Matrignosis: A Blog About Inner Wisdom

Think Pyschologically; Live Spiritually

Identifying and Working with Archetypes in Your Dreams May 7, 2019

This wonderful book was written by Justina Lasley, founder of the Institute for Dream Studies.

In my last post I answered questions from students at Justina Lasley’s and Tzivia Gover’s Institute for Dream Studies about what brought me to dreamwork and how it has influenced my life. Their remaining questions were about identifying and working with archetypes in dreams.

Archetypes are universal, unconscious psychic forms, or images. Contents of the collective unconscious of humanity, they are the psychological equivalent of our physical instincts. Although we are not normally consciously aware of our instincts or their archetypal images, they nevertheless predispose us to perceive our experiences and behave in certain predictable ways.

We cannot directly know the archetypes, but we can learn about them from their symbolic manifestations in myths, fairy tales, dreams, and imagination. Examples of the primordial images which populate the treasure trove of our dreams include animals, objects, people, themes, and motifs. With our preference for the conscious ego’s rational processes above all our other functions, western culture tends to devalue the psyche’s natural, intuitive, imaginative processes. This split between the rational mind and nature created the seriously dysfunctional attitudes and practices which have brought us to the brink of destruction.

When you can see and acknowledge the very real power of archetypes in your dreams and waking life, you will understand yourself with all your bright and shadow qualities better. The more self-aware and self-accepting you become, the more compassion you will feel for yourself and others. Over time your dysfunctional ways will abate and  you will discover and live the meaning and purpose of your life. As you grow in consciousness, others will be affected. The ripple effect will take over and you will become part of the solution.

This is precisely what the students at the Institute for Dream Studies hope to do with their lives. They were particularly interested in the four basic feminine and masculine archetypes I’ve written about in my new book, The Soul’s Twins: Mother, Father, Queen, Warrior, Mediatrix, Sage, Beloved, and Lover. Here is their first question:

Q: Does it take a while for one to determine their dominant archetype(s)?

Yes. During my first two or three years of dreamwork I focused almost entirely on understanding the meaning of the symbols and images in my dreams. I examined them from three perspectives:  my personal associations for the symbols, my culture’s associations for them, and the archetypal associations for them in myths from every culture. I also looked for manifestations of their negative sides in the hope of recognizing and befriending my Shadow. I knew from my Jungian studies that it was my major barrier to deeper self-knowledge.

In those early years I was mostly doing intellectual head work and paid little attention to my emotional responses to the images, themes, or overall feeling of my dreams. I knew very little about the archetypes and wasn’t terribly interested in them. And it rarely occurred to me to look for any connection between my inner/dream life and my attitudes and behavior in waking life. Mostly I was just compiling fascinating data.

My tenth birthday was one of the last times I saw my father. His death some months later was the impetus for my Orphan’s awakening.

This was fun and very useful, but I craved more. I began to notice uncomfortable recurring archetypal themes. I wondered what they had to do with the way I acted and felt. I saw how I covered up my inner realities with outer attitudes and behaviors that weren’t true to what I knew myself to be and feel inside. I wanted to know who I was beneath my persona, why I was the way I was. I wondered what the underlying complexes and archetypal patterns were that seemed to trigger strong emotions. When I noticed that many of my attitudes and behaviors centered around stereotypes about masculinity and femininity, I began to study and write about that. I was following my intuitions and instincts, and was rewarded when a hidden new world of archetypes opened up for me.

My first strong connection was with my Warrior. He was very good at defending and protecting me, but soon I saw that he was often overly quick to do so. So I began to look for what he was defending. I found her in my dream emotions and occasional glimpses of sad, vulnerable, self-pitying Orphan girls who I eventually identified as different versions of my immature Mediatrix. She was suffering from feelings of abandonment she didn’t understand and just wanted her Mother. In waking life my personal  mother had been too busy trying to be a surrogate Father/provider to give me the comforting nurturance I needed. I realized my Warrior had made it his job to defend this rejected child I didn’t want to admit to, so I focused on developing the nurturing Mother in myself so that together, she and my conscious ego could love this childish part of me. That meant I had to give my Warrior another job. Now his goal-oriented determination and persistence help my Sage with my writing. Over time other archetypes have revealed themselves, each with their own issues, strengths and weaknesses.

