Matrignosis: A Blog About Inner Wisdom

Think Pyschologically; Live Spiritually

Aging and Becoming July 9, 2019

“These are writings about ‘becoming’ as an ongoing and active process with its especial significance as we age….becoming assumes a ‘changing to’ and a ‘moving toward.'” Susan Scott and Susan Schwartz

The above words are from the preface of Aging and Becoming: A Reflective Enquiry, by Susan Scott, a writer from Morningside, Johannesburg, and Susan Schwartz, a Jungian analyst from Paradise Valley, Arizona.

Each of the 26 chapters in this slender volume begins and ends with an appropriate quote, most from wise women throughout history. In between is a conversation between the authors on topics ranging from A–Aging & Attitude–to Z–Zero. Stitched together, these musings create a nurturing patchwork quilt of a month’s worth of meditations on how women can age consciously and wisely. Here aging is not treated as a downhill slide to a disastrous end, but a series of challenges and opportunities to grow your soul into its intended fruition.

A sampling….

A: Aging and Adapting

Susan Scott:  Attitude is a word of motion that in its best sense expands and broadens. Many of us who do not allow for an expansion of attitude, a growth in our view of ourselves and the world and our place in it, can get stuck…This entrenchment of attitude is limiting and draining to personal power and leaves little room for movement or maneuver.

Susan Schwartz: We are not only on a descent but also on an ascent into a more complete rounding out of our personality….Perhaps what is referred to as wisdom is the ability to cope and find reasons, strategies or ways of being and for valuing the present moments….The wisdom and spirit of age can be demolished only if we agree or collude with those attitudes that denigrate and demean.

B: Body

Susan Schwartz:  The time for conformity and fitting in just to be accepted is over. Real forms of self-expression derive not from a false front or to superficially conform, but arise from the real self, a more complete woman self. As we age, the need to define and express our essence becomes more insistent. The image of the older woman as frumpy is not true. Voice, artistic writing, style, intellect comes in all these numerous garments and more for expressing her soul.

Susan Scott: Healthy self-care differs from the obsessive body panic. The fine line is to be aware of judgments about the body as negative or perfect. That signals the false ego rather than a devotion to restorative self-attention.

D: Dreams, Death & Depth

Susan Schwartz: Dreams are both messages and messengers. And how awful it is to be ignorant of them. The mystery of not understanding them while holding them preciously allows for secrets to gradually unfold….[Dreams] illustrate, through their mirroring function, how the personality keeps on presenting information about life events, aging and changing.

Susan Scott: The dream reveals our own metaphor, our own myth, as a gift to one’s self. It carries great responsibility and opportunities. The rich and honest soil of the dream, unconscious and wanting some light thrown on it requires attentive watering for its fertility and to bear fruit.

F: Fear & Fulfillment

Susan Scott:  When I am assailed by fearful feelings I realize that they are often the spur that shakes me out of my languor and torpor. It is not easy sitting with them. Yet, by virtue of sitting and being in that fearful place, another kind of awareness may emerge creating a slight shift.

J:  Joy & Journey

Susan Schwartz: Jouissance is a French word for physical or intellectual pleasure, delight, or ecstasy…it means to go beyond the superficial and metaphorically get out of the box. Jouissance transports us to what is beyond the familiar. It represents…intricacies to be appreciated as the journey wends its way even more uniquely and we continue to define and refine.

M: Moon, Mourning & Mystery

Susan Scott: The moon’s principle is constant change and as such is symbolic of an emotional inner and outer principle. What other force is there like the moon that pulls the oceans from shore to shore? Now as we age we are more mindful of the powers of darkness, the night atmosphere represented by the moon and its associations to the feminine energy.

Susan Schwartz:  it is time to unravel the shadow pieces lying on the dark side of the moon. This expands the personality making us more inclusive and complete. We could then be more honest, openly accessible to ourselves and to others. Honesty is not hiding what we never had to hide to begin with.

P: Path & Pain

“The truth will set you free, but first it will piss you off.” Gloria Steinem

Q: Quest

Susan Scott:  The quest in life is being aware of the questions–about who we are, our place in this mystery of life as we experience it. We can ask the questions, stir things up a bit as it will surely do…we can welcome whatever arises as we would a guest, coming newly into our home. Can I live the questions I ask of myself? The only foolish question is the one not asked.

