Have you ever had a dream in which a color stood out so strongly that it somehow felt important? Robert J. Hoss, author and host of a great newly designed website called DreamScience, says that’s because it is. A former scientist and applied researcher, Bob retired early to devote his science and management skills to dream studies. His Transformative Dreamwork protocol is based on a unique blending of research and psychology: Gestalt work, Jungian theory and practice, the neurobiology of dreaming, plus his research into the significance of color in dreams.
During the last few months I’ve experienced a wide range of emotions as I’ve tackled the myriad final details required by my publisher. And I don’t use the word “tackled” carelessly. Sometimes I’ve felt like I’m tackling this book. Other times it feels like the book has tackled me. And once in a while I feel like I might just win the game. I’ve had some interesting dreams related to all these emotions featuring vivid colors so I visited Bob’s site to see what new information I could find.
To illustrate, here’s a summary of Dream #5014:
I‘m in a big house filled with messes. I don’t think it’s my house, and they’re not my messes, yet I’m responsible for them. A mother marmalade cat is licking the carpet where two kittens have urinated on it. I hope it doesn’t smell. Whose kittens are these and why are they in the house? Who are all these people milling around looking for places to sit down and eat? And why is it my job to clean off tables and find chairs and china and silverware? It’s very frustrating and burdensome.
The scene shifts. I’m leading people on a tour down a stairway into a vast hall. The walls are painted a mixture of whitish rose smeared over a deep red. All the decorative touches, lamps, and sconces are gold. It’s beautiful and I feel very much at home in it, but I’m afraid the others will think it’s tacky and overdone.
Then I’m walking into a basement with a yellow/orange kitten lying on the floor. A determined-looking young man drives a green tractor straight through the room, hits the kitten, and blood spills out everywhere. The orange mother cat runs to it and licks it. One leg is bloody and swollen, but everything else is fine. The mother turns away and rushes toward a big open tote bag lying on the floor. With a fierce, angry look she attacks the bag and jumps inside it. I smile to myself thinking about how cats love to play in bags and boxes. It seems fitting somehow that in the midst of all this horror and mess, the cat is both attacking and playing with the bag at the same time.
Bob’s site is full of useful information, videos, online courses, and radio shows. It’s very easy to negotiate, so I went to the information tab and clicked on “Working with Color in Dreams.” There I found a wonderful color questionnaire from his book, Dream Language, which you can download from his site for free. It includes tables with associations to colors that you can use to see what statements and themes trigger your own personal associations to the symbols and events of the dream.
I had been puzzled by the huge red walled hall, but now I get it. Here are the themes for red that resonated strongly with me. Thrown out and attracted to the outer world. Activity.Disruption. Yes. My life has been totally disrupted by this book that has consumed my thoughts day and night. There are always messes to clean up. Emotionally determined action. For sure. And courage. It takes guts to put myself out in the world with this book. And I am, indeed, worried about how others will react to it.
What about the green tractor? Two themes for green feel especially relevant to this dream. First, hard work and drive will gain me recognition and self-esteem. Drive? Why didn’t I think of that? Way down in the basement of my unconscious my writer animus is hell-bent on driving that tractor through the room and he’s determined to succeed. And second, detail and logic are important here. Anyone who’s ever had to locate sources, get permissions for images, compile bibliographical information, fill out a marketing spreadsheet, and write citations according to the Chicago Manual of Style knows exactly what I’m talking about.
And the orange cat? Orange combines the energy of red and the happiness of yellow. It is associated with joy, and represents enthusiasm, fascination, creativity, determination, and stimulation. Yes, I’ve been feeling that too. That part of this process has been wonderful. It’s very comforting that the dream ends like this.
I hope you’ll check out Bob Hoss’s site. If you’re interested in dreams, you’ll love it.
The following is the transcript of an interview I had yesterday with Teresa Oster, MS, MSW. She’s a board member of The Center for Jungian Studies of South Florida where I’ll be doing a presentation on February 23. This is their link: www.jungfl.org. I’d love to see you there!
Q. Healing theSacred Divide: Making Peace with Ourselves, Each Other and the World, which took you 18 years to write, is compelling reading, weaving the insights of many — spiritual masters, Jungian analysts, psychologists, and others — with your own. As a warm-up question, might you describe your personal library? How many books? How are they organized? What is on your reading table or night table now?