Only recently has my Queen stood out as my powerful personal authority who’s been with me all along without my knowledge. With help from my Warrior and Sage, she has given me the confidence to make my own way through life on my own terms. Last to awaken have been my Beloved and Lover. This development has brought more forgiveness, compassion, and satisfaction to my life than ever before. It’s been thrilling to watch them blossom.

Next time I’ll answer the last question, which is about my dominant archetype, the Mediatrix. Until then, sweet dreams, my friends. And happy Mother’s Day to all who have birthed and protected new life in themselves.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc. Her new book, The Soul’s Twins, will be launched next year.

 

 

 

Dreams: Your Personal Treasure Trove April 30, 2019

For the last 30 years, dreamwork has been my primary psychological and spiritual practice. Nothing has brought me as much self-knowledge, self-acceptance, meaning, and all-around life satisfaction as remembering, recording, analyzing, ritualizing, and journaling about my dreams.

My dreams are my personal treasure trove. They have known me better and guided me more surely toward my true gifts than any human seer or counselor could possibly do. They have been wiser than any teacher, more valuable than material possessions, more constant than any friend, more affirming of what’s true and important to me than any compliment, mirrored reflection, or admiring glance I’ve ever received. Had I not discovered this hidden wealth within me, none of the accomplishments I hold most dear—not my loving relationships with my family, my mentoring of my students, my books and other writings, or my spiritual growth—would have been possible.

Knowing of my passion and long experience working with my dreams, two weeks ago, Tzivia Gover, Director of the Institute for Dream Studies founded by Justina Lasley, hosted me as a speaker for an online class with her international group of students. I was asked to talk about my new book, The Soul’s Twins, with its emphasis on the feminine and masculine archetypes and how they can appear in dreams. After my talk we had a lively Q & A session. Tzivia wrote today to tell me that her students were still discussing some of the topics and had a few more questions for me. I’m sharing my answers here for other like-minded souls.

Q: How did you make the transition in your late thirties when you underwent a spiritual dark night and shifted your focus from the outer world of achievement and conformity to the authentic inner life of the psyche? What challenges did you have to overcome? How was this beneficial in the long run?

The transition was long, slow, and difficult. It began with an experience that awakened an instinct that had been relatively unconscious until that time. It centered around a painful conflict between two very real and valid parts of myself. The part that felt new, scary, and bad (my instinct) wanted to act. The part that had always been “good” and proper and careful and conforming—and felt rather proud of herself for being that way (my ego)—most certainly did not want to act! The problem was that both sides were extremely compelling and both choices would have been intolerable.

Until that time, I had believed I was doing everything right. For the first time I was faced with challenges to the persona I had carefully built over the years and could not dismiss them with self-discipline and will power. My religion was no longer a helpful guide. Prayer didn’t take my problem away. My major challenge was to face my spiritual questions and doubts and have it out with my God-image, who was really my church’s God-image, not mine, although I didn’t realize that at the time. These internal dialogues kept me awake for hours many nights.

Another challenge was to carry on normally by day without allowing my suffering to infect my family life and work. A third was to think through all the possible scenarios that could result from either choice without taking any impulsive actions I might later regret. A fourth was to trust a tiny intuition that this was all happening for a reason. A fifth was to tolerate the tension of clarifying my conflict and persevering until the solution arrived. When it did after about six months of this, I chose to go against convention and honor my instinct.

Once I was firm in my intention and made that original choice, the conflict was resolved by outer circumstances beyond my control. Acting on my decision was no longer an option. I felt cheated, betrayed, abandoned, mistreated, abused, and deserted by my God. My grief was intense. I suffered the deepest anguish I’ve ever felt for about two years without allowing my suffering to hurt anyone else. This was my trial by fire, and it lasted nine years.