Z: Zero

Susan Schwartz: The end of the alphabet, zero, is a letter than denotes what begins and ends…An aspect to Zen is waiting, awareness, feeling and not feeling the body and its sensations and reactions, being and not being caught in the mind….And the zebra that is such a lovely and unusual animal…Like the zebras none of us have the same stripes. This is similar to how we move through aging by negotiating its complexities and living consciously….Aging presents challenges that we do not escape at life endings.

Aging and Becoming is not a work to rush through. It is contemplative reading, packed with thoughts to savor slowly, like a leisurely conversation over coffee with a beloved friend. It will activate your ego’s awareness of your soul’s natural condition: an appreciation for wonder, mystery, and curiosity, and a knowing of the essential meaning and potential of your life. Like winter, these inner events portend spring’s renewal.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc. Her new book, The Soul’s Twins, will be launched next year.

 

 

The Abolitionist’s Daughter June 25, 2019

Greetings from the Smoky Mountains! After two years of obsessing over my book, it’s at the publisher’s. Now that we’re settled in our summer home, I’ve spent many glorious hours rocking on the porch, savoring the cool breezes and ever-present music of nearby Buck Creek while slowly depleting the pile of unread books I brought with me.

The Abolitionist’s Daughter was one of the first I read. I’ve known Diane McPhail, a gifted visual artist and now a bona fide writer, for several years. I’ve attended her art workshops here, and she’s attended my dream groups. We both attended meetings of our little town’s writer’s group. I first heard about her project years ago when she was in the early stages of crafting her story and shared samples of her work with us, all the while wondering if she had it in her to be a real writer. I’ve been looking forward to it ever since and wasn’t disappointed. Far from it. I was captivated from beginning to end and devoured it in three days. I highly recommend it for several reasons.

First is her careful and thorough research into the details of the everyday lives of the people who lived on a slave-holding farm in the pre- through post-Civil War in Greensboro, Mississippi. I craved the early morning biscuits slathered with apple butter made by Ginny, the housekeeper/slave who was a strong surrogate mother, wise counselor, and courageous friend to Emily. I would have liked to meet Emily, the outspoken daughter of a judge who wanted to abolish slavery and saw to it that the ones he owned were taught to read. Paradox? Yes. Hypocritical? Perhaps. But also a harsh reality in a place and time governed by laws that fiercely protected the institution of slavery.

I wanted to protect Emily from the narrow mindsets and sullen glances of the townspeople who shunned her for her father’s views. Watch the swaying of her green silk dress with its ruffled hooped skirt when she danced around the room with Charles. See the basketsful of fresh-picked turnips, beets, and greens that the indomitable Adeline, mother of Charles and wife of an abusive alcoholic, secretly brought to the family when food was scarce. Share the celebratory feast where Ginny served a “slow-cooked stew of beef and onions; green tomato pie with potato crust, minus the called-for lemon zest; layers of sliced turnips and potatoes baked with cheese: Indian bread: and rice pudding with molasses, flavored with a bit of brandy and the carefully hoarded nutmeg.”

Even if you didn’t know that Diane is a gifted artist as well as writer, you would probably suspect it from her discerning, artistic eye that sees beauty in ordinary things: the tangled limbs of a tree limned against a blue stained-glass sky that reminds Emily of a broken and repaired piece of pottery. A fragment of a quilt used as a potholder.The delicate young violets and pansies dipped in sugar for the children to savor. A small blue feather left by a migrating bunting among the green clover and milkweed of an ungrazed pasture. The Indian summer heat that “rose off the fields in waves of liquid mirage.”

I especially admired the author’s deep compassion  and psychological understanding of her realistic characters. (Diane is, by the way, a minister and doctor of divinity.) Emily, with her forgotten childhood traumas that gave rise to unexplained anxieties, her sheltered innocence, her forthrightness and innate kindness. Ginny’s resilience, strength of character, maternal love, and determination. Benjamin’s pride in his work, respect for his owner, forgiving nature, and love for his son, Lucian. Dr. Charles’s well-intentioned playfulness and love for Emily combined with his cluelessness about how to understand and relate to her. His passion for healing others combined with his womanizing and greedy determination–triggered by his abusive alcoholic father and impoverished childhood–to make something of himself. These are not cardboard figures, but very human, complex, and real. Through it all we watch Emily transform from a brave but naive and vulnerable child into a confident and accepting woman.

