divide: Making Peace with Ourselves, Each Other and the World, which took you 18 years to write, is compelling reading, weaving the insights of many — spiritual masters, Jungian analysts, psychologists, and others — with your own. As a warm-up question, might you describe your personal library? How many books? How are they organized? What is on your reading table or night table now?

A. Oh, my. In our home we have a designated library/music/reading room with two walls of shelves containing about 1,650 books. At the moment there are another 200 plus on or near my desk for quick access. Most of the other rooms have a shelf or two of books as well. Those in the library are clustered together in genres:  classics, children’s literature, art, fiction, poetry, dreamwork, philosophy, archetypal symbolism, religion/spirituality, mythology, psychology, and women’s issues. Those nearest my writing desk belong to the last five genres.

The books on my night table at the moment are: The Hidden Spirituality of Men, by Matthew Fox; The Physics of Angels, Matthew Fox and Rupert Sheldrake; Man and Time: Papers from the Eranos Yearbooks, Volume 3, edited by Joseph Campbell;The Wisdom of Sundays, Oprah Winfrey; Philosophy: An Illustrated History of Thought, by Tom Jackson;  and Hilma af Klint: Paintings for the Future, by Tracey Bashkoff of the Guggenheim Museum. A friend loaned the last one to me last night. It’s filled with extraordinary archetypal images.

Q. Would it be accurate to call Healing the Sacred Divide a spiritual autobiography and workbook as well as a discourse on the trials and treasures in healing our divided selves, our divided relationships, our divided world? 

A. Yes. That’s a perfect summation. I find it almost impossible to separate my thinking and learning from my personal life and my passion for sharing what I’m learning with other psychological and spiritual seekers. I want to become my fullest Self and I love mentoring others who are on the same path.

Q. The late Jungian Analyst Robert Johnson wrote the forward to your previous book, Dream Theatres of the Soul. He appears to be a touchstone for your work. Would you comment on him, and his passing, and his favored concept of the mandorla, which you emphasize in Healing the Sacred Divide?

A. Robert A. Johnson was my earliest Jungian mentor. I met him at a Journey Into Wholeness conference in the early 1990’s and immediately knew him to be a soul brother. From him I learned that myths and dreams are valuable stories that show me the archetypal forces in my unconscious. I also learned that my psychological and spiritual growth is dependent on my ability to reconcile the conflicts in myself and my relationships. This is symbolized by a mandorla — the third, almond-shaped space made by two overlapping circles. It represents the holy space of dialogue and understanding where we connect with the Self and resolve conflicts in creative new ways. I’m sad that he’s no longer with us, but his soul left a powerful imprint on mine that will always be with me.

Q.You begin the book with a nightmare you had when you were ten, of the Lone Ranger, who you so admired but who shot you in the dream. The Lone Ranger has ‘shadowed’ you for all these years. Could you say just a bit about the importance of him in your process? I recently saw the archetypally rich film The Lone Ranger, starring Johnny Depp as Tonto. Have you seen it? If so did it resonate?  

A. My dream was as archetypally rich as the film. I did see it and I loved it. As a child, I idolized the Lone Ranger, Tonto, and Silver. I woke up from that dream screaming with outrage and weeping from a profound sense of betrayal. It has taken me years of inner work to understand why. The Lone Ranger was my version of the heroic Father archetype. Tonto was my personal image of my shamanistic Mediatrix/Sage archetype. Silver represented the power and potential of my Animus, the drive that motivates my teaching and writing. Why did the Lone Ranger shoot me at the age of ten? Because I was becoming aware of the toxic patriarchal conditioning of my childhood that said males were heroes and authority figures and females were victims and second-class citizens. The dream was a call to discover and empower the archetypal forces in myself, especially my feminine side. It took me 35 more years to find the path Jung paved for me and other seekers.

Q. You quote Krishnamurti: “The world problem is the individual problem.” Would you comment? How are we individuals responsible for the extreme conflicts in our world today?  