During that time I began to experiment with trusting my instincts and pressing needs more often. I also became aware of a new God-image of compassion and love that was emerging in me, although I often failed in my intention to put love first in my everyday life. I still do. I faced and endured many agonizing conflicts because I wanted to protect the realities of my inner and outer life at the same time without betraying either one. When I discovered Jungian psychology and my dreams, I finally quit a job I hadn’t liked for years and started my first book about the inner life. That’s when the light started streaming back in.

As for the benefits, I’ve answered that question above. The fact that I’ve discovered my calling and befriended many of my dragons doesn’t mean I no longer have conflicts or flaws. It just means I’m much better at forgiving myself and seeing, facing, and resolving them quickly.

Q: Can you say more about the discoveries you uncovered when exploring the feminine approach to the hero myth?

I learned the hero myth is not about acquiring the outer trappings of success in the eyes of the world. That’s been patriarchy’s interpretation for thousands of years. It’s really a story about your masculine side (usually your conscious ego), cooperating with your feminine side (your soulful, feeling self), so that together these parts of you can find the courage to uncover and befriend the forces of ignorance in your own unconscious.

I learned it’s okay to have a shadow and to experience conflicts with it. Everyone does. And it’s never as bad as you think it is at first.

I learned that just because my religion and family and country have definite ideas about right and wrong doesn’t necessarily mean their views are correct or good for me. I realized that the point of the hero’s journey isn’t to kill my dragons–my shadow, instincts, and true feelings–but to build a relationship with them based on trust and compassion for myself and respect for their differing realities. Because they’re the ones guarding my treasure. And until I get past them by approaching them in peace and friendship—carrying on dialogues with them, and accepting their qualities as mine—I’ll never gain access to it.

Tzivia’s students at the Institute for Dream studies have two more questions about archetypes, but this is already too long so I’ll answer them next time. Dreamers, please know that it’s true that your treasures lie within. You are courageous warriors to seek them, and I salute you. This post and the next are dedicated to you.

Image credits: Dream, artist unknown, Google Images. St. George and the Dragon, Rogier van der Weyden.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc. Her new book, The Soul’s Twins, will be launched next year.

 

Good News, Bad News October 8, 2018

 

“Love is the fundamental energy of evolution….Our challenge today is to trust the power of love at the heart of life, to let ourselves be seized by love, to create and invent ways for love to evolve into a global wholeness of unity, compassion, justice and peacemaking. As a process of evolution, the universe is incomplete, and we humans are incomplete. We can change, grow, and become something new. We have the power to do so, but do we have the will? We need a religious imagination that ignites our energies to move beyond mediocrity and fear, one that anticipates a new future of planet life.” ~Ilia Delio. The Unbearable Wholeness of Being, p. xxv

First the good news: The first draft of my new book is finished. From here on out it’s just a matter of refining it, a process akin to socializing a child so it’s fit to be seen in polite society. It’ll take me a while to do that, then off it goes. Sending it to the publisher is like sending a child to finishing school after basic training. An editor will offer suggestions, I’ll make revisions. A marketing person will review and adjust the promotional plan, make the necessary arrangements, and so on.

Now for the bad news: I’m living in a country whose collective shadow is manifesting in so much nasty, ugly, uncivilized, territorial, competitive, top-dog, mine’s-bigger-than-yours animus masculinity that I’m losing hope. Just so you know, my book is about how psychologically and spiritually, men and women both contain the masculine and feminine principles/drives. So I’m not just talking about men. There are plenty of women around exhibiting that same shadow.

Here’s what I’m on the verge of seriously asking myself: Why am I spending so much of my life energy creating this new child who’s all about love and partnership and creative, unitive consciousness? How can it possibly survive in such an environment, let alone thrive? How can anything soft and vulnerable—like an innocent child or a human soul—bear the toxicity of our time?

I know the answer to the first question is, “Because I have to.” And I know I won’t rest until it’s done. Nevertheless, I really, really, need to hear some good news.

Two Monday mornings ago, I awoke with the usual dark cloud over my head from watching the late night news about the latest political brouhaha. This time it was the Brett Kavanaugh supreme court nominee hearing and Dr. Christine Blasey Ford’s upcoming testimony about an alleged abusive encounter with him. I didn’t want to think about it. I couldn’t wait to make my coffee and get to the newspaper so I could solve the sudoku puzzle. I needed a distraction from my gloomy thoughts, a problem I could actually resolve.