Finally, the pacing of this fictional story about a real-life family feud set against the backdrop of the Civil War is well-conceived. Like life, it moves quickly and seamlessly from a tender domestic scene in one moment to images of unspeakable tragedy in the next. From dramatic events and powerful emotions like love, envy, greed, and hatred, to the inescapably depressive aftermath of trauma with its lengthy road to recovery and forgiveness. The realistic development of McPhail’s theme of human prejudice, greed, and resilience, combined with her compassion for her flawed characters, is a major strength. Another is her graceful writing, which manages to convey a maximum of information and meaning with a minimum of carefully-chosen words. In fact, this first novel contains a delicious basketful of strengths.

Congratulations, Diane. You are, indeed, a real writer!

You can learn more about Diane and her book here.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc. Her new book, The Soul’s Twins, will be launched next year.

 

How to Survive Your Childhood Now That You’re An Adult April 10, 2019

Do you ever ask yourself, “Is this all there is?”  Have you played by the rules and done your best, yet wonder why you’re not as happy and fulfilled as you expected to be?  If so, How To Survive Your Childhood Now That You’re an Adult: A Path to Authenticity and Awakening is a book you’ll want to read. The author, Ira Israel, is a Licensed Professional Clinical Counselor, a Licensed Marriage and Family Therapist, and a Mindful Relationship Coach.

Israel sees beyond the cultural illusions and covert assumptions that have kept you from discovering your authentic self. For example, Western culture’s beliefs in capitalism, science, and religion taught you to value the wrong things like productivity, consumerism, and romantic love. Your futile struggles to find happiness and unconditional love via these beliefs created resentments and judgments about the past. And whether or not you realize it, as an adult you still dwell on these beliefs and ignore your present pain to stave off future pain.

This book will challenge and deconstruct your current worldview and encourage you to own the realities of your life. It will help you see the false self you created as a child to gain the acceptance, approval and love you craved.

Israel writes:

Every time we are forced, as children, to jump through hoops in order to get love or positive feedback, this foments resentment. And even if there was no physical trauma during our childhoods, all of the resentments can add up to what is often called “a core wound.”  As adults, we have remnants of wounded children in us.

Israel says that without our conscious awareness, these remnants influence the way we think and behave as we live our everyday lives. Here is the clearest description I’ve ever read of what this looks like:

In short, we emulate the characteristics of the caregivers we had when we were young in an attempt to retroactively subconsciously gain their approval and love; and we also subconsciously incarnate the opposite characteristics of the caregivers we had when we were young as a way of individuating from them.

You might be surprised to know that, “Becoming something in order to gain approval is inauthentic: being reactive and rebelling against something is also inauthentic.” In fact, living through your false self is the reason for your resentment, stress, anxiety, depression, and unhappiness. The antidote is to be congruent, to allow your outsides to match your insides. To do this you need to be present to yourself: your honest feelings, your true intentions, and the way you are thinking and acting in this very moment.

As a being who yearns for connection, you will welcome the author’s instructions about how to express yourself compassionately and as authentically as possible. He says,

If it is time to improve our conversational skills and create a more loving and positive reality, then let’s become conscious of the words and actions we choose in order to express who we are, who we want to be, and what type of lives we want to lead.

To this end, he recommends two transformational tools to improve your relationships:  reflective listening and “nonviolent communication.”  These are described in the final chapter. As Israel says, there is no plan B.

The only possible panacea is authenticity, which is difficult but must be attempted and practiced on a daily basis. It is up to us to break the chains of unskilful solutions that were handed down to us, to consciously decide who we want to be, what type of relationships will nourish us, and what kind of world we care to live in.

Throughout this delightfully humorous and seriously wise book, Israel guides you through healthy and dysfunctional ways of thinking and suggests practices that combine valuable wisdom from philosophy, spirituality, and psychology. If you make it your job to become a mature, authentic adult, you can transform your life into the fulfilling journey you looked forward to as a child by committing yourself to these practices. They will alleviate your suffering, promote loving relationships, and help you live with authenticity and love.