A.The opposite of Krishnamurti’s comment is likewise true: the individual solution is the world solution. We and our species are evolving from a state of primitive infancy toward greater consciousness and psycho-spiritual maturity. As you do your inner work and grow in self-awareness, you automatically motivate everyone you touch to seek healthier resolutions to their problems and find meaning for their own lives. For the first time in human history, the internet has the potential to swing the tide of collective consciousness away from conflict and hatred toward understanding and love. I truly believe that if we join the drops of our individual awareness to the gathering collective wave, we can save our species and our planet from destruction.

Q. Another author you cite is Jungian Analyst Janet O’ Dallett, author of The Not-Yet Transformed God. She spoke to our group many years ago, but I still remember what she told us before the lecture. She said she lived on the Olympic Peninsula near Seattle and there were two houses on her property.  She lived in one and her husband lived in the other. What do you think she was trying to say about the individual in relationship?  

A. I love that. I think she was trying to illustrate how hard it is to create a healthy, loving, lifelong, relationship with your partner without sacrificing your freedom to be true to yourself. For the last few years I’ve been taking baritone ukulele lessons and writing songs. My latest song, “Happy Place,” is my answer to your question. It’s about the mandorla that two individuals can create in a couple relationship. Here are the last lines: 

“I wish my happy place was yours. I wish that yours was mine.

But everybody’s got their own. Seems like that’s just fine.

Together we’re building a place of our own, where we both can grow.

You can do your thing and I’ll do mine….It’s the happiest place I know!”

 

Q. You cite so many influential authors in The Sacred Divide. I was disappointed not to see a bibliography. Might you want to hand one out to attendees at the upcoming event?  

A. I’ll be happy to. I’m in the midst of creating one for my new book, and I’ll bring it with me to the workshop.

Q. You called your first three books a trilogy. Now you are working on a fourth. What is the subject of the new book?

A. The Soul’s Twins transforms my work into a quaternity — a symbol of wholeness that is my answer to the Lone Ranger and the patriarchal culture he alerted me to at the age of ten. I believe it is imperative for our species to eliminate old stereotypes about Deity and gender by consciously integrating the feminine and masculine principles within and without. The Soul’s Twins was conceived in the early 90’s when I attended an intensive at the C.G. Jung Institute in Zurich where Jungian analyst Dr. Martin Odermatt introduced us to a newly emerging image for the Self. He called it the Couple, a new God-image representing the unifying force of love that can heal the world.

Over the next year I wrote a manuscript describing how the interaction between four basic feminine archetypes and their four masculine archetypal partners creates the Couple. I also created and tested a self-assessment instrument called The Partnership Profile which is included in the new book. I didn’t know how to finish it then, which is probably just as well because I’m pretty sure the world wasn’t ready to receive it. So it sat in my computer until two years ago when my Animus reared up and demanded that we revise, condense, and see it through to publication. He and I are very excited about the dramatic movements like #MeToo that are shaking up and tearing down the toxic bastions of patriarchal dominance. I’m pretty sure the time is right for it now. May it be so!

Reminder to attendees: Some journaling is part of this event. Bring notebooks and pens. Sharing is optional.

Image credits:  The rearing horse found on Google Images is attributed to rebelyell.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

Tree of Life: A Dream of Returning Light and Hope December 13, 2018

What follows is copied from this morning’s dream journal. It seems a fitting post for the holiday season this year. May you find meaning and hope in it during this dark, chaotic time.

