Matrignosis: A Blog About Inner Wisdom

Think Pyschologically; Live Spiritually

12 Symptoms of Your Psyche’s Immaturity April 10, 2018

 

Since the aims of the second half of life are different from those of the first, to linger too long in the youthful attitude produces a division of the will. Consciousness still presses forward in obedience, as it were, to its own inertia, but the unconscious lags behind, because the strength and inner resolve needed for further expansion have been sapped. This disunity with oneself begets discontent, and since one is not conscious of the real state of things one generally projects the reasons for it upon one’s partner. A critical atmosphere thus develops, the necessary prelude to conscious realization.  ~Carl Jung, CW 17, Para 331b

The mother bear is one of the most tender, nurturing, and fiercely protective mothers in the animal world. The first and most difficult lesson she teaches her new baby when they emerge from hibernation in the spring  is to stay hidden and quiet high up in a tree while she searches the forest for food. Soon the baby learns to stay in the tree until mother comes home and they are joyously reunited.

This goes on for about two years and then one day the mother bear trees her cub as usual. She goes out into the woods as usual. And she never comes back. It may seem cruel, but the good mother’s job not only is to protect but also to liberate. If she does not leave her cub when the time is right—a time roughly equivalent to adolescence in a human—and if the cub does not disobey the good mother by climbing down from the tree it will never survive to preserve the species.

We humans are like that cub. We began our lives as vulnerable, instinctive animals utterly dependent on Mother. She was the center of our universe and we had no choice but to submit to her, our caregivers, our teachers, our leaders because conformity to outer authorities kept us safe. In time we grew into adolescents with growing awareness of our egos and our agency. We believed we were thinking for ourselves and making our own choices. But most of the time we simply parroted what we’d been taught by others, claiming their preferences as our own and defending them with fervor. And when we found jobs and love partners and moved out of our parents’ homes, we thought we’d grown up.

But in the cosmic view of humanity’s history, our species is still in its adolescence. We may not be consciously tied to our mothers any more, but in the world of our psyche, our unconscious attitudes toward or against her still prevail and we have yet to take the hero’s journey to conscious individuation. How do we know we’re still in the tree?  Here are 12 symptoms:

  1. when things go wrong we proclaim our innocence while blaming our mother, father, partner, or someone else

  2. when we resent our mother for unresolved childhood grievances which govern our thoughts and behavior toward her instead of being able to forgive and love her as she is

  3. when we who are safe, well-fed, and comfortable resent our family for not serving our needs, our religion for not helping us change, and our government for not treating us fairly while taking no steps to rectify these situations on our own

  4. when we despise our flawed unworthiness and beg our gods to fix us instead of facing our inner realities and doing the necessary work to understand and heal ourselves

  5. when we’re afraid to listen to our own hearts, trust our own instincts, explore our own dreams, communicate honestly, and live our own lives in accordance to our interests, enthusiasms, and passions

  6. when we sulk, complain, and criticize others without accepting the responsibility for and consequences of our own negative attitudes and choices

  7. when our unconscious inner inertia prevails over our resolutions to change our toxic habits and attitudes

  8. when we want freedom, yet stay exactly where we are because conformity and familiarity are preferable to exploring the frightening unknown

  9. when we haven’t suffered the agony of making an original choice in the direction of our own hearts and passions

  10. when we can’t love ourselves or forgive each other

  11. when we resist changing our attitudes or values in directions that serve the greater good

  12. when we ignore the fears and fantasies that trap us in our trees

We are living in the twilight of the psyche’s immaturity. Those of us in the second half of life must accept responsibility for our part in contributing to the growing darkness. No one can save us but ourselves. We must leave our trees and become good mothers to ourselves, each other and the planet. If we cannot awaken from our dreamy fantasies and childish attitudes—if we cannot develop our own authority and speak the truths of our own spirits and souls with love, if we cannot face and deal with our disappointments, discontent, and fear of death, if we cannot live our own lives with the passion and joy we were born for—we will contribute nothing to the evolving consciousness which alone can birth a hopeful new dawn.

  CUB FANTASIES

There was a time when time stood still as death.

I shinnied up the mast of an old oak, breezes

ruffling my boat’s leafy sail, floating

dreamily over an ebony sea. One branch

was a mustang. We raced through the West

herding cows, chasing rustlers in black hats.