How to Survive Your Childhood Now that You’re an Adult is not just a great read.  It’s a must-read for anyone who seeks truth, growth, and happiness.  I highly recommend it.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc. Her new book, The Soul’s Twins, will be launched next year.

 

A Wrinkle in Time: A Timeless Tale March 13, 2018

By the 1970’s, Madeleine L’Engle’s A Wrinkle in Time (1962) was a staple in youth literature throughout North America. As an adult in 1977, I fell in love with it while doing research for the Children’s Literature course I taught. Considering that it was published in the pre-internet/social media era, this modern fantasy was arguably as popular with young readers in the 1970’s and 80’s as J.K. Rowlings’ Harry Potter series was with millennial youth. In 2003 Disney turned it into an award-winning made-for-television film, and now, 56 years after its inception, a new version of this classic has at last arrived on the big screen. I couldn’t wait to see it, and did last weekend.

Meg Murray (Storm Reid) is the gifted oldest daughter of two brilliant astrophysicists who are developing theories about the origins and nature of the universe. When we meet her she’s an angry middle-school misfit, tormented with self-loathing and grief over the unexplained disappearance of her beloved father (Chris Pine) four years earlier.  Meg’s only joy is her little brother Charles Wallace (Deric McCabe), a precocious genius and telepath whom she deeply loves and fiercely protects from bullies.

The story takes off when Charles Wallace introduces Meg and her new friend Calvin O’Keefe (Levi Miller) to his strange new friends—Mrs. Whatsit (Reese Witherspoon), Mrs. Who (Mindy Kaling) and Mrs. Which (Oprah Winfrey). Like the benevolent Mother Goddesses they symbolize, these beings have come to Earth from somewhere in the cosmos to help Meg and Charles Wallace rescue their father from imprisonment by the evil shadow known as IT. Traveling across a wrinkle in time and space called a tesseract—a new theory being developed by Meg’s mother (Gugu Mbatha-Raw) but as yet unproven by her—they are transported to the dark planet Camazotz where they rescue Dr. Murray but lose Charles Wallace to the evil. The timeless message of this story is conveyed by the way Meg saves him from the gathering darkness.

Almost everybody who reads a book before seeing the movie says the book was better. Unfortunately, I think this holds true for A Wrinkle in Time. Like dreams, we always prefer our own inner images to those of others. Nonetheless, there is much to love about this film.

For example, the child actors are remarkable. Storm Reid is pitch perfect as Meg. At times, her depiction of an array of confused and conflicting feelings brought me to tears. I’ve been there. Levi Miller as Calvin is a natural at portraying a wounded boy who hides his secret sadness beneath his earnest, inherent kindness. And Deric McCabe as Charles Wallace is a constant surprise and delight. Sometimes the youngest children, like eight-year-old Brooklynn Prince of the Oscar-nominated film, The Florida Project, are uncannily confident actors because they’re still too delighted with the imaginary world of “let’s pretend” to be self-conscious about it.

Once the travelers reach Camazotz, the costumes, sets, makeup, and auditory and visual effects are gorgeous and highly imaginative, but for me, unsettling and too much. Almost annoying. I would have preferred a more subtle palette with less in-your-face, technologically contrived color and pizazz! And as much as I admire the actresses who play the triple Mrs.’s, (symbolic of Hecate, Greek mythology’s three-faced goddess guide through the underworld), they are too young and glamorous for me.

Madeleine L’Engle described Mrs. Whatsit as a frumpy, bumbling and eccentric old woman (who morphed into a young and beautiful white winged creature that was part horse and part manta ray), Mrs. Who as a plump little woman in enormous spectacles, and Mrs. Which as a coldly authoritative black-robed, beaked-nose witch with a broomstick who had difficulty materializing into human form. In the film version none of them is remotely old or witchy. Mrs. Whatsis is a gorgeous young redhead and Mrs. Who an exotic, raven-haired beauty. And the majestic Mrs. Which is a stunning Queen of the Cosmos with a glass-beaded unibrow, glittering eye shadow and lipstick, a shimmering, constantly changing wardrobe, and impossibly thick blonde-white hair….. I quite envied her hair…..