A. Oh, my. In our home we have a designated library/music/reading room with two walls of shelves containing about 1,650 books. At the moment there are another 200 plus on or near my desk for quick access. Most of the other rooms have a shelf or two of books as well. Those in the library are clustered together in genres: classics, children’s literature, art, fiction, poetry, dreamwork, philosophy, archetypal symbolism, religion/spirituality, mythology, psychology, and women’s issues. Those nearest my writing desk belong to the last five genres.
The books on my night table at the moment are: The Hidden Spirituality of Men, by Matthew Fox; The Physics of Angels, Matthew Fox and Rupert Sheldrake; Man and Time: Papers from the Eranos Yearbooks, Volume 3, edited by Joseph Campbell;The Wisdom of Sundays, Oprah Winfrey; Philosophy: An Illustrated History of Thought, by Tom Jackson; and Hilma af Klint: Paintings for the Future, by Tracey Bashkoff of the Guggenheim Museum. A friend loaned the last one to me last night. It’s filled with extraordinary archetypal images.
Q. Would it be accurate to call Healing the Sacred Divide a spiritual autobiography and workbook as well as a discourse on the trials and treasures in healing our divided selves, our divided relationships, our divided world?
A. Yes. That’s a perfect summation. I find it almost impossible to separate my thinking and learning from my personal life and my passion for sharing what I’m learning with other psychological and spiritual seekers. I want to become my fullest Self and I love mentoring others who are on the same path.
Q. The late Jungian Analyst Robert Johnson wrote the forward to your previous book, Dream Theatres of the Soul. He appears to be a touchstone for your work. Would you comment on him, and his passing, and his favored concept of the mandorla, which you emphasize in Healing the Sacred Divide?
A. Robert A. Johnson was my earliest Jungian mentor. I met him at a Journey Into Wholeness conference in the early 1990’s and immediately knew him to be a soul brother. From him I learned that myths and dreams are valuable stories that show me the archetypal forces in my unconscious. I also learned that my psychological and spiritual growth is dependent on my ability to reconcile the conflicts in myself and my relationships. This is symbolized by a mandorla — the third, almond-shaped space made by two overlapping circles. It represents the holy space of dialogue and understanding where we connect with the Self and resolve conflicts in creative new ways. I’m sad that he’s no longer with us, but his soul left a powerful imprint on mine that will always be with me.
Q.You begin the book with a nightmare you had when you were ten, of the Lone Ranger, who you so admired but who shot you in the dream. The Lone Ranger has ‘shadowed’ you for all these years. Could you say just a bit about the importance of him in your process? I recently saw the archetypally rich film The Lone Ranger, starring Johnny Depp as Tonto. Have you seen it? If so did it resonate?
A. My dream was as archetypally rich as the film. I did see it and I loved it. As a child, I idolized the Lone Ranger, Tonto, and Silver. I woke up from that dream screaming with outrage and weeping from a profound sense of betrayal. It has taken me years of inner work to understand why. The Lone Ranger was my version of the heroic Father archetype. Tonto was my personal image of my shamanistic Mediatrix/Sage archetype. Silver represented the power and potential of my Animus, the drive that motivates my teaching and writing. Why did the Lone Ranger shoot me at the age of ten? Because I was becoming aware of the toxic patriarchal conditioning of my childhood that said males were heroes and authority figures and females were victims and second-class citizens. The dream was a call to discover and empower the archetypal forces in myself, especially my feminine side. It took me 35 more years to find the path Jung paved for me and other seekers.
Q. You quote Krishnamurti: “The world problem is the individual problem.” Would you comment? How are we individuals responsible for the extreme conflicts in our world today?
A.The opposite of Krishnamurti’s comment is likewise true: the individual solution is the world solution. We and our species are evolving from a state of primitive infancy toward greater consciousness and psycho-spiritual maturity. As you do your inner work and grow in self-awareness, you automatically motivate everyone you touch to seek healthier resolutions to their problems and find meaning for their own lives. For the first time in human history, the internet has the potential to swing the tide of collective consciousness away from conflict and hatred toward understanding and love. I truly believe that if we join the drops of our individual awareness to the gathering collective wave, we can save our species and our planet from destruction.
Q. Another author you cite is Jungian Analyst Janet O’ Dallett, author of The Not-Yet Transformed God. She spoke to our group many years ago, but I still remember what she told us before the lecture. She said she lived on the Olympic Peninsula near Seattle and there were two houses on her property. She lived in one and her husband lived in the other. What do you think she was trying to say about the individual in relationship?