Part of my morning ritual is to read my horoscope which shares the same page. Occasionally a comment will resonate and spark some creative thinking. That morning, mine said something like, “Instead of thinking about what you need to change, ask yourself what would improve your life.” The answer came almost immediately. Being with a kind, compassionate, psychologically savvy and spiritually mature woman who has a good balance of masculine and feminine energy would definitely improve my life right now.

So I sent an email to a friend I haven’t seen in several months, and invited her over for tea one afternoon. We agreed to meet a week later, last Monday afternoon. One of the first things she said after we’d settled into comfortable chairs was, “Are you in as much pain as I am from watching Christine Blasey Ford’s testimony last Thursday?” She was already reading my mind. I hadn’t actually watched it that day, but I’d been seeing it on the news ever since. And yes, I was in much pain about it.

After we talked for a while about how much Ford’s testimony had moved us she said, “But you know, I couldn’t help but feel sorry for Kavanaugh and his wife too. Did you see her face? There was so much devotion and concern for him in her eyes.”

And that’s exactly what I needed to hear. Her compassion for both Ford and Kavanaugh—her ability to put herself in their shoes and imagine the impact this ordeal was having on both their families—was the voice crying in the wilderness I’d been longing to hear. We spent the next two hours having one of the most pleasant, light-hearted, and affirming conversations I can remember ever having. We laughed a lot. And I teared up a few times. I’ve felt much better ever since.

If there’s a moral to this story, it’s that if the current political situation is dragging you down, find yourself a gentle, compassionate, feminine voice with “a religious imagination that ignites [y]our energies to move beyond mediocrity and fear, one that anticipates a new future of planet life.”

Thank you, Ilia Delio. Thank you, Pat. I’ll be doing more of that from now on.

Image credits: Ford, Saul Loeb/AFP/Getty. Kavanaugh, Unknown, Vox.com.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

A Wrinkle in Time: A Timeless Tale March 13, 2018

By the 1970’s, Madeleine L’Engle’s A Wrinkle in Time (1962) was a staple in youth literature throughout North America. As an adult in 1977, I fell in love with it while doing research for the Children’s Literature course I taught. Considering that it was published in the pre-internet/social media era, this modern fantasy was arguably as popular with young readers in the 1970’s and 80’s as J.K. Rowlings’ Harry Potter series was with millennial youth. In 2003 Disney turned it into an award-winning made-for-television film, and now, 56 years after its inception, a new version of this classic has at last arrived on the big screen. I couldn’t wait to see it, and did last weekend.

Meg Murray (Storm Reid) is the gifted oldest daughter of two brilliant astrophysicists who are developing theories about the origins and nature of the universe. When we meet her she’s an angry middle-school misfit, tormented with self-loathing and grief over the unexplained disappearance of her beloved father (Chris Pine) four years earlier.  Meg’s only joy is her little brother Charles Wallace (Deric McCabe), a precocious genius and telepath whom she deeply loves and fiercely protects from bullies.

The story takes off when Charles Wallace introduces Meg and her new friend Calvin O’Keefe (Levi Miller) to his strange new friends—Mrs. Whatsit (Reese Witherspoon), Mrs. Who (Mindy Kaling) and Mrs. Which (Oprah Winfrey). Like the benevolent Mother Goddesses they symbolize, these beings have come to Earth from somewhere in the cosmos to help Meg and Charles Wallace rescue their father from imprisonment by the evil shadow known as IT. Traveling across a wrinkle in time and space called a tesseract—a new theory being developed by Meg’s mother (Gugu Mbatha-Raw) but as yet unproven by her—they are transported to the dark planet Camazotz where they rescue Dr. Murray but lose Charles Wallace to the evil. The timeless message of this story is conveyed by the way Meg saves him from the gathering darkness.

Almost everybody who reads a book before seeing the movie says the book was better. Unfortunately, I think this holds true for A Wrinkle in Time. Like dreams, we always prefer our own inner images to those of others. Nonetheless, there is much to love about this film.