Yes, the costumes and makeup are gorgeous and highly imaginative, but for me they don’t work. It’s not that I dislike what today’s highly sophisticated technology can do—after all, it made Star Wars, Avatar, and The Shape of Water possible. But too much of it detracts from the story and makes it difficult for the viewer to suspend disbelief, an attitude essential to the full enjoyment of a fantasy like this.

Despite this, the story and characters are as moving and inspiring in this film as they were in the book. Meg’s wounded but indomitable will, Charles Wallace’s belief in his inner knowing, Calvin’s desire to help, and the determination of the three Mrs.’s to conquer evil with good are deeply familiar, soul-satisfying themes.  Most satisfying of all is the way Meg saves Charles Wallace. By loving him. It’s the same timeless message about how anyone is ever really saved from the world’s darkness. Love is the one power evil doesn’t have, will never have. Knowing that love conquers all, we can endure anything. Even a highly anticipated film that doesn’t quite live up to our expectations.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

Thank Goodness For Facebook Friends November 14, 2017

“Aaarg, this is grueling,” I growl to myself as I pick up the next book I need to read. I’m feeling frustrated. I want to work on my book. Analyze ideas and tie them together with other ideas.  Find flaws in imperfect sentences and paragraphs. Mold them into clearer, more precise ones. Feel the pleasurable high that writing always brings.

Mentally gritting my teeth, I remind myself this is something I have to do. Comparing the manuscript I’m working on with similar books on the market is an important part of the proposal I will submit to potential publishers, but I’ve been dragging my heels to get it done. Recording and analyzing the dream I had last night was so much more meaningful and fun.

I read for a while, underline passages, take notes, decide to take a break. I’ve been neglecting social media for a while so I go to Facebook. The first thing I see is a note from a friend who’s just finishing her first book.  She writes, “I trust your new book is coming along well, Jean.  I will be working closely with Jill myself when I get home from Mexico.  I’m both a little nervous and excited! I guess those emotions are close enough to be compatible…”

Jill Swenson is a book developer my friend and sister author Elaine Mansfield introduced me to. Elaine thought so highly of her that I decided to consult her about my new venture. This book is a real bear and I need help.

I smile at Jenna’s words. I can relate. Big time. I pause. Think. Then write:

“You’re right, Jenna. The two emotions are compatible, as are many other conflicting ones. And I think this is inevitable and necessary. My project of updating, revising, and cutting 535 pages I wrote over 20 years ago down to less than 200 and doing a ton of annoying research to create a thorough proposal is a real challenge.

“This book is the hardest one yet. I’ve been bouncing back and forth between the frustration and self-criticism of “I can’t do this,” and the excitement and elation of “Oh, wait, I can do this,” for about 6 months now, and making pretty good progress anyway. Then just when I think I’m getting over this ping-pong process I have a dream like the one last night.

I’m at a travel stop and keep going back and forth between a dingy, disorganized and frustrating inn where I can’t even get something to eat and and the delightful landscape just outside the door: a vast beautiful plain carpeted in lush green grass harboring two big friendly and furry bizarre animals — one of whom speaks in a melodious voice and offers me a piece of candy — all of it ringed by distant misty mountains.

 

“This picture of my current emotions shows me I’m still conflicted but not fighting the process. Just feeling what I feel, comfortable and uncomfortable, and accepting it. I think that’s at least partly because I have Jill to steer me through it. She’s been a real treasure. You’ll love working with her. Having just described this dream here I’m reminded that it’s been a while since I’ve published a new blog post and this would be a good subject for it! I think that would be a nice break for me at the moment. Thanks for the prod!”

It’s amazing how refreshed I feel after writing this post just now. I needed this. Thank goodness for Facebook friends. And thank you also for my Twitter and WordPress friends.  It’s been too long since I’ve communicated with you and I’ve missed you. Thank you most of all to Jill, who will understand better than anyone how badly I needed this break and how restorative it’s been. Sending love to all of you.