A three-pronged fork was an eagle’s

aerie where I savored new books…

as I awaited my mother’s return.

There was a time when time stood still as

death: I played house in log cabins outlined

with fallen twigs, imagined mother inside.

Prepared pretend lunches of crushed acorns

and mud, swept dirt floors and tangled roots

with dead branches, covered beds with crisp

leaf quilts, napped beneath a shaded

canopy, mother-made for me…

as I awaited my mother’s return.

Once, time moved as slowly as a glacier

and waiting and pretending were enough.

Now time surges like a raging river;

my gut growls and I am hungry, restless

to leave this tree despite the father bears

who crave me and my heresies for lunch.

But, oh, the bliss of frozen fantasy…

as I await my mother’s return!

How mature is your psyche?

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

A Wrinkle in Time: A Timeless Tale March 13, 2018

By the 1970’s, Madeleine L’Engle’s A Wrinkle in Time (1962) was a staple in youth literature throughout North America. As an adult in 1977, I fell in love with it while doing research for the Children’s Literature course I taught. Considering that it was published in the pre-internet/social media era, this modern fantasy was arguably as popular with young readers in the 1970’s and 80’s as J.K. Rowlings’ Harry Potter series was with millennial youth. In 2003 Disney turned it into an award-winning made-for-television film, and now, 56 years after its inception, a new version of this classic has at last arrived on the big screen. I couldn’t wait to see it, and did last weekend.

Meg Murray (Storm Reid) is the gifted oldest daughter of two brilliant astrophysicists who are developing theories about the origins and nature of the universe. When we meet her she’s an angry middle-school misfit, tormented with self-loathing and grief over the unexplained disappearance of her beloved father (Chris Pine) four years earlier.  Meg’s only joy is her little brother Charles Wallace (Deric McCabe), a precocious genius and telepath whom she deeply loves and fiercely protects from bullies.

The story takes off when Charles Wallace introduces Meg and her new friend Calvin O’Keefe (Levi Miller) to his strange new friends—Mrs. Whatsit (Reese Witherspoon), Mrs. Who (Mindy Kaling) and Mrs. Which (Oprah Winfrey). Like the benevolent Mother Goddesses they symbolize, these beings have come to Earth from somewhere in the cosmos to help Meg and Charles Wallace rescue their father from imprisonment by the evil shadow known as IT. Traveling across a wrinkle in time and space called a tesseract—a new theory being developed by Meg’s mother (Gugu Mbatha-Raw) but as yet unproven by her—they are transported to the dark planet Camazotz where they rescue Dr. Murray but lose Charles Wallace to the evil. The timeless message of this story is conveyed by the way Meg saves him from the gathering darkness.

Almost everybody who reads a book before seeing the movie says the book was better. Unfortunately, I think this holds true for A Wrinkle in Time. Like dreams, we always prefer our own inner images to those of others. Nonetheless, there is much to love about this film.

For example, the child actors are remarkable. Storm Reid is pitch perfect as Meg. At times, her depiction of an array of confused and conflicting feelings brought me to tears. I’ve been there. Levi Miller as Calvin is a natural at portraying a wounded boy who hides his secret sadness beneath his earnest, inherent kindness. And Deric McCabe as Charles Wallace is a constant surprise and delight. Sometimes the youngest children, like eight-year-old Brooklynn Prince of the Oscar-nominated film, The Florida Project, are uncannily confident actors because they’re still too delighted with the imaginary world of “let’s pretend” to be self-conscious about it.

Once the travelers reach Camazotz, the costumes, sets, makeup, and auditory and visual effects are gorgeous and highly imaginative, but for me, unsettling and too much. Almost annoying. I would have preferred a more subtle palette with less in-your-face, technologically contrived color and pizazz! And as much as I admire the actresses who play the triple Mrs.’s, (symbolic of Hecate, Greek mythology’s three-faced goddess guide through the underworld), they are too young and glamorous for me.

Madeleine L’Engle described Mrs. Whatsit as a frumpy, bumbling and eccentric old woman (who morphed into a young and beautiful white winged creature that was part horse and part manta ray), Mrs. Who as a plump little woman in enormous spectacles, and Mrs. Which as a coldly authoritative black-robed, beaked-nose witch with a broomstick who had difficulty materializing into human form. In the film version none of them is remotely old or witchy. Mrs. Whatsis is a gorgeous young redhead and Mrs. Who an exotic, raven-haired beauty. And the majestic Mrs. Which is a stunning Queen of the Cosmos with a glass-beaded unibrow, glittering eye shadow and lipstick, a shimmering, constantly changing wardrobe, and impossibly thick blonde-white hair….. I quite envied her hair…..