For example, the child actors are remarkable. Storm Reid is pitch perfect as Meg. At times, her depiction of an array of confused and conflicting feelings brought me to tears. I’ve been there. Levi Miller as Calvin is a natural at portraying a wounded boy who hides his secret sadness beneath his earnest, inherent kindness. And Deric McCabe as Charles Wallace is a constant surprise and delight. Sometimes the youngest children, like eight-year-old Brooklynn Prince of the Oscar-nominated film, The Florida Project, are uncannily confident actors because they’re still too delighted with the imaginary world of “let’s pretend” to be self-conscious about it.

Once the travelers reach Camazotz, the costumes, sets, makeup, and auditory and visual effects are gorgeous and highly imaginative, but for me, unsettling and too much. Almost annoying. I would have preferred a more subtle palette with less in-your-face, technologically contrived color and pizazz! And as much as I admire the actresses who play the triple Mrs.’s, (symbolic of Hecate, Greek mythology’s three-faced goddess guide through the underworld), they are too young and glamorous for me.

Madeleine L’Engle described Mrs. Whatsit as a frumpy, bumbling and eccentric old woman (who morphed into a young and beautiful white winged creature that was part horse and part manta ray), Mrs. Who as a plump little woman in enormous spectacles, and Mrs. Which as a coldly authoritative black-robed, beaked-nose witch with a broomstick who had difficulty materializing into human form. In the film version none of them is remotely old or witchy. Mrs. Whatsis is a gorgeous young redhead and Mrs. Who an exotic, raven-haired beauty. And the majestic Mrs. Which is a stunning Queen of the Cosmos with a glass-beaded unibrow, glittering eye shadow and lipstick, a shimmering, constantly changing wardrobe, and impossibly thick blonde-white hair….. I quite envied her hair…..

Yes, the costumes and makeup are gorgeous and highly imaginative, but for me they don’t work. It’s not that I dislike what today’s highly sophisticated technology can do—after all, it made Star Wars, Avatar, and The Shape of Water possible. But too much of it detracts from the story and makes it difficult for the viewer to suspend disbelief, an attitude essential to the full enjoyment of a fantasy like this.

Despite this, the story and characters are as moving and inspiring in this film as they were in the book. Meg’s wounded but indomitable will, Charles Wallace’s belief in his inner knowing, Calvin’s desire to help, and the determination of the three Mrs.’s to conquer evil with good are deeply familiar, soul-satisfying themes.  Most satisfying of all is the way Meg saves Charles Wallace. By loving him. It’s the same timeless message about how anyone is ever really saved from the world’s darkness. Love is the one power evil doesn’t have, will never have. Knowing that love conquers all, we can endure anything. Even a highly anticipated film that doesn’t quite live up to our expectations.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

Three Billboards: The Myth and the Message February 20, 2018

Three Billboards Day 04_118.dng

Dark, quirky, clever, and controversial, Three Billboards Outside Ebbing, Missouri has been nominated for seven academy awards this year. Like “The Shape of Water,” nominated for a whopping 13, its protagonist is a powerless, justice-seeking female up against an unsympathetic patriarchal system. In this case, the villain is not the U.S. military, but a small town, good-old-boy police force. Both plots are driven by the archetypal hero/ine vs. villain theme punctuated with racism, violence, and abuse of power.

Frances McDormand plays Mildred Hayes, a grieving mother whose teen-aged daughter was raped then set afire. Angry at local authorities who haven’t solved the murder, she rents three unused billboards and puts up an accusatory message to sheriff Willoughby, played by Woody Harrelson. In the face of animosity and threats from several fellow citizens, especially the racist, mama’s-boy police officer Dixon (Sam Rockwell), she persists in calling attention to her cause. As tension and emotions ramp up in a series of unexpected events, viewers discover that in this battle between good and evil, the lines aren’t as clearly drawn as we might prefer.

Original as this film is, at bottom, its theme is archetypal. Consider the ancient Greek myth about the Earth Mother goddess Demeter and her beloved young daughter, Persephone. Carol S. Pearson’s latest book, Persephone Rising, contains an insightful explanation of the same psychological forces which continue to influence us and our culture today.