Okay. Back to work.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

 

 

 

 

 

Into the Heart of the Feminine April 28, 2015

Medusa-Caravaggio_(Uffizi)There is a thinking in primordial images, in symbols which are older than the historical man, which are inborn in him from the earliest times, eternally living, outlasting all generations, still making up the groundwork of the human psyche. It is only possible to live the fullest life when we are in harmony with these symbols; wisdom is a return to them.
– Carl Jung

This blog is based on my passion for self-knowledge and understanding the two great archetypal foundations of life: the feminine and masculine principles. My research, writing and inner work have shed a great deal of light on these mysteries. They’ve also shown me how much I don’t know. Luckily, I have many opportunities to learn.  One recently appeared in the form of a book I was asked to review. I’m delighted to share its deep wisdom about the feminine principle with you.

Into the Heart of the Feminine: An Archetypal Journey to Renew Strength, Love, and Creativity, is co-authored by Jungian analysts Massimilla and Bud Harris. In this outstanding and groundbreaking book, the Harrises use the myth of the Greek Gorgon Medusa to demonstrate the timeless reality of a profoundly destructive complex of images, symbols and themes known as the Death Mother.

Myths are born whenever a culture evolves into a new stage of psychological awareness. Exploring them provides healing and understanding of these developments that are trying to become conscious. Medusa’s myth emerged in Greece during a time when patriarchal gods were trying to assimilate and control the transformative aspects of the feminine principle. The Harrises have uncovered traces of this myth countless times in themselves and their clients.

Medusa was a ravishingly beautiful maiden raped by the god Poseidon in Athena‘s temple. The angry goddess transformed Medusa’s beautiful hair to serpents and made her face so terrible that the mere sight of it would turn onlookers to stone. This is a perfect symbol for the devastating psychological impact of patriarchy’s wounding and devaluing of the feminine archetype.

To quote the Harrises, the Death Mother “paralyzes our initiative, spirit, creativity, and vitality.” Her negativity “affects our culture in general, mothering in particular, and our ability to like, nourish, and take loving care of ourselves.” Unfortunately, it also cripples our ability to meet the emotional needs of our children. Thus do many of us, women and men alike, grow up feeling so unloved, unlovable, depressed, and deeply disappointed in life that we pass on the same curse to them. What’s more, “When the feminine principle is repressed into our unconscious, it becomes part of our collective shadow, and this shadow projects itself as a longing, or even a demand, for power.” Many of us experience the negative consequences of that particular beast every day.

UnknownWith Medusa’s story as guide, the Harrises demonstrate that to bring the feminine into our world, we must begin in a personal way. Only by taking the time to reconnect with the wholeness of who we are—and dreamwork is a primary way—can we learn to value the feminine and have it become reborn within us. This point is illustrated throughout the book in stories about clients who have experienced healing by following the map for the journey outlined in Medusa’s myth.

This requires us to recognize our denial and face our fear of inadequacy, shame, rejection, and belittlement along with the underlying rage, grief and woundedness that give rise to these debilitating fears. With reflection we accept “the reality that we have been damaged by some of the primary attitudes and values in our culture.” This realization strengthens us to confront our personal Death Mother.  In the final phase of healing we learn to pay attention to our lives so that we can celebrate the transformation taking place by living a fuller, richer life.

I love this book.  You’d get a good idea how much if you could see the underlines and comments on practically every page. One of my favorite things about it, apart from the many “Ahas” I acquired about my own Death Mother complex, is the Harrises’ clear grasp of our current cultural mentality. We’ve become so rational, verbal and literal that we’ve forgotten how symbols and images carry a deeper reality than words.  We’ve lost the art of thinking symbolically. And as the authors say, “To lose this art is to lose the kind of grounding that enables us to experience the beautiful depths of love and the Divine presence that is potentially within our capacities.”

What greater loss could there be than that?

You can see Massimilla Harris speaking about the Death Mother at this link:   

Image Credits:  Medusa, Caravaggio.  Wikimedia Commons.  Cover Design of Into the Heart of the Feminine: Courtney Tiberio.  Cover Photo:  Anthony Cave

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

Terry Pratchett on Life, Death and the Hero’s Journey March 16, 2015

Our neighbor's tabebuia tree

Our neighbor’s tabebuia tree

As I write this, it’s March 16, one day after the Ides of March.  This time of year has long been celebrated by religious observances honoring the delicate tension between Life and Death.  Poised at the end of Winter, March 15 still lies in the margins of Death. Yet, just a few days from now, Spring will arrive with its promise of rebirth and new Life.