A. I love that. I think she was trying to illustrate how hard it is to create a healthy, loving, lifelong, relationship with your partner without sacrificing your freedom to be true to yourself. For the last few years I’ve been taking baritone ukulele lessons and writing songs. My latest song, “Happy Place,” is my answer to your question. It’s about the mandorla that two individuals can create in a couple relationship. Here are the last lines:
“I wish my happy place was yours. I wish that yours was mine.
But everybody’s got their own. Seems like that’s just fine.
Together we’re building a place of our own, where we both can grow.
You can do your thing and I’ll do mine….It’s the happiest place I know!”
Q. You cite so many influential authors in The Sacred Divide. I was disappointed not to see a bibliography. Might you want to hand one out to attendees at the upcoming event?
A. I’ll be happy to. I’m in the midst of creating one for my new book, and I’ll bring it with me to the workshop.
Q. You called your first three books a trilogy. Now you are working on a fourth. What is the subject of the new book?
A. The Soul’s Twins transforms my work into a quaternity — a symbol of wholeness that is my answer to the Lone Ranger and the patriarchal culture he alerted me to at the age of ten. I believe it is imperative for our species to eliminate old stereotypes about Deity and gender by consciously integrating the feminine and masculine principles within and without. The Soul’s Twins was conceived in the early 90’s when I attended an intensive at the C.G. Jung Institute in Zurich where Jungian analyst Dr. Martin Odermatt introduced us to a newly emerging image for the Self. He called it the Couple, a new God-image representing the unifying force of love that can heal the world.
Over the next year I wrote a manuscript describing how the interaction between four basic feminine archetypes and their four masculine archetypal partners creates the Couple. I also created and tested a self-assessment instrument called The Partnership Profile which is included in the new book. I didn’t know how to finish it then, which is probably just as well because I’m pretty sure the world wasn’t ready to receive it. So it sat in my computer until two years ago when my Animus reared up and demanded that we revise, condense, and see it through to publication. He and I are very excited about the dramatic movements like #MeToo that are shaking up and tearing down the toxic bastions of patriarchal dominance. I’m pretty sure the time is right for it now. May it be so!
Reminder to attendees: Some journaling is part of this event. Bring notebooks and pens. Sharing is optional.
Image credits: The rearing horse found on Google Images is attributed to rebelyell.
What follows is copied from this morning’s dream journal. It seems a fitting post for the holiday season this year. May you find meaning and hope in it during this dark, chaotic time.
Dream #5,000: Tree of Life
I’m in a room in which someone has set up a small square table, like a card table, and covered it with a white cloth. Toward the back center of the table is a small live, potted tree. The front of the table is empty, as if this is a serving table for a Christmas feast and the platters and bowls of food will be placed there.The tree is around 2 feet high. It’s a bit wonky, like Charlie Brown’s little tree, with five skimpy branches sprouting from either side of a central trunk. But unlike Chuck’s tree, it’s not an evergreen with leaves and greenery. It’s a deciduous tree which has shed its old leaves for the winter. This makes sense, since it’s the dead of winter. The branches of this tree are dotted with unusually large, obviously ripening buds which make me think of ornaments on a Christmas tree. As I awaken I hear myself narrating a description of the tree saying, “The Tree of Life, laden with buds (I wrote bulbs) and the promise of new life.”
This dream is very meaningful to me for several reasons. First, because at my first Wise Women’s group meeting a few weeks ago, Jan told us about a group of women who sponsor a movement to plant new trees in the deforested belt around the planet. At the end of our meeting I suggested that we all try to incubate a tree dream to share at our next meeting after the holidays. I was hoping to find some guidance and meaning for our group about the danger of deforestation that is threatening our planet. That night I had dream #4990 with images of a few trees with a few green leaves, but it didn’t bowl me over and I’ve had no more dreams about trees since. Until last night.
Second, last night, knowing the next dream I recorded and worked on would be my 5,000th, I again asked Dream Mother to please bring me an extra special tree dream. Boy, did she deliver!
I awoke some time around 4:00 with the image of this dream and the realization that I was repeating its final words about the Tree of Life. After that I couldn’t go back to sleep. So I got up, wrote it down, went back to bed, and starting thinking about my associations with it. The first thing I thought of was my blog post from some years ago about the symbolic meaning of dreams. I guess that’s what gave me the idea to post this one today.