Dream #5,000: Tree of Life

I’m in a room in which someone has set up a small square table, like a card table, and covered it with a white cloth. Toward the back center of the table is a small live, potted tree. The front of the table is empty, as if this is a serving table for a Christmas feast and the platters and bowls of food will be placed there.The tree is around 2 feet high. It’s a bit wonky, like Charlie Brown’s little tree, with five skimpy branches sprouting from either side of a central trunk. But unlike Chuck’s tree, it’s not an evergreen with leaves and greenery. It’s a deciduous tree which has shed its old leaves for the winter. This makes sense, since it’s the dead of winter. The branches of this tree are dotted with unusually large, obviously ripening buds which make me think of ornaments on a Christmas tree. As I awaken I hear myself narrating a description of the tree saying, “The Tree of Life, laden with buds (I wrote bulbs) and the promise of new life.”

This dream is very meaningful to me for several reasons. First, because at my first Wise Women’s group meeting a few weeks ago, Jan told us about a group of women who sponsor a movement to plant new trees in the deforested belt around the planet. At the end of our meeting I suggested that we all try to incubate a tree dream to share at our next meeting after the holidays. I was hoping to find some guidance and meaning for our group about the danger of deforestation that is threatening our planet. That night I had dream #4990 with images of a few trees with a few green leaves, but it didn’t bowl me over and I’ve had no more dreams about trees since. Until last night.

Second, last night, knowing the next dream I recorded and worked on would be my 5,000th, I again asked Dream Mother to please bring me an extra special tree dream. Boy, did she deliver!

I awoke some time around 4:00 with the image of this dream and the realization that I was repeating its final words about the Tree of Life. After that I couldn’t go back to sleep. So I got up, wrote it down, went back to bed, and starting thinking about my associations with it. The first thing I thought of was my blog post from some years ago about the symbolic meaning of dreams. I guess that’s what gave me the idea to post this one today.

Next, I thought about what I’ve been writing about in my next book and realized that the Tree of Life represents the trinitarian third force which brings unity between opposites, not just as a metaphysical reality, but also as a physical one. Metaphysically, a tree is an image of the Philosopher’s Stone. Physically, it is a metaphor for the human body, with its central trunk, five appendages (head, arms, and legs), and a feminine and masculine side. This reminded me of the Kabbalah’s sephirot which, in Judaism, represents the divine in humanity and also has a feminine and masculine side.

Then I realized that the Jewish menorah is a Tree of Life too — with its central candle-holder trunk, and four candle holders on each side — and that this image is also like the sephirot. Plus, the lighting of the menorah candles celebrates the divine spark of light, wisdom and divine inspiration that we bring to fullness in ourselves with our spiritual work. The reference to light reminded me of the confusion I had when writing down the dream about the similarity between the words “buds” and “bulbs” — buds signaling new life, and Christmas tree bulbs representing the return of light, and with it, new life.

Another thought was that the Tree of Life, the sephirot, the menorah, and the Christmas tree are all images of the Great Mother, or Sacred Mother, who births new life and light via the buds that will blossom into leaves and flowers with the return of spring. So it’s also an image of the Sacred Feminine which has lain dormant for so long in the collective unconscious but is now showing signs of rebirth. This gives me hope. With women becoming more involved in positions of authority and taking on projects like planting new trees, perhaps they can also influence the world’s governments to take this and other ecological threats more seriously. If they succeed, just as the darkness and barrenness of winter is always followed by the light and new growth of spring, Mother Nature can restore the health of our planet with her natural cycles of life. May it be so.

Finally, the dream felt like a reward from my unconscious for all the work I’ve been doing on my dreams over the last 30 years. It seems to suggest that at my age I am still capable of sprouting with new life, and it made me feel known and loved by the Sacred. It felt like an affirmation and validation of what I’m writing about in my new book, and gave me hope that it might be well-received by the collective. So after lying awake thinking about my 5,000th recorded dream for the rest of the night, I arose at 7:30 and began making revisions to the last chapter based on what I learned from it.

Thank you to my readers for your many gifts of wisdom through the years. May your holiday season be filled with light, wisdom, new life, and divine inspiration.

Image credits:  Charlie Brown’s Christmas Tree, https://www.macys.com/, The Tree of Life Metal Menorah by Scott Nelles, https://www.artfulhome.com/

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

 
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