Perhaps an intuitive awareness of the thin boundary between Life and Death is why this pair of opposites is on my mind today.  It started this morning when I took Izzie, my granddog, for a walk and was dazzled by Nature’s celebration of extravagant new colors and scents.  Then, when I returned to my computer and saw notification of someone’s retweet of a quote I posted on twitter last Thursday, I was reminded of Death.

“There are times in life when people must know when not to let go. Balloons are designed to teach small children this.” ~Terry Pratchett

Blossoms on our lemon tree

Blossoms on our lemon tree

Sir Terry Pratchett, a writer who sold over 85 million books around the world, finally “let go” last Thursday, March 12, 2015.  Despite his diagnosis of a rare form of Alzheimer’s eight years ago, he continued to write. According to one article, last summer he completed his 41st novel in the Discworld series in which he collaborated with friend and fellow author, Neil Gaiman.

The article continues, “Just hours after he died, Death, known for his signature habit of ALWAYS SPEAKING IN CAPITALS in Pratchett’s novels, appeared on his twitter account with this news: “AT LAST, SIR TERRY, WE MUST WALK TOGETHER.”

“Death…is one of the most popular and prominent characters of Terry Pratchett’s Discworld series. He appears in 38 out of the 40 Discworld books published so far. In five of them, Death is a leading character.”

Yes, he was fascinated with Death, but if anyone loved and celebrated Life too, this man did.

Azaleas

Azaleas

“It is often said that before you die your life passes before your eyes. It is in fact true. It’s called living.”

“So much universe, and so little time.”

Perhaps in reference to his early love for science fiction and his passion for creating comical fantasies with bizarre characters and other-worldly settings, he wrote:

“It’s useful to go out of this world and see it from the perspective of another one.”

An astute observer of human nature, a natural philosopher who asked the Big questions about Life and Death, and a moralist, Pratchett’s most endearing stylistic signature was his cheeky, yet vulnerable, irreverence:

“It’s not worth doing something unless you were doing something that someone, somewhere, would much rather you weren’t doing.”

“Human beings make life so interesting. Do you know, that in a universe so full of wonders, they have managed to invent boredom.”

“Evil begins when you begin to treat people as things.”~I Shall Wear Midnight, Terry Pratchett

“‘And what would humans be without love?’ RARE, said Death.” ~Sourcery, Terry Pratchett

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Finally, Terry Pratchett was a terrific story-teller. Everyone likes a good story, but not all of us like the same kind of good story. For example, I know several inveterate book lovers who have no interest in mythology or some of the newer genres like science fiction and modern fantasy. I get the feeling some of them consider these to be cruder or more frivolous forms of writing than classics or “serious” contemporary writing. Being an avid fan of all three genres as well as many of the classics, I’ve often wondered why.

I think the answer lies in the parallel passions of readers and the authors whose books they adore. The great stories of mythology, for instance, generally have the most appeal for seekers oriented to philosophy, religion, and spirituality.

The same people also tend to love the works of writers like Dante’ (The Divine Comedy), Hermann Hesse (Steppenwolf and Siddhartha), Henry Miller (Tropic of Cancer and Tropic of Capricorn),  and Kate Chopin (The Awakening), as well as more contemporary writers like Madeleine L’Engle (A Wrinkle in Time and A Swiftly Tilting Planet), John Fowles (The French Lieutenant’s Woman and The Magus), and Ursula Le Guin (The Left Hand of Darkness and the Dispossessed).

What these books, Terry Pratchett’s books, and the people who love them have in common is that their stories were written by, and filled with, the wisdom of an individual who, having faced the terrors of Death, travels through Life in search of meaning, authenticity, self-knowledge and spiritual awakening on what Joseph Campbell called The Hero’s Journey.

Rest In Peace, Terry Pratchett. It is fitting that you left us during this season of transition from Death to new Life. The new world being born will be a bit kinder and wiser because you were in it.

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Image credits.  Small Gods/ThinkStock, and The Amazing Maurice and his Educated Rodents/ThinkStock.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

 
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