In the myth, innocent Persephone gathers flowers in a field when Hades erupts through a cleft in the earth and abducts (and some say rapes) her. When Demeter realizes her beloved daughter is gone, she is overwhelmed with grief. After getting no help from the gods who, fearing retribution from Zeus, refuse to tell her what happened to her daughter, she sets aside her responsibilities for making the crops grow and searches the earth tirelessly. While Demeter grieves, all growth on earth ceases, then dies. As Dr. Pearson notes, Demeter’s recognition that her needs matter too result in the “first ever recorded sit-down strike.”

Zeus — the Father/King of the gods and prototype of patriarchy’s top dog whose power trumps everyone else’s — is not happy about this.  It was he, Persephone’s father, who had given Hades permission to take her to the underworld in the first place. But if the famine kills the humans, who will build his temples? Who will worship him with gifts and offerings? So this macho, uncompromising thunder God relents and demands Persephone’s release. Demeter’s non-violent protest works.

But will Mildred’s protest work? Will it stay non-violent? Our dualistic mindsets want a hero to celebrate, a scapegoat to blame, a heretic to crucify. But these people are not polar opposites like virtuous princes and wicked witches. They are complex, multi-faceted human beings grappling with complex issues and powerful emotions that aren’t easy to reconcile.

The gods and goddesses represent amoral, instinctual forces in all of us. At bottom, this is who we are. You and I contain every emotion they feel, and we are capable of being gripped by them to commit every act they do, good and bad. The only difference between them and us is that we humans want to be virtuous so we make rules for ourselves, try to keep them, and disown our shadow sides that want to break them. But sometimes they show up anyway.

Mildred’s daughter has been taken from her and she deserves justice, but can we condone her increasingly questionable tactics? We might likewise ask, how can Demeter, supposedly an endlessly loving and forgiving Mother goddess, let humanity starve to death just to get her daughter back? Does her grief justify her means?

Seeing unsuspected sides of Sheriff Willoughby and officer Dixon is equally unsettling. Why isn’t Willoughby putting more effort into pursuing the culprit? Is he indifferent to Mildred’s suffering? Why does he let Dixon — one of those ignorant Warrior bullies we love to hate — get away with his senseless cruelty toward a man less powerful than he? Are these people redeemable?

Demeter gets her daughter back from the underworld, at least for part of every year. But though Mildred has some admirable goddess qualities, she is not a goddess, and no matter how much she acts like one her daughter will never return. Is there a human force strong enough to reconcile her fierce Demeter hunger for justice? Dixon, like Zeus and Ares, the God of War, savagely punishes people he hates. Will Mildred become like him? And if she does, will this cancel out any vestiges of human goodness left in her?

Three Billboards Outside Ebbing, Missouri is a dark, disturbing film, but I loved it for highlighting human complexity and prompting these and other difficult questions. It is the function of artists and art to raise a culture’s awareness. To challenge our either-or morality. To explore the gray realm between opposites in which a creative third force can emerge to reconcile our divisiveness. I love it that this film is being honored for rising to this challenge.

But I loved the dreamy, fairy-tale quality of The Shape of Water too. This leaves me with another question. Which one do I want to win the Oscar for best picture? This is a complex issue I haven’t reconciled yet.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

Staying Conscious April 11, 2017

Surprise! I’m back with an update. Reworking my old manuscript is bringing enormous satisfaction. My unconscious is sending solutions to knotty problems via my dreams and early morning ruminations before I’m fully awake. I’m meditating for 20 minutes before I get to work and writing for hours at a time. The latest entries in my dream journal say it all.

#4877 

I’m teaching a one-hour college class in Language Arts. I have two pages of written notes stuck to a clipboard and am carefully peeling them off so I can hold them in my hands while I teach. Little chunks of the bottom of the second page stick to the board, but there’s nothing written on them so I won’t worry about them now. I suddenly realize I’ve spent the first 15 minutes getting my notes together and have no idea what’s in them. I feel an urgency to start teaching.