Next, I thought about what I’ve been writing about in my next book and realized that the Tree of Life represents the trinitarian third force which brings unity between opposites, not just as a metaphysical reality, but also as a physical one. Metaphysically, a tree is an image of the Philosopher’s Stone. Physically, it is a metaphor for the human body, with its central trunk, five appendages (head, arms, and legs), and a feminine and masculine side. This reminded me of the Kabbalah’s sephirot which, in Judaism, represents the divine in humanity and also has a feminine and masculine side.
Then I realized that the Jewish menorah is a Tree of Life too — with its central candle-holder trunk, and four candle holders on each side — and that this image is also like the sephirot. Plus, the lighting of the menorah candles celebrates the divine spark of light, wisdom and divine inspiration that we bring to fullness in ourselves with our spiritual work. The reference to light reminded me of the confusion I had when writing down the dream about the similarity between the words “buds” and “bulbs” — buds signaling new life, and Christmas tree bulbs representing the return of light, and with it, new life.
Another thought was that the Tree of Life, the sephirot, the menorah, and the Christmas tree are all images of the Great Mother, or Sacred Mother, who births new life and light via the buds that will blossom into leaves and flowers with the return of spring. So it’s also an image of the Sacred Feminine which has lain dormant for so long in the collective unconscious but is now showing signs of rebirth. This gives me hope. With women becoming more involved in positions of authority and taking on projects like planting new trees, perhaps they can also influence the world’s governments to take this and other ecological threats more seriously. If they succeed, just as the darkness and barrenness of winter is always followed by the light and new growth of spring, Mother Nature can restore the health of our planet with her natural cycles of life. May it be so.
Finally, the dream felt like a reward from my unconscious for all the work I’ve been doing on my dreams over the last 30 years. It seems to suggest that at my age I am still capable of sprouting with new life, and it made me feel known and loved by the Sacred. It felt like an affirmation and validation of what I’m writing about in my new book, and gave me hope that it might be well-received by the collective. So after lying awake thinking about my 5,000th recorded dream for the rest of the night, I arose at 7:30 and began making revisions to the last chapter based on what I learned from it.
Thank you to my readers for your many gifts of wisdom through the years. May your holiday season be filled with light, wisdom, new life, and divine inspiration.
Image credits: Charlie Brown’s Christmas Tree, https://www.macys.com/, The Tree of Life Metal Menorah by Scott Nelles, https://www.artfulhome.com/
The intuitive’s morality is governed neither by thinking nor by feeling; he has his own characteristic morality, which consists in a loyalty to his vision and in voluntary submission to its authority. ~Carl Jung, CW 6, para. 613
Every day was Labor Day this summer. Mental labor. Emotional labor. A labor of love. Labor nonetheless. That’s just the way it is when you’re writing a book. At least for me. I’m exhausted. I’ve been back in Florida for four days, trying to let myself rest. Yesterday was Labor Day. We celebrated our granddaughter’s thirteenth birthday at the beach with our family. Pure pleasure. How can she be thirteen?
Today’s my first day back at work. I’m eager — well maybe anxious is a better word — to get started, but putting it off. It’s time to give you an update. I finished six chapters this summer. Yaayy!! Only two more to go before the first draft is finished. Almost….. There’s so much more to do.
You spend eight hours a day writing two pages and end up on a great high. But by the time you go to bed you’re worried about the next problem. Plus, You have a deadline. Yes, okay, that’s a year away but there’s so much to be done. And so much you’re not sure of. You go back to it the next morning and realize half of what you wrote yesterday needs to be trashed because it’s empty. Boring. Meaningless. Dry. Too wordy. Whatever. You dread starting over. Find excuses to stall. Force yourself to start. At the end of the day you feel good again because you know it’s better. Maybe you’ll change it tomorrow. But that’s okay. You’re making progress and that feels wonderful.
You fall asleep quickly, wake up the next day forming sentences, playing with words, choosing this one over that one. You can’t wait to get to your computer because you’ve rewritten the opening lines in your head and don’t want to forget. You think you may have had a dream. What was it…..? But you can’t remember. All you have are the words you woke up with. The dream is lost. You wish you could recapture it. You think it might have been a good one.
You write down the words before you forget. Izzy nudges your elbow. She needs breakfast and a walk. You throw on some clothes, feed her, take her for a walk, make yourself a quick breakfast. Go back to the computer. The next thing you know it’s four hours later. Time for lunch. You don’t want to stop because you’re on a high again. But the phone rings, or the handyman knocks on the door. Or Izzy wants to go out.