Yes, the costumes and makeup are gorgeous and highly imaginative, but for me they don’t work. It’s not that I dislike what today’s highly sophisticated technology can do—after all, it made Star Wars, Avatar, and The Shape of Water possible. But too much of it detracts from the story and makes it difficult for the viewer to suspend disbelief, an attitude essential to the full enjoyment of a fantasy like this.

Despite this, the story and characters are as moving and inspiring in this film as they were in the book. Meg’s wounded but indomitable will, Charles Wallace’s belief in his inner knowing, Calvin’s desire to help, and the determination of the three Mrs.’s to conquer evil with good are deeply familiar, soul-satisfying themes.  Most satisfying of all is the way Meg saves Charles Wallace. By loving him. It’s the same timeless message about how anyone is ever really saved from the world’s darkness. Love is the one power evil doesn’t have, will never have. Knowing that love conquers all, we can endure anything. Even a highly anticipated film that doesn’t quite live up to our expectations.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

Three Billboards: The Myth and the Message February 20, 2018

Three Billboards Day 04_118.dng

Dark, quirky, clever, and controversial, Three Billboards Outside Ebbing, Missouri has been nominated for seven academy awards this year. Like “The Shape of Water,” nominated for a whopping 13, its protagonist is a powerless, justice-seeking female up against an unsympathetic patriarchal system. In this case, the villain is not the U.S. military, but a small town, good-old-boy police force. Both plots are driven by the archetypal hero/ine vs. villain theme punctuated with racism, violence, and abuse of power.

Frances McDormand plays Mildred Hayes, a grieving mother whose teen-aged daughter was raped then set afire. Angry at local authorities who haven’t solved the murder, she rents three unused billboards and puts up an accusatory message to sheriff Willoughby, played by Woody Harrelson. In the face of animosity and threats from several fellow citizens, especially the racist, mama’s-boy police officer Dixon (Sam Rockwell), she persists in calling attention to her cause. As tension and emotions ramp up in a series of unexpected events, viewers discover that in this battle between good and evil, the lines aren’t as clearly drawn as we might prefer.

Original as this film is, at bottom, its theme is archetypal. Consider the ancient Greek myth about the Earth Mother goddess Demeter and her beloved young daughter, Persephone. Carol S. Pearson’s latest book, Persephone Rising, contains an insightful explanation of the same psychological forces which continue to influence us and our culture today.

In the myth, innocent Persephone gathers flowers in a field when Hades erupts through a cleft in the earth and abducts (and some say rapes) her. When Demeter realizes her beloved daughter is gone, she is overwhelmed with grief. After getting no help from the gods who, fearing retribution from Zeus, refuse to tell her what happened to her daughter, she sets aside her responsibilities for making the crops grow and searches the earth tirelessly. While Demeter grieves, all growth on earth ceases, then dies. As Dr. Pearson notes, Demeter’s recognition that her needs matter too result in the “first ever recorded sit-down strike.”

Zeus — the Father/King of the gods and prototype of patriarchy’s top dog whose power trumps everyone else’s — is not happy about this.  It was he, Persephone’s father, who had given Hades permission to take her to the underworld in the first place. But if the famine kills the humans, who will build his temples? Who will worship him with gifts and offerings? So this macho, uncompromising thunder God relents and demands Persephone’s release. Demeter’s non-violent protest works.

But will Mildred’s protest work? Will it stay non-violent? Our dualistic mindsets want a hero to celebrate, a scapegoat to blame, a heretic to crucify. But these people are not polar opposites like virtuous princes and wicked witches. They are complex, multi-faceted human beings grappling with complex issues and powerful emotions that aren’t easy to reconcile.

The gods and goddesses represent amoral, instinctual forces in all of us. At bottom, this is who we are. You and I contain every emotion they feel, and we are capable of being gripped by them to commit every act they do, good and bad. The only difference between them and us is that we humans want to be virtuous so we make rules for ourselves, try to keep them, and disown our shadow sides that want to break them. But sometimes they show up anyway.