I start quieting everyone down, but interruptions and distractions prevent me from actually teaching. This is okay with me, because I can use this time to figure out what to talk about. I hope I’ll know by the time the class is ready to listen. A mother comes in late with two little girls. I don’t want them here but realize she must not have a choice so I smile to let them know it’s okay, all the while hoping she’ll keep them from disturbing the class. A loud male student gets my attention and I firmly ask him to quiet down. I realize I was too harsh and could have handled this better. I see I’ve used up another 15 minutes.

In the third 15 minutes the little girls fall backwards into a deep hole or well in the floor—it’s round and maybe 4 feet deep. The girls are submerged in a foot or two of water. I’m worried, but the mother doesn’t appear to be. They’re holding their breath and enjoying themselves. I decide they’ll come up when they’re ready and continue thinking about what to teach. But soon everyone is gathered around and I can’t ignore the situation anymore so I ask the parents (the father is here now) to pull them out.

Now I only have 15 minutes left. What’s the best way to use this time? I realize I haven’t given them the course syllabus yet. They need it to prepare for their end-of-semester project. I try to remember what it is. Oh yes, they have to create original learning centers. I feel better now. I know what to say before the class is over and I have to leave. I organize my thoughts and begin to teach.

Associations:

This feels like a metaphor for the way I’ve spent my time in Earth School.  

During the first quadrant I unconsciously spent my time preparing myself, gathering information without having a clue about what I was meant to do with my life.

In the second quadrant I was teaching and becoming aware of forces within me that were preventing me from finding and fulfilling my life’s work. One challenge was juggling parenthood with teaching and learning.  Another was some strong masculine energy that presented me with problems I didn’t know how to handle gracefully. 

During the third quadrant I committed myself to dreamwork as a means of self-discovery and wrote my first three books. At last I knew what my purpose was:  to share what I knew about the transformation of human consciousness. Sometimes my immature feminine shadow fell back into unconsciousness. But I knew the importance of my mission and had the awareness to ask the Self (the parents) to bring her back into awareness.  

In the final quadrant where I am now, I know how little time I have left to fully prepare my students (whoever might be influenced by my teaching and writing) for what is to come. Now I know what to do and am doing it. 

#4878

There’s a girl-woman I know well who’s done something problematic. She’s got a bandaged wound. I’ve apprehended her and have to keep my eyes on her at all times to make sure she doesn’t escape and create more problems. This feels extremely important. Occasionally I take her by the wrist to keep her near. She’s pleasant and compliant, but I can’t trust her.

Associations:

The girl is my feminine shadow.  The dream says I am seeing her clearly and objectively. When I stay with her she’s not a problem. But if I fall back into unconsciousness and forget to watch her, she will resurrect and negatively impact my work and relationships.

Conclusions:

Staying conscious is vital to this last quadrant of my life.  I meditate every day now to be more mindful of subtle thoughts and inclinations that might prevent me from doing my best work. When something uncomfortable emerges I align with my observer/Self to look at myself objectively, recognize my shadow, and gently bring myself back into a place of repentance, forgiveness, gratitude and love. Making this effort is working.

Sending you love and blessings, dear friends. I’m having the time of my life.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

The Couple Relationship Within and Without January 24, 2017

Lovers

Lovers

“The original sperm from which we are formed is masculine and feminine, the one which is in the majority wins, but the other side does not die, it remains living but as a minority, just as in politics the Government and the Opposition both exist.” ~Carl Jung, ETH, Page 216.

Unfortunately, whether we are talking about the masculine and feminine attributes of our physical bodies, the psychological relationship between our inner masculine and feminine qualities, or relationships between males and females, Jung’s use of the word ‘Opposition’ in the above quote is only too appropriate.  Once our egos start identifying with one principle in childhood, we tend to set up an antagonistic relationship with the other, and this polarization permeates every aspect of our lives.

Dualistic thinking appears to be a natural and inevitable by-product of ego-formation in the first half of life, but it does not have to end there. Nor should it, if we want to keep growing. As Dr. Jung noted, we’re all formed from both principles, and each of us has our own unique spot somewhere along the continuum between them. Ultimately, our satisfaction and fulfillment in life depends on finding our own place and learning how to be true to it.