So you do what needs to be done, all the time thinking about the last paragraph. Rehearsing the beginning of the next one. The pressure to get back to work never leaves. You make notes to yourself on your iPhone as you walk through the woods, impatient to return. You feel guilty because you’re not even enjoying Izzy’s delight at running around free, sniffing everything. Oops. She’s finishing a half-eaten, ant-ridden green tomato some critter gnawed on, then dropped. Digestive enzymes will see to them.
You force yourself to stop thinking. Just observe. Breathe. You smile. Gaze at the cloudless pale blue-gray sky. The mountains peeking through the spaces between the trees surrounding this valley nest where you live every summer. Like those Carolina wrens that return every year to the same nest in your porch planter. A yellow leaf spirals to the ground, a fiery flicker of light from the cherry tree that’s struggled all summer. Another tree dying?
You give Izzy a treat and make a lunch and force yourself to sit on the porch in your favorite rocking chair. You worry too much. Push yourself too hard. You need to enjoy the moment. You close your eyes. Slow and deepen your breath. Tell yourself the book will wait. Watch the birds vying for perches at the feeders.
A hummingbird stares at you and flies closer. It hovers a foot away from your face. You hold your breath, afraid to move. It flies lightly past your left ear. You sit still as stone, feeling the gentle breeze from its wings on the back of your neck. Do stones feel the breezes of hummingbird wings? You hear the soft hum in your right ear. She’s circling your head. You want to hold out your hand and invite her to rest, but you know she’ll only fly away. She does anyway. You smile, relish this magic moment. Then you get up, put your dishes away, go back to work.
The next morning you wake up with more words. A dream image flashes past. You let go of the words, close your eyes, breathe. Invite the image back.
Dream #4972. My friend and I have ridden motorcycles to the back of this vast complex of buildings. I’m hiding in the shadows by the back door. I’m trying to disguise myself as an old woman. I have to cover my hair with a cloth and stoop over so they won’t recognize me. The man with me is over on my left, trying to bluff a guard into letting us into the building. I’m afraid they’ll discover we don’t belong here. I think we’re imposters. But my friend convinces them that John Somebody invited us. Somehow, the man lets us in. We wander through. There are others here. Why are they here? Why are we here? I don’t know. I only know I’m doing what I’m supposed to be doing. I’ve made it this far. Might as well have a look around until I know what the next step will be.
It’s been like that with my book every day. Joy and angst. Worry and guilt I can’t shake off. Conflicts I don’t know how to resolve. A mission I can’t stop trying to complete. I feel like an imposter. Yet my animus keeps pushing me to do this. I don’t know why. We just have to.
To live oneself means: to be one’s own task. Never say that it is a pleasure to live oneself. It will be no joy but a long suffering, since you must become your own creator. ~Carl Jung, The Red Book, p. 249
It’s a beautiful obsession. Back to work.
Special thanks to Lewis Lafontaine for posting the exact quote on Facebook I needed this morning.
Note: My friends, my new book is coming along nicely. Meanwhile, I’m excited and honored to share an interview written by Audrey Schultz which appeared yesterday, June 20, on the Swenson Book Development blog. I hope you enjoy it.
If you’re someone who is curious about the human psyche, spirituality, and the connection between femininity and masculinity, chances are you’ll enjoy reading the work of Jean Benedict Raffa, whose writings and teachings focus on “psychological and spiritual matters from a perspective informed by Jungian psychology and personal experience.” She is the author of several books, including The Bridge to Wholeness, Dream Theatres of the Soul, and Healing the Sacred Divide, and recently, she has announced Schiffer Books will publish her new book titled The Soul’s Twins, which “offers a self-guided journey to wholeness and enlightenment by transcending masculine-feminine oppositions.” In light of this recent news, I had the chance to interview Jean for Swenson Book Development.
Swenson Book Development: Have you always known that you wanted to write? Was there a specific point in your life when you realized that this was what you wanted to do?
Jean Benedict Raffa: I’ve always loved to write, but it took a very long time to know what I wanted to write about. At five I made my first book by folding a few pieces of blank paper in half. Since I didn’t know how to write, I drew pictures of myself going through my day—waking up, sitting on the potty, eating breakfast. Then I got stuck. How could I draw what was really important—the thoughts and feelings in my head? It was words and understanding I wanted, not images. At ten I started my first real book, then trashed it after 30 pages. Discovering I had nothing to write about was a disappointment I carried around for many years.