Mildred’s daughter has been taken from her and she deserves justice, but can we condone her increasingly questionable tactics? We might likewise ask, how can Demeter, supposedly an endlessly loving and forgiving Mother goddess, let humanity starve to death just to get her daughter back? Does her grief justify her means?

Seeing unsuspected sides of Sheriff Willoughby and officer Dixon is equally unsettling. Why isn’t Willoughby putting more effort into pursuing the culprit? Is he indifferent to Mildred’s suffering? Why does he let Dixon — one of those ignorant Warrior bullies we love to hate — get away with his senseless cruelty toward a man less powerful than he? Are these people redeemable?

Demeter gets her daughter back from the underworld, at least for part of every year. But though Mildred has some admirable goddess qualities, she is not a goddess, and no matter how much she acts like one her daughter will never return. Is there a human force strong enough to reconcile her fierce Demeter hunger for justice? Dixon, like Zeus and Ares, the God of War, savagely punishes people he hates. Will Mildred become like him? And if she does, will this cancel out any vestiges of human goodness left in her?

Three Billboards Outside Ebbing, Missouri is a dark, disturbing film, but I loved it for highlighting human complexity and prompting these and other difficult questions. It is the function of artists and art to raise a culture’s awareness. To challenge our either-or morality. To explore the gray realm between opposites in which a creative third force can emerge to reconcile our divisiveness. I love it that this film is being honored for rising to this challenge.

But I loved the dreamy, fairy-tale quality of The Shape of Water too. This leaves me with another question. Which one do I want to win the Oscar for best picture? This is a complex issue I haven’t reconciled yet.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

Books: The Perfect Holiday Gift December 18, 2017

Holiday Greetings to all. It’s a week before Christmas, so there’s still time to order books for the readers on your list. In case you’re looking for ideas, here are some of my recent favorites. They’re all wonderful.  Enjoy.

Regina Aguilar, Alchemy of the Heart: The Sacred Marriage of Dionysos and Ariadne. Chiron Publications. November 7, 2017.

Manipulated by mythologies which legitimate the authority of those who use them for economic and political advantage, we are increasingly estranged from our Source, our environment, one another and ourselves. We need stories that describe the soul’s healing, bring reverence for life, and connect us to an inner authority based on experiential knowing. Alchemy of the Heart—an in-depth Jungian analysis of the myth of Dionysos and Ariadne—is such a story. Dionysos exemplifies the destruction and restoration of wild, virile, passionate masculinity in deep rapport with the earth and femininity. Ariadne symbolizes innocent, trusting, devoted, but deeply wounded femininity in patriarchy. When a woman’s romantic illusions are shattered by masculine betrayal, the experience of feeling her supportive inner masculine brings renewed vitality and a mystical sense of oneness with life. The story and eventual union between the masculine Lover and feminine Beloved in the alchemical sacred marriage described in this myth is a metaphor for the inner path of integration and individuation available to you.

HeatherAsh Amara, The Warrior Goddess Way:  Claiming the Woman You Are Destined to Be, Hierophant Publishing, October 24, 2016.

Written for women, The Warrior Goddess Way is filled with wise principles and insights from which anyone seeking greater power, passion, and freedom can benefit. Amara describes a pathway of presence, baby steps, and practice—a road to reclaim all of you, including your darkest fears and most precious gifts. It asks you to recognize how you have been trained to think and behave, to witness your mind instead of believing everything it tells you, and to embrace yourself in your entirety. Most of all it asks you to stop resisting things beyond your control and learn to love it all. To say Yes! to every situation in your life and ultimately, Yes! to death. Befriending death frees you to be more fully engaged with life. Examples and activities demonstrate the value of such qualities as presence, forgiveness, apology, authenticity, respect, listening, stillness, and awareness.

Lewis Howes, The Mask of Masculinity, Rodale, October 31, 2017.

“Regardless of gender, the key to success in life is creating meaningful relationships.” With this line, the reader is ushered into a bold new territory where successful men care more about connecting and being real than wearing macho masks. In today’s world, authenticity and other qualities this two-sport All-American athlete now associates with greatness—like empathy, insight, honesty, vulnerability, compassion, acting for the good of others, and the ability to heal from one’s own wounds—are traditionally associated with femininity. Howes hopes to change this one-sided and outdated stereotype by describing nine toxic masks men wear which, when discarded, enable them to accept their vulnerability and evolve into a modern-day masculine archetype of benevolent and compassionate power, courage, inner peace and happiness.