“It is only possible to live as we should if we live according to our own nature. But in these days we live by our brains alone and ignore the very definite laws of our body and the instinctive world. We damage ourselves severely when we offend against these…” ~Carl Jung, Modern Psychology, Page 219.

As long as we’re unaware and unaccepting of our true nature and fuller potential, we inevitably damage others too. Regardless of our gender, if, as a child, we learn to fear, mistrust, and dislike our fathers or other adult males, we may grow up to feel the same way about our own masculine sides, other men, or the masculine sides of women. Our attitudes toward our mothers and adult females will likewise effect our attitudes toward our feminine sides, other women, and the feminine sides of men.

We all have different personalities, experiences, biases, complexes and shadows, and no one wants to look at their painful aspects. But we ignore them at our peril, because our disowned selves influence our health and the health of our relationships.

Fortunately, there is an easy way to spot our prejudices and barriers: they are mirrored every day in intimate couple relationships. But unfortunately,

 Nails in Love

Nails in Love

“We have not been educated to look inwards, though most people are able to give their attention to outside things.” ~Carl Jung, ETH, Vol. 3, Page 13.

If we want loving couple relationships, we must redirect our attention from the outer world to the inner.  We must commit ourselves to practices which reveal our soul’s truths, which we must accept, especially the painful ones. If we persevere, over time our wounds begin to heal and our perspective changes. As this happens our outer lives change too.

We will never change completely and our shadow will always be with us, but we can recognize it sooner and make reparations faster. Moreover, accepting and integrating our fuller potential empowers us to break out of our prisons of conformity and blossom into our individuality. Gradually our resistance to, and fear of, others and the unknown lessens. We pretend less, react less habitually, feel less need to conceal our honest feelings or stifle our gifts. Our need to know everything, control anyone, or prove anything diminishes. Defensive postures such as resentment and hypersensitivity soften.

We grow more mindful, less agitated. We can more easily relax into the present moment. We can anticipate what the next may bring with pleasure and enthusiasm. We can make original, authentic choices. When we feel our prejudices, painful emotions and unhealthy habits rising within us like monsters from the deep, we can find new ways to express them without hurting others.

Over time, our thoughts and behaviors spring more often from healed archetypes than wounded stereotypes. Life becomes a delightful gift to be savored; less of a contest to win, obstacle to overcome, or ordeal to be endured. Thus do we create an ongoing, original work of art:  an increasingly more authentic, empowered, and conscious being with balanced energies which flow appropriately between masculine and feminine, here manifesting qualities of the drive for self-preservation, there acting from the drive for species-preservation. In a culture distorted by one-sided worship of the masculine, integrating the feminine brings a refreshing return of feeling and the ability to live with soul.

Northern Italy (Embriachi workshop): Jewellery Casket with Couples of Lovers; late 14th century; bone on wood, intarsia. Skulpturensammlung (inv. no. 690; acquired in 1835 for the Royal „Kunstkammer“ collection), Bode-Museum Berlin.

Northern Italy (Embriachi workshop): Jewellery Casket with Couples of Lovers; late 14th century; bone on wood, intarsia. Skulpturensammlung (inv. no. 690; acquired in 1835 for the Royal „Kunstkammer“ collection), Bode-Museum Berlin.

Respecting both masculine and feminine values fashions a new morality of impeccable integrity and personal responsibility based on universal standards of justice and care for all. Our wish to cause as little pain as possible, combined with our growing ability to see and restrain our shadows, helps us listen with patience and tolerance while allowing our partners to speak their truths. Creating the Couple within dramatically increases our hope of healing our relationships and establishing the intimacy and compassion for which every soul longs.

“If our inner journey does not match and lead to an outer journey, we have no true freedom or “salvation.” Richard Rohr Online Daily Meditation, January 16, 2017.

And I would add, if our inner relationship does not lead to a more honest and healthy couple relationship, we can be sure we are neither spiritually mature nor enlightened.

Image Credits: Wikimedia Commons.  

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

 
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