My favorite assignments in school always involved writing, but it wasn’t until I spent a year writing my doctoral dissertation about the effects of television on children that the puzzle pieces began to fall together. The hundreds of late-night hours spent alone at my desk while my husband and children slept felt like minutes. With no pressure from the outer world, time, space, and even my body disappeared while I explored an inner realm of my own making. There I experienced the joy of creating, organizing, and arranging my ideas into words that had real value to others. This was what I was born for. But it was still only half the puzzle. It took a lengthy spiritual crisis during ten more years of struggling with unfulfilling work to know what I was born to write about.
SBD: You’ve stated on your website, “My work focuses on spiritual and psychological growth, the empowerment of women, generating reverence for the feminine principle and creating partnership between masculinity and femininity.” When people read your books, what is the impression that you hope readers are left with?
JBR: I hope readers go away from my books thinking, “This is important. It’s about me, the way I’m living my life, and the big questions I struggle with—not just meaningless, distracting surface stuff I’ll forget tomorrow. It touches my yearning and brings me hope. I want more of this.”
SBD: What inspires you to keep writing your books?
JBR: The ancient Greeks had a word, daimon, for the natural spirit — a genius replete with knowledge which is not quite human and not quite divine—in every individual. Your daimon is a very powerful force —a personal guardian who protects, guides, and inspires you as you travel through life. It starts out like a tiny seed buried in your unconscious and grows in response to your attention and unique experiences. It feels like a deep hunger to discover and manifest your natural gifts for the benefit of the world. Everyone has this yearning, but few heed it—partly because they don’t attend to it, and partly because they fear acting on it will result in banishment from their tribe.
I felt my daimon at the age of five, but it took over 40 years to blossom. And it’s still growing. I write because I have to write. I no longer have a choice. My daimon drives me to obey it, and I’ll always be grateful that I had the sense to listen and follow its guidance.
SBD: Do you view writing itself as a kind of spiritual practice?
JBR: Yes. Humans are evolving into greater consciousness. This is both a psychological and spiritual journey. Involving yourself in practices that lead to self-discovery develops skills that automatically connect you with your soul, your spirit, your daimon, other people, and the Self. The Self is Swiss psychiatrist Dr. Carl Jung’s name for the sacred within you. It is the core and circumference of your psyche, the archetype of wholeness, and your religious instinct. It doesn’t really matter what you call it, nor does it matter if your spiritual practice is sanctioned by outer authorities. What truly matters is that when you connect with it, it brings self-knowledge, expands your mind, opens your heart, fulfills your yearning, and infuses your life with zest, vitality, meaning, and most of all, love. The practices that have helped me connect with my Self are writing, dreamwork, study, and paying attention to synchronicities that excite my daimon.
SBD: What are you most excited for regarding your latest book, The Soul’s Twins?
JBR: It feels like the completion of my life’s work. Seen from this perspective, my first book laid a foundation, my second designed a blueprint, the third built a framework, and this one feels like the finished house—basement, attic, and everything in between. It also has the most potential to serve the largest and most diverse audience.
Psychologically speaking, everyone has a feminine and a masculine side—a full palate of potential from which to make works of art out of our lives. Recent events have raised collective awareness that too many qualities from the feminine spectrum have not received equal attention, respect, or expression because of outdated gender stereotypes. I’m excited that The Soul’s Twins has the potential to be of help in humanity’s inevitable march toward creating inner and outer partnerships that dissolve harmful stereotypes and heal our divided psyches.
SBD: Has your experience in writing The Soul’s Twins been different from your experiences with your other books, or has it been much the same?
JBR: Each book has been different. The first, largely a memoir, took over a year to write. The second only took four months. Both quickly found publishers. Then in the mid-nineties I worked on The Soul’s Twins for two years before I realized the audience for it was too small, and there was still much I needed to learn. So I set it aside and wrote several iterations of Healing the Sacred Divide over a period of 18 years until it morphed into its current form. Once it came out, my daimon had nothing to say about another book until last year when a particularly meaningful synchronicity sparked my interest in revisiting and reworking my long-dormant manuscript. This time, my timing was right on.
SBD: If you could pick just one piece of advice to give, what would it be and why?
JBR: Think psychologically; live spiritually. By this I mean take your inner world seriously. Pay attention to what’s going on in you—reflect on it, accept your wounds and shadows as natural parts of your path, and learn to love yourself. Open your mind to new ways of thinking and living. Adopt a practice that brings self-knowledge and improves your relationships. Then, moment by moment, take the next step you must take and do the thing you must do.
The Wilbur Award is given by the Religion Communicators Council for excellence in communicating religious faith and values in the public arena and for encouraging understanding among faith groups on a national level.