Ira Israel, How to Survive Your Childhood Now That You’re an Adult: A Path to Authenticity and Awakening, New World Library, November 7, 2017.

Western culture’s beliefs in capitalism, science, and religion taught you to value the wrong things like productivity, consumerism, and romantic love. Your futile struggles to find happiness and unconditional love via these beliefs created resentments and judgments about the past. As an adult you still dwell on these beliefs and ignore your present pain to stave off future pain. In How to Survive Your Childhood Now That You’re an Adult, psychotherapist Ira Israel deconstructs common dysfunctional mindsets and encourages you to accept and own the reality of your life. Suggestions to raise and reorient your consciousness include seeking a new definition of authenticity—encompassing the psychological principles of attachment, atonement, attunement, presence, and congruence—and practicing Buddhism’s Four Noble Truths, Eightfold Path and Three Jewels. Your practices will alleviate suffering, promote loving relationships, and help you live with authenticity and love.

Winifred M. Reilly, It Takes One to Tango: How I Rescued My Marriage with (Almost) No Help from My Spouse—and How You Can, Too, Touchstone, April 4, 2017.

Written by marriage and family therapist Winifred M. Reilly, this wise and practical book addresses unrealistic expectations and dysfunctional interactions which damage love relationships. With examples from clients and her own marriage, Reilly takes the reader through five developmental stages of partnerships. She concludes the key for positive change is for one partner to name the basic issues that create conflicts, accept personal responsibility for their role in them, learn how to manage their anxiety, and take risks to respond in new ways. This weakens habitual patterns and transforms the relationship into a more forgiving and loving partnership.

Tosha Silver, Outrageous Openness:  Letting the Divine Take the Lead, Atria (Reprint Edition), July 12, 2016.

Doctrinaire religions can leave you spiritually alienated because they focus on external observances instead of internal realities. Tosha Silver suggests you align with the Divine by asking for what it wishes for you instead of insisting on your ego’s preferred outcomes. When you offer your problems to the Divine and invite it to take the lead, then symbols and synchronicities tell you when to act. Your openness and trust in a divine order of love and abundance frees you from worry and allows the perfect solution to any problem to arrive at the right time. Silver shares a fascinating and entertaining collection of brief stories which illustrate these principles at work in her life and the lives of others.

Sara Avant Stover, The Book of She: Your Heroine’s Journey into the Heart of Feminine Power, New World Library, October 13, 2015.  

Building on Joseph Campbell’s The Hero with a Thousand Faces (1973) and Maureen Murdock’s The Heroine’s Journey (1990), yoga and meditation instructor Sara Avant Stover’s The Book of She describes how women can reclaim their feminine power. Combining personal stories, examples from wisdom traditions, and advice from noted psychological and spiritual teachers, Stover highlights 13 stages of the feminine journey. These are organized into five parts: Preparing for the Journey, The Descent, The Initiation, The Ascent, and The Homecoming. Readers are encouraged to explore and heal their inner and outer lives with numerous activities, rituals and guided meditations within a framework of guiding principles—cultivating an ongoing practice, welcoming silence and prayer, clarifying your priorities, taking responsibility for your life, exploring dualities, and facing your shadow.

Richard Rohr with Mike Morrell, The Divine Dance: The Trinity and Your Transformation, Whitaker House, October 4, 2016.

“Bad theology is like pornography—the imagination of a real relationship without the risk of one.” This sums up the theme of The Divine Dance—a repudiation of Empire and a celebration of Relationship. Central to this celebration is your willingness to actively change what you let into your heart and consciously participate in the divine dance of loving and being loved. Trinity is a foundational principle of perennial philosophy—the core beliefs common to every religion. Some call it the Third Force. It is also a living reality—a circular flow of love in you and the universe that mirrors the orderly spinning dance of subatomic particles which birth and sustain life. The 67 essays in this book depict God as absolute relatedness. They affirm that your participation in the dance can transform your illusion of separation into a spiritual experience of radical relatedness with yourself, your life, and the Divine.

I think of you often as I work on my next book and will stay in touch in the New Year. I wish you the happiest of holidays. As the nights grow longer and darker, may your inner light grow stronger and brighter.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

 

Staying Conscious April 11, 2017

Surprise! I’m back with an update. Reworking my old manuscript is bringing enormous satisfaction. My unconscious is sending solutions to knotty problems via my dreams and early morning ruminations before I’m fully awake. I’m meditating for 20 minutes before I get to work and writing for hours at a time. The latest entries in my dream journal say it all.

#5877 

I’m teaching a one-hour college class in Language Arts. I have two pages of written notes stuck to a clipboard and am carefully peeling them off so I can hold them in my hands while I teach. Little chunks of the bottom of the second page stick to the board, but there’s nothing written on them so I won’t worry about them now. I suddenly realize I’ve spent the first 15 minutes getting my notes together and have no idea what’s in them. I feel an urgency to start teaching.

I start quieting everyone down, but interruptions and distractions prevent me from actually teaching. This is okay with me, because I can use this time to figure out what to talk about. I hope I’ll know by the time the class is ready to listen. A mother comes in late with two little girls. I don’t want them here but realize she must not have a choice so I smile to let them know it’s okay, all the while hoping she’ll keep them from disturbing the class. A loud male student gets my attention and I firmly ask him to quiet down. I realize I was too harsh and could have handled this better. I see I’ve used up another 15 minutes.

In the third 15 minutes the little girls fall backwards into a deep hole or well in the floor—it’s round and maybe 4 feet deep. The girls are submerged in a foot or two of water. I’m worried, but the mother doesn’t appear to be. They’re holding their breath and enjoying themselves. I decide they’ll come up when they’re ready and continue thinking about what to teach. But soon everyone is gathered around and I can’t ignore the situation anymore so I ask the parents (the father is here now) to pull them out.

Now I only have 15 minutes left. What’s the best way to use this time? I realize I haven’t given them the course syllabus yet. They need it to prepare for their end-of-semester project. I try to remember what it is. Oh yes, they have to create original learning centers. I feel better now. I know what to say before the class is over and I have to leave. I organize my thoughts and begin to teach.

Associations:

This feels like a metaphor for the way I’ve spent my time in Earth School.  

During the first quadrant I unconsciously spent my time preparing myself, gathering information without having a clue about what I was meant to do with my life.

In the second quadrant I was teaching and becoming aware of forces within me that were preventing me from finding and fulfilling my life’s work. One challenge was juggling parenthood with teaching and learning.  Another was some strong masculine energy that presented me with problems I didn’t know how to handle gracefully. 

During the third quadrant I committed myself to dreamwork as a means of self-discovery and wrote my first three books. At last I knew what my purpose was:  to share what I knew about the transformation of human consciousness. Sometimes my immature feminine shadow fell back into unconsciousness. But I knew the importance of my mission and had the awareness to ask the Self (the parents) to bring her back into awareness.  

In the final quadrant where I am now, I know how little time I have left to fully prepare my students (whoever might be influenced by my teaching and writing) for what is to come. Now I know what to do and am doing it. 

#5878

There’s a girl-woman I know well who’s done something problematic. She’s got a bandaged wound. I’ve apprehended her and have to keep my eyes on her at all times to make sure she doesn’t escape and create more problems. This feels extremely important. Occasionally I take her by the wrist to keep her near. She’s pleasant and compliant, but I can’t trust her.

Associations:

The girl is my feminine shadow.  The dream says I am seeing her clearly and objectively. When I stay with her she’s not a problem. But if I fall back into unconsciousness and forget to watch her, she will resurrect and negatively impact my work and relationships.

Conclusions:

Staying conscious is vital to this last quadrant of my life.  I meditate every day now to be more mindful of subtle thoughts and inclinations that might prevent me from doing my best work. When something uncomfortable emerges I align with my observer/Self to look at myself objectively, recognize my shadow, and gently bring myself back into a place of repentance, forgiveness, gratitude and love. Making this effort is working.

Sending you love and blessings, dear friends. I’m having the time of my life.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

What Do Our Relationships Have to Do with Our Spirituality? February 7, 2017

Like you and me, an iceberg has a part we can see and a part we can't.

Like you and me, an iceberg has a part we can see and a part we can’t.

The cooperation of conscious reasoning with the data of the unconscious [two opposing halves of one psyche] is called the ‘transcendent function’…. This function progressively unites the opposites. ~Carl Jung, CW 18, par. 1554.

In my January 4th post, “What Is Enlightenment?” I wrote,  “…even though we think of enlightenment as a strictly spiritual pursuit, it… is not solely a function of any one aspect of human nature, but of the whole package.” I went on to describe what I consider to be the fundamental psychological components of enlightenment. They consist of four archetypal couples—each consisting of a ‘masculine’ and ‘feminine’ form of energy—and a final androgynous archetype, The Couple, which evolves as we work to create reciprocal relationships between the other four pairs.

One reader made the following observation:

So, the Couple archetype may be just a beginning place, with the potential for infinite expansion and evolution. Any two energies, when they come together, exponentially increase the potential of each partner and create a new whole that radiates outward to impact an infinite number of other inter-related individuals. The Couple is not completion, it is only the point where “self” and “other” become one… and then become infinite. The “transcendence” occurs beyond self and other, beyond masculine and feminine. Kirsten Backstrom

I agree with Kirsten’s comment that the Couple is not completion. As I see it, it is a conscious, expanding, integrating way of thinking, being and living which aims for perfection and completion. In this respect it is a portal to transcendence. I’d like to expand on that idea here.

Last weekend I attended a talk by Father Rohr in which he made two profound statements:

“Organized religion has not taught high-level consciousness.” 

“Unless your religion is transforming your consciousness, it’s junk religion.” ~Richard Rohr, Speech in Winter Park, FL, Jan 28, 2017.

This from a Catholic priest.  How refreshing is that? Here’s the point I want to make: We are much more than we think we are, and reality is much more than we think it is. The thoughts and feelings of which we are aware are the tip of a massive iceberg, and we will never experience spiritual transformation (non-dualistic, high-level consciousness) until we admit the data of the unconscious, i.e. what lies below, into our awareness.

Two opposing hemispheres in intimate relationships make a third sacred entity: a child, your brain, the world, a new work of art.

Two opposing hemispheres in intimate relationships make a third sacred entity: a child, your brain, the world, a new work of art.

And how do we do that? As Richard Rohr says, “the relationship is the vehicle” that will take us there.

“God is absolute relatedness.  I would name salvation as simply the readiness, the capacity, and the willingness to stay in relationship.” Richard Rohr. Divine Dance, p. 46.

This is a truly profound statement. Once again, to quote Rohr,

“…the principle of one is lonely;  the principle of two is opp0sitional and moves you toward preference;  the principle of three is inherently moving, dynamic, and generative.”  Richard Rohr. The Divine Dance, p. 42.

Three. Trinity. The foundation of Christian theology. Any relationship between two opposing parts of ourselves, or between two individuals, is by nature oppositional. However, a long-lasting, committed relationship between any two entities is a sacred crucible in which two souls (or two opposing parts of one soul) can hope to attain psychological and spiritual maturity. This is why I’ve written:

I see the Couple as integrating the other four archetype pairs in a sacred marriage of fully individuated and fully related opposites.  This union activates the creative instinct and brings us into the spiritual domain and Epoch III integrated consciousness. ~Raffa, Healing the Sacred Divide, p. 203.

Epoch III thinking is neither perfect nor complete. But at this point in human evolution, it is a step forward:  a portal to further growth. Moreover, as Kirsten noted, and as I write in Matrignosis and my books, the genders of the human partners whose interactions usher us into this domain is not an issue. Here’s Kirsten’s take on why:

“There are good reasons why “Two Spirit” people in many indigenous cultures have a significant role in spirituality, because they (we) literally transcend the human tendency to create dualistic models of relationships (both internal and external) that are actually intricate, reflective, webs of interdependence—more like Indra’s net than like pairs of complementary opposites….

“With gay relationships, we’ve got to experiment with going beyond the duality and open up the possibilities… because we don’t just fit the mold. In my own 29 year relationship, we’re constantly exploring new ways of balancing, responding, creating, and dancing with each other… I hope that’s true in any healthy relationship!”  ~Kirsten Backstrom

Ancient pagan and modern Christian symbolism: Androgyny.

Ancient pagan and modern Christian symbolism: Androgyny.

I find Kirsten’s thinking on this issue to be profound. I believe with my whole being that it is possible for partners in any couple relationship to relate in such a way that the creative instinct within each is activated. This enriches both their individual selves and their relationship such that each partner creates an original work of art of his/her own soul as well as of the relationship itself.

Moreover, their creative interaction in the space in-between activates a third entity, sometimes called the Holy Spirit, or God’s indwelling presence. This three-in-one relationship is a spiritually transformative love, a divine presence which transcends religious dogma, gender stereotypes, and dualism. Thus can we evolve into high-level consciousness and high-level spirituality.

“We…are intrinsically like the Trinity, living in an absolute relatedness.  We call this love.”  ~Richard Rohr, The Divine Dance, p. 47.

What do our relationships have to do with our spirituality?  Everything!

 

Thank you, Kirsten Backstrom, for inspiring this post.

Image credits:  Iceberg, Wikimedia Commons.  The brain’s hemispheres, Google Images. Androgyny, Wikimedia Commons.

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

Time Out January 31, 2017

Yippee! It's morning! Time to get up, Granna.

Yippee! It’s morning! Time to get up, Granna.

My son brings Izzy, his four year-old golden retriever, to our house. We will dog sit until his family returns from their winter vacation.  She’ll be with us for five days. I love this dog, but she’s not easy. She’s big, rambunctious, needy, demanding of attention. Will the time and attention I’m willing to spare be enough for her? I hope so.

We take a little walk. She sniffs around, does her business. Good. We return to the house so I can work and she can rest.

It’s evening.  I feed her and leave for my ukulele lesson. When I return home Fred says our daughter has invited us to join them for dinner at their favorite Italian restaurant. We are delighted. Izzy will be fine alone for a while. She’s been here many times. I give her a treat, tell her we’ll go for a walk when I get home, say goodbye.

Over dinner our granddaughters recount last week’s accomplishments. A perfect score on a difficult and important math test.  A thrilling promotion from the junior varsity to varsity softball team.  Does anything feel better than this time out with them?

Back home, Izzy wakes up  from her nap on the kitchen floor. She looks up at me, tail thumping, waiting to see what’s next. I wrap her leash around my shoulders, stuff a green doggy-waste-bag in the pocket of my blue jeans, and we step out the front door.  Our little neighborhood is small and secluded so the leash is just a back-up plan in case we run into cars or other late-night dog-and-human-walkers.

A late afternoon walk.

A late afternoon walk.

I love being outdoors at night. The fresh cool breeze off the nearby lake. The quiet. The shadows. The open space. The peace. No people to talk to. No cars to avoid. A few pale street lights…just enough to keep Izzy in sight. The pleasure of giving her this time out, knowing she’s enjoying it, feeling confident and secure because I’m there with her.

She stops in the middle of the road, sniffing road kill. It’s too dark and the creature’s too long gone to tell what it is. Was. Osprey, raccoon, opossum, squirrel?  I look at the stars, happy to wait, enjoying her pleasure.  She glances back at me. I step forward, so does she. We move on to the next olfactory infusion. She stops, transfixed. I stop, transfixed. Does she remember I’m here, or is this new smell her entire universe in this moment?

We walk on. She sniffs something else, looks back, reads my body language. “It’s okay. You’re okay,” my body says. She understands and moves on. I’m still her lighthouse. I follow her lead. Knowing we’re connected as surely as if she were on a leash. Gratified that we trust one another so much that she doesn’t have to be tied physically to me. Pleased that she’s free to follow her nose. Humbled that we’re so acutely aware of the significance of each other.

We approach a crossroad. She looks back at me. Looks to the left. Looks to the right. Starts off to the right. No, I think. Left toward the lake is better. No traffic that way. She’ll be safer. I whistle one note. She freezes. Glances back. I point to the left. Just a slight movement of my arm and index finger. She turns around and goes left.

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A magical night by the lake.

I feel a surge of joy. This moment. This connection with Nature, this utterly delicious intuitive knowing. This trust between two animals who have such different languages and ways of processing life.

So different, and yet….we see each other. We know each other. In some invisible way we are touching each other, our minds sharing the same time and space. It feels magical. Miraculous. We’re part of a mystery so vast my mind can’t encompass it.

But, oh! I can enjoy it. This night under a starry sky. This dog who trusts me, who I trust. This connection to the unknown. I’m filled to bursting with gratitude and love. Does anything feel better than this time out?

Jean Raffa’s The Bridge to Wholeness and Dream Theatres of the Soul are at Amazon. E-book versions are also at KoboBarnes And Noble and Smashwords. Healing the Sacred Divide can be found at Amazon and Larson Publications, Inc.

 